| DateAdded | Artist | Title | Format | Price | Label | Description |
|---|---|---|---|---|---|---|
| 8/4/2007 | 16 Bitch Pile Up / Mike Shiftlet | split | LP | $12.99 | Ecstatic Peace | "Ohio has been rampant on the Ecstatic Peace play lists lately with the release of a long player earlier this year by Leslie Keffer and a forthcoming split LP by Emeralds and Tusco Terror. Like Keffer, who's moved to Nashville (to be closer to Be Your Own Pet), 16 Bitch Pile Up and Mike Shiftlet are both ex-pats of Ohio. 16 Bitch to California and Shiflet to some weird small town in Japan. Shiflet we've known for years as he has produced some of the more interesting tapes and whatnot of Midwestern out-ness from his Gameboy label and from his legendary duo tour with Burning Star Core/C. Spencer Yeh of a few years back. Like the amazing beard he has sported since childhood his music is a free-fall of acoustic wonder. He is also the cat responsible for turning on most of the world to the radical charms of three girls from Ohio wickedly named 16 Bitch Pile-Up. With a name like that you may have expected something just kinda funny but what made itself imminently obvious was that 16 Bitch was really and extremely into producing a wholly personal thrombosis of noise improvisation. Crystallized to the trio of Sarah Bernat, Sarah Cathers, and Shannon Walter, this trio has become one of the most consistently exciting live experiences of the last five years. These recordings by both artists were done when both were still residents of Ohio and reflect that time and space right before each other's exodus. They are raw and righteous and ready for you to take a bite." Edition of 500. |
| 7/16/2006 | 16 Bitch Pile-Up | Hairless Whisperer | one-sided LP | $19.99 | American Tapes | Limited edition of 200 copies. |
| 3/5/2009 | 78 Grave & The Rocket 88s | I Love The Life At The Door | CDR | $12.99 | Mad Monk Annex | "Brand new on James Toth's MAD MONK ANNEX CDR imprint. Title taken from a poem by Poetry Out Loud guru Klyd Watkins. From the artist: "On hold with the Tennessee Department of Human Services for over 36 minutes, the initially innocuous 'hold music' - which resembled two bars of "The Way We Were" repeated ad infinitum - began to mesmerize / hypnotize, as my impatience slowly melted to peace, lulled as I was by this 16 second loop of muzak, which would cut off and repeat at random intervals. After finally getting through and dealing with my business, I decided to call back and record the music, which I was now obsessed with (possessed by?). This time I was only on hold for 21 minutes. I took what I had, doubled it, and did some very basic edits / treatments." Imagine a punk rock Distintegration Loops or a drug withdrawal-plagued take on some of The Caretaker's recent ballroom music. An unusually provocative and mysterious tablet of high audio doggerel. Fans of narcosynthesis, rejoice!" |
| 6/4/2010 | S K L S | S K L S | 7" | $7.99 | Quasi Pop | "S K L S are Joachim Nordwall & Henrik Rylander, the key members of Swedish noise-rock band The Skull Defekts. That's their debut release under the name S K L S, which seems to be a kind of side-project for darker, electronic minimalistic sounds. As opposed to the full guitars & drums line-up of The Skull Defekts follows the traditions of motoric Kraut-style (Can or Neu! - like), S K L S is defenitely oriented mostly on spacey-psychedelic-electronic-meditation of Cluster or Popol Vuh. It's completely based on analogue synths, fxs and feedback. |
| 8/20/2011 | S.W.M.C.C.C | Demo tape | cassette | $5.99 | American Tapes | "Aka SOUTHWEST MICHIGAN CULTURAL CLASH CENTER. Last seen live debut's at Miles bday secret apartment party with Stoning, Raven Strain, and Evenings & DJ BOMBAT. Was a killer night. This new band is solo woodwinds (indian flute & quad reed, & bagpipe chanter) with composed live tape sounds. Classical avant style. Recorded in slow and low in the soft light of the Dribbling Gold studios with rich sound. Like a wind from a calm but unsettled land. Color slip case. Edition of 40." AM 908 |
| 6/11/2006 | Saaboteuse | Saaboteuse | 3" CDR | $6.99 | Firstperson | "A diminution / distillation / destruction of SCULPTRESS wilful and playfully secreting dynamite, oil/grease and TINY SPIKES in the heart/running engine of SCULPTRESS, bringing themselves down from within without ... magic cards reverberating through the CONFESSIONAL grill via an echo chamber painted poison-lead red ... multitracked espionage and chicanery / vital, virtually un-honed precision device mismanagement ... coherent reams and streams / dubious intent / copious intensity ... old pianist throttled throat wire ... JOINCEY//JARVIS" |
| 6/30/2010 | Sabbath Assembly | Restored To One | CD | $11.99 | AJNA | "Restored to One is a modern response to the musical activities of a cult known as The Process Church of the Final Judgment, who used music to spread their visions of Gnostic reconciliation in a time of cataclysmic change. Sabbath Assembly has re-charged the original hymns of The Process Church and worked them into moving renditions that unite the trinity of rock, psychedelic and gospel into one triumphant re-awakening. The Process Church was an intensely creative, apocalyptic shadow side to the flower-powered '60s and New Age '70s. The influential group opened Chapters in London, Europe and across the United States. Dressing in black cloaks and walking the streets with German Shepherds, they created their own intricately designed magazines, and promoted a controversial, quasi-Gnostic theology that reconciled Christ and Satan through deeper awareness and love. Funkadelic reproduced Process writings in two of its albums. The Process Church was accused of being part of a Satanic underground conspiracy by true crime pulps, most notably Ed Sanders' The Family, which linked the Church to the Manson murders. The insider's perspective of this secretive group and its true leadership recently emerged with Feral House's LOVE SEX FEAR DEATH: The Inside Story of The Process Church of the Final Judgment, written by former members including Timothy Wyllie, and edited by Adam Parfrey. Restored To One features the following: JEX - Jex Thoth (I Hate Records); Wooden Wand and the Vanishing Voice (5RC, Destijl); and James Jackson Toth (Rykodisc, Ecstatic Peace). XTIAN a.k.a. Dave Nuss - No-Neck Blues Band (Sound at One Records); Curator of SOURCE Family's Magnificence in the Memory archival release (Drag City); Boredoms drum leader for Boadrum 777, 888, 999 concerts. RANDALL DUNN - Producer (Sunn0))), Earth, Boris, etc.) The recording follows on the heels of a highly successful, strategically planned series of live shows across the US in the Fall of 2009, which presented a ceremony featuring Sabbath Assembly performing the original hymns of the Church - all previously unrecorded. More live events shall follow along with a documentary on the Process Church made by William Morris of Skinny Puppy, a video for a song from the coming release, standard CD and LP releases and an archival LP box set (including readings of Process sacred literature by Genesis Breyer P-Orridge, Adam Parfrey, and Lydia Lunch, as well as LOVE SEX FEAR DEATH author Timothy Wyllie), and an off-Broadway theatre extravaganza entitled "Gaming the Gods" based on the rise and fall of the Church." |
| 6/30/2010 | Sabbath Assembly | Restored To One | LP | $14.99 | AJNA | "Restored to One is a modern response to the musical activities of a cult known as The Process Church of the Final Judgment, who used music to spread their visions of Gnostic reconciliation in a time of cataclysmic change. Sabbath Assembly has re-charged the original hymns of The Process Church and worked them into moving renditions that unite the trinity of rock, psychedelic and gospel into one triumphant re-awakening. The Process Church was an intensely creative, apocalyptic shadow side to the flower-powered '60s and New Age '70s. The influential group opened Chapters in London, Europe and across the United States. Dressing in black cloaks and walking the streets with German Shepherds, they created their own intricately designed magazines, and promoted a controversial, quasi-Gnostic theology that reconciled Christ and Satan through deeper awareness and love. Funkadelic reproduced Process writings in two of its albums. The Process Church was accused of being part of a Satanic underground conspiracy by true crime pulps, most notably Ed Sanders' The Family, which linked the Church to the Manson murders. The insider's perspective of this secretive group and its true leadership recently emerged with Feral House's LOVE SEX FEAR DEATH: The Inside Story of The Process Church of the Final Judgment, written by former members including Timothy Wyllie, and edited by Adam Parfrey. Restored To One features the following: JEX - Jex Thoth (I Hate Records); Wooden Wand and the Vanishing Voice (5RC, Destijl); and James Jackson Toth (Rykodisc, Ecstatic Peace). XTIAN a.k.a. Dave Nuss - No-Neck Blues Band (Sound at One Records); Curator of SOURCE Family's Magnificence in the Memory archival release (Drag City); Boredoms drum leader for Boadrum 777, 888, 999 concerts. RANDALL DUNN - Producer (Sunn0))), Earth, Boris, etc.) The recording follows on the heels of a highly successful, strategically planned series of live shows across the US in the Fall of 2009, which presented a ceremony featuring Sabbath Assembly performing the original hymns of the Church - all previously unrecorded. More live events shall follow along with a documentary on the Process Church made by William Morris of Skinny Puppy, a video for a song from the coming release, standard CD and LP releases and an archival LP box set (including readings of Process sacred literature by Genesis Breyer P-Orridge, Adam Parfrey, and Lydia Lunch, as well as LOVE SEX FEAR DEATH author Timothy Wyllie), and an off-Broadway theatre extravaganza entitled "Gaming the Gods" based on the rise and fall of the Church." LP jackets thicker than standard jacket, 180 gram gold vinyl, printed inner sleeve and metallic ink. Recommended! |
| 3/21/2009 | Sabbath Pink | Sabbath Pink | CDR | $8.99 | Ruralfaune | "Muffled mayhem and disturbing intensity of a sabbath, a maelstrom of dirty & filthy guitar lines coupled with distorted melodies. Intense psychopathic trio from Roanoke, Virginia. Special limited edition of 12 including 3"cdr, not featuring Prince Rogers Nelson." Limited edition of 61 copies. |
| 4/29/2008 | Sachiko | Hverfanda Hvél | CDR | $13.99 | Cut Hands | "Hverfanda Hvél is Sachiko's (Overhang Party, ex-Kousukoya) third solo album, after the purple vocal haze of You Never Atone For and the equally breathtaking Kunado, released last year on Utech. This one contains two, gutwrenching live performances at Tokyo's Loopline. First track features Reiko.A of former Merzbow fame and travels through a thick, hazy fog of shimmering wordless vocals before collapsing face down in a pool of electronic voodoo damage. On the second, shorter piece Sachiko breathes out her zoned out mantra's and washes of cosmic vocal beauty as if she's honouring Yoshi Wada's monumental spirit. A mesmerizing mayhem for real. 100 copies in the usual square dvd cases." |
| 1/1/2008 | Sachiko | Kunado | CD | $13.99 | Utech Records | "Japanese vocalist and instrumentalist Sachiko (Overhang Party, Vava Kitora, Kosokuya) looses a second, white-hot solo release. Her brilliant debut You Never Atone For on There/Musik Atlack rode gilded wings straight to the heart of the psych sun. The journey continues with Kunado. A tincture of Taj Mahal Travellers, wispy oscillations and lysergic vocals bathes the recording in delicate atmosphere as Sachiko's sonic attack leaves vicious and harrowing results. A listen not soon forgotten." Edition of 500 copies. |
| 1/24/2009 | Sachiko | With Lament | cassette | $10.99 | Sloow Tapes | "New album by one of Japan's key players in the psychedelic underground. Sachiko was also a member of legendary bands such as Overhang Party and Kousokuya among others. 'With Lament' finds itself in the lost worlds of eerie devotional chants drowned in eternal reflections of kaleidoscopic electronic powers. Paste-on cover, silkscreened insert and edition of 100 copies." |
| 7/16/2006 | Sachiko | You Never Atone For… | CD | $13.99 | There | Sachiko is a member of Overhang Party & VAVA KITORA, ex Kosokuya. This album is her first solo CD featuring voice and electronics. Recommended! |
| 10/17/2009 | Sachiko | zUnya | CD | $14.99 | Musik Atlach | "Sachiko is Japanese voice performer(ex Kousokuya, Overhang Party). She released 1st album ' You Never Aone For...'in 2006. The sound is based on a voice and electronics, she produces fantastic drone and noise by the sound on sound. Her ritual psychedelic drone guides listener to quiet Great Beyond in the time. This album is live recording played in summer, 2008. This is different from studio albums which is rich in the variety, her voice is modest expression and she concentrates into performance of drone, she develops psychedelic sound concerning the organic and the hypnosis. She joins in the meditation drone unit 'Tangerine Dream Syndicate' that Fumio Kosakai leads, two voices shamanic duo 'VAVA KITORA' as other units." |
| 1/1/2009 | Sad Horse | North Portland Music Series, Volume #2 | 7" | $5.99 | Mississippi Records | "Current local well-loved punk duo. Six songs on a 45 RPM. Comes with an incomplete Mississippi Records catalog. Limited edition of 500. Somewhat spazzy low-fi & a good time." |
| 8/31/2008 | Sadgrove, Mark & Tim Coster | untitled | CDR | $10.99 | Claudia | "It was only two weeks ago that I reviewed an 'Untitled' disc by Mark Sadgrove and Tim Coster and here they return with a release for Coster's own CLaudia label. The three pieces were captured on april 9th 2008 at the Wine Cellar in Auckland, and Mark plays guitar and dictaphone and Tim plays oscillator, sampling keyboard, walkman and loop pedals. Their playing is not unlike the previous released of a fortnight ago, but its less conceptually inclined and their playing is a bit more free here, even when a small chord is played it gets musical. The previous was more or less an exercise in sine wave like experiments, this is more improvisation, let's see what happens. Not at bad at all, but not as great as the previous release either. It's more a case of recognition - the path already explored." (FdW) - Vital Weekly |
| 3/1/2007 | Saiko | Sketches of Several Southwestern Felons on the Eve of Their Just Demise | CDR | $7.99 | Foxglove | "Saiko is one of multiple monikers used by berlin-by-way-of-texas resident jeff gburek. as a friend and collaborator of such luminaries as tetuzi akiyama and charalambides' tom carter, gburek extends his guitar into a world of otherness. mixing in elements of obscured and manipulated vocals and minimal synthesizers, saiko is an cosmos-bound vessel appropriating the sea. this is the blues cut-up, pieced back together, and then drowned in the bathtub before ascending to the heavens." Edition of 100 copies. |
| 4/10/2005 | Sakada | Askatuta | CDR | $10.99 | Rhizome | "Mattin, Eddie Prévost (of AMM), and Xavier Erkizia, live 22th August 2003 at Arteleku (Donosti.) Notably different from recent Sakada output (ie. the 'Never Give Up on the Margins of Logic' 3” on our favourite NYC label Antiopic) this disc captures deep vault vibe, with arcs of Mattin’s ‘computer feedback’ reverbed out and trailing across Prévost’s percussion armoury and Erkizia on accordion and computer. Cold is now warm, space is now dense, up meets down. In a world of many Mattin-related discs (all of which, I should surmise, are absolutely essential to any breathing life-forms with any interest in ear-to-mind transfiguration) 'Askatuta' is very much one of the finest." - Jon Dale |
| 7/16/2006 | Sala-Arhimo | Sala-Arhimo | CD | $12.99 | Last Visible Dog | "Islaja (Fonal) side-man and frequent tour-mate with Larkin Grimm (Secret Eye), Sala-Arhimo's debut oozes a slow psychedelic radiance from a half-frozen world of hibernation. A bit of ancient Pink Floyd as reference point, perhaps some of the jazz-like moments of Faust's more gentle side, but here all comparisons end. This is another one of those 'you need to hear it, but there's no way to get it' Finnish geniuses whose music shares much affinity with the Lal lal lal crowd (Kemialliset Ystavat, Avarus, etc.), but focuses less on the purely experimental, and more on rich, melodic drones and voice." Very nice! |
| 2/15/2005 | Salamander | Bent Hemlock | CD | $13.99 | Camera Obscura | "Past Salamander releases have shown the band to be a skilled improvisational space rock unit with a minor emphasis placed on occasional forays into psych/folk song structures and lyrical territory. 'Bent Hemlock' offers up a stark contrast by focusing instead on an approach that shows off the band's skill in acoustic territory as well as their abilities as lyricists and songwriters. The improvisational component is still present (especially in the album's eerie and cinematic closing track, 'An Open Transom'), but for the most part it is employed economically, played out in concentrated doses as short instrumental interludes between tighter vocal numbers. Timing and happenstance play a significant role on this album; during the time of its recording, the band found themselves between studios and set up shop instead in the living room of bassist Dave Onnen (who engineered the proceedings) and percussionist Matt Zaun. The environment was ideal for trying out the acoustic format, and pushed the participants in new directions in other ways as well. Sean Connaughty's vocal style has mutated into something unique, and his prowess as a lyricist is only emphasized as his mind and voice play a variety of characters varying in age and mental/emotional stability. 'Hail' finds him full of vitriol, while 'Diagram' shows its protagonist to be a much more fragile and vulnerable figure. The '90-year-old-man' style vocal delivery evidenced in 'The Visionary Kind' is perfectly at home with the song's humidity and steaming-swamp vibe, replete with a languid fuzz-guitar lead from fellow guitarist and vocalist Erik Wivinus. When Erik takes the helm in the songwriting department, things shift to a somewhat different but still complementary style, varying from a frantic, intricate urgency with a strong progressive-folk influence (the 7-minute epic 'Portal' being a prime example, with a strong middle break that not only features a ripping space-acid lead from Connaughty, but showcases the insane precision inherent in the rhythm section of Onnen and Zaun) to imagery from lifelong recurring dreams (the fast-paced 'Ascension') and on into the album's opener; the chilling, Lovecraftian seafarer's warning entitled 'Galleon,' which features a bracing vocal performance by 11-year-old chanteuse Madeline Westby. Other guests feature on the album as well, playing cello, electric violin and percussion. Original drummer Bryce Kastning contributes to two of the albums tracks, both as a percussionist and by recording the initial parts of those tracks at his home studio. Guest strings are beautifully played by Margaret Hegg and Jane Anfinson. This is certainly a departure of sorts for the band, but it should not be seen as a turning point; just a shift of emphasis and an insight into another side of these musicians. Space rock and psychedelic improvisation still figure prominently in the band's live sets, and doubtless the electricity will come back to recorded efforts in the future. For now, enjoy the respite and explore the new terrain. Inhabiting areas lush and stark, disturbing and revelatory, totally freeform and thoughtfully considered in near-equal measure, these recordings show a versatile band using all the tools in their arsenal in pursuit of new expression, and coming out the better for it. Change staves off stagnation, and doubtless this fresh approach will inform and invigorate future efforts, whatever those efforts may be." |
| Salamander | Red Ampersand | CD | $11.99 | Camera Obscura | "Spewing deep and chunky psychedelic rock of the 'smoke 'em at home' variety…an impressive, drug-drenched stab at Ash Ra Tempels' patented cosmic floats." - David Keenan in The Wire 168 | |
| 8/31/2010 | Sam Gas Can | Dog Dance | c22 cassette | $7.99 | Digitalis Limited | "sam gas can is one to leave you wondering endlessly and wandering aimlessly. it all starts with a low-key dance party for your favorite haunted asylum. manic voices and near-tribal beats plummet like a meteor through the clouds. you walk into this mental ward with no fucken clue how you got there. luckily there's clarity on the horizon in the form of uber-melodic synth passages that will guide you like a drunken sailor back to the shore. the morning brings pump organ catharsis that's bathed in warm white light. hypnotic vocals fill the air while the melodies grind along underneath. it's blindingly emotive - you can't help but be drawn in by the familiar comforts of each note that gently takes you home. beautiful stuff from one of the most underappreciated artists in massachussetts. edition of 75, pro-dubbed." |
| 2/26/2011 | Sam Gas Can / Justin Rhody | split | 7" | $5.99 | Feeding Tube Records | "Co-release with Breaking World Records, DIY Bandits, Faux Pas Industries, Friends and Relatives Records and Lost Sound. A great mash of twee-punk instrumentals and lo-fi acoustic oddities and spoken word. Edition of 300 copies." |
| 1/15/2005 | Sam Gopal | Escalator | CD | $12.99 | Edsel | 1968 recordings featuring Lemmy Kilmeister (pre-Hawkwind). Eastern-flavored psych! Adds two bonus tracks, as well. |
| Sam Gopal | Escalator | LP | $17.99 | Get Back | 1968 recording featuring Lemmy Kilmeister (pre-Hawkwind). Eastern-flavored psych with tabla! | |
| 3/26/2006 | Samavayo | Death March Melodies | LP | $24.99 | Nasoni | "Berlin based heavy rock combo Samavayo is phat heavy rock with striking psychedelic parts and a voice, the power and versatility of which has no peer. Their first real longplayer "death march melodies" tells stories of self-temptation, emotional fears, struggles of relationship, drugs, love and death. It is 50 minutes of driving kick ass power rock with spicy groove attacks but also catchy melodies and fine hooks, too." Edition of 500 copies - these are on black vinyl. |
| 3/20/2010 | Samsara Vista | Miner in a Pit of Fire | c42 cassette | $6.99 | Housecraft | "Evan has been a creative member of Housecraft for years but with his contributions focusing mainly on the visual side of things, rarely do we hear from him. This journey sets sail down a corridor lined with archaic tape loops, subtle creaks and texture, brief guitar meanderings, ambiguous acoustic swells, and a few spontaneous moments with Kane; fused with a gulp of electric ooze that brings the listener into an inviting underworld cluttered with dust and stacks of gently eroded books, fabrics, negatives, and running film projectors. These dense, incensed surroundings reflect a spirit of playful exploration and uncertainty as each overturned artifact glimmers briefly and then vanishes. Edition of 64." |
| 3/21/2007 | San Ul Lim | 3 | CD | $18.99 | World Psychedelia | "Korean psych originally released on SRB in 1979. "Third album from inimitable Korean trio of brothers; they wanted to make this album 'as Western top class Hard-Rock music,' so they used only guitars, drums and bass and emerged as a power rock trio; the end result, of course, is not a 'Hard Rock' record at all. True, the record starts out with throat-shredding vocals and a guitar sound that is fuzzed-out and ominous sounding; but by track two, there are dreamy melodies; all's well that end's well, thanks to the 19-minute track that took up side two of the original LP - droning fuzz guitar psychedelia at it's maniacal best. Korean rock specialists called the first three San Ul Lim albums 'the demo tape triple collection'. These are regarded as the band's best recordings 'because they made most songs on these albums between 1971 and 1975 (before their debut). Therefore the songs had their early originality and creativity.'" |
| 12/17/2003 | San Ul Lim | San Ul Lim | DBL LP | $59.99 | Dragon | "Special double album release containing the best tracks from the 4 albums by this Korean monster psych band. Progressive psych rock with great fuzz guitars. Has some unreleased material as well." |
| Sand Pebbles | Noah's Ark | 7" EP | $5.99 | Camera Obscura | "Melbourne's Sand Pebbles are virtually unique in the Australian musical landscape in playing historically-aware, distinctly West Coast flavoured psychedelic pop and rock, influenced not only by the psych touchstones of the 60s and 70s but also classically cool Aussie stuff like Died Pretty and the Moodists, perhaps opening a door for some more interesting sounds to come out of Oz. "Noah's Ark" is a three minute flower punk track featuring frantic rhythm guitar (think the Velvet Underground's "What Goes On' from the 1969 Live Album), overdriven organ and a Gibson SG solo courtesy of the Casanovas' Tommy Love. "Hey Let Me In" is a Stooges inspired one-chord instrumental frenzy that could've been lifted from the soundtrack to The Wild Angels. It's set to feature in an American BMX video. "The Sundowner" is an expansive, mellotron soaked journey that's a perfect example of the Sand Pebbles psych-cinematica." | |
| 5/16/2010 | Sandalen, Kian | All Tracks Are Protest Songs | c40 cassette | $8.99 | Taped Sounds | "Solo, (and debut!) album by this member of the Antwerp free-music troupe Sheldon Siegel. in Sheldon Siegel, Gerard explores the outer limits of improvisation and free jazz. as a Solo Unit though, he creates a stripped down radioplay / collage / musique concrete vision of the creative, remarkably funny / tongue in cheeck at some point, and remarkably singular young mind. the man embarks on the path of a combination of free soundsearching mouths a la Jos Steen, Blaastaal and maybe even Al Hansen." |
| 9/29/2005 | Sanderson, Philip | Seal Pool Sounds | CD | $13.99 | Seal Pool | "Seal Pool Sounds is the first cd release of new material from snatch tapes founder, organum collaborator, and british installation artist, philip sanderson. seal pool sounds picks up where sanderson's storm bugs project left off sometime in 1981. sanderson's diy software electronics conjure whimsical, plaintive electronic tones and rhythms: sounds that recollect the light-hearted, yet melancholy nature of 20th century zoos. seal pool sounds at once evokes lafms, raymond scott, marcel duchamp, and french new wave film music." |
| 7/10/2008 | Sanguine Piss | No Horse Shit | cassette | $5.99 | 905 Tapes | "Saw these dudes for the first time as a cohesive unit at a recent wiese / wether gig in philadelphia. i've been seeing mat perform as newton for a minute, and known jared for what seems like a decade. in recent years i've been floored by some one-off collabs he has done with matt franco and skeleton warrior, so i was way interested in finding out what those two dudes plus cohort marc zajack (deep fried tapes) had in store. their setup was fairly minimum... some mixers, pedals, and a couple of guitars tuned to untuned. from second one though the most enormous sounds ruptured through the room. i mean, shit was gigantic. every once in a blue moon you could think to yourself "oh, i think that sound is coming from that", but usually it was just a vulgar mess. asked to do a tape while smoking weed out of an apple in the back of the store, even though i remember there being a pipe earlier. i guess that just fit." |
| 10/25/2008 | Sanhedrin | Sun Head Ring | CD | $18.99 | Breathing Bass Records | "SANHEDRIN is the Trio with Keiji Haino (Fushitsusya, etc.) Tatsuya Yoshida (RUINS, Koenji Hyakkei) Mitsuru Nasuno (Altered States, Korekyojinn, etc.). 2nd album of the Real Rock Monster SANHEDRIN includes 2 live performance that were recorded in 2007 on multitrack recorder. This is the masterpiece live album Is equal to of the whole body which passion gushes from." 8 tracks - 68 minutes. |
| 2/26/2011 | Sanso-Xtro | Fountain Fountain Joyous Mountain | LP | $17.99 | Digitalis | "2005 was the last time anyone heard from Melissa Agate aka Sanso-Xtro on her record for Type, Sentimentalist. Since then, quite a bit has happened. Agate has relocated to her native Australia and the move has treated her well. Fountain Fountain Joyous Mountain takes a lot of the ideas from her first record and dials them in, pushing everything to the next level. This collection of songs is a quiet force, blissfully confident and expertly assembled. Sanso's soundworld is a fully immersive environment. On the opener, "Fountain Fountain," we get a glimpse of everything to come. There's this carefully controlled chaos at work that is immediately hypnotizing. Agate sings simple passages toward the end, welcoming listeners into this new world as her voice floats above the fray. It becomes obvious as the album progresses that Agate is, at heart, a drummer. The staccato rhythms and percussive embellishments bring the album to life. These rapid-fire beats in conjunction with precise, half-speed instrumentation work in perfect harmony. Reminiscent of Blackdance-era Klaus Schulze at times, there's an intoxicating dizzyness that is effortlessly present in "The Origin Of Birds" and "Wood Owl Wings A Rush Rush." Agate even throws a few nods to free jazz with "Goodnight Thylacine." Her skill as a drummer is matched by her ability as a songwriter, knowing when to push it over the top and when to hold back. Album closer "Exit: Joyous Mountain," sounds like a lost Alan Lomax gem with its melodica/harmonica duet and delicate singing. "Hello Night Crow" is the literal and figurative center of the album, though. It starts with a ringing synth loop that gives nothing away until the chord changes emerge a minute in. Again, it's about the slow-build, raising the tension and anticipation before melting into the sky. "You wouldn't recognize that it's not there anymore," Agate sings over the bubbling waves of synths. It is beautiful and crushing." |
| 6/30/2010 | Santoro, Vittorio | Man Leaving Harbor On A Ship (In A Room) | LP | $45.99 | Vittorio Santoro | "Man Leaving Harbor On A Ship (In A Room)" is the title of a sound installation (for record player, vinyl record, speakers, found photograph, steel wires) by Vittorio Santoro to be presented in June 2010 at La BF15 Contemporary Art Space in Lyon. For the art installation of this sound piece, side A of the LP record (titled "Commencement") is played over and over for a whole day. The organizers will take care that the side B (titled "Conclusion") is played back only the next day. In "Commencement" the French sound poet, artist and composer Franck Leibovici reads a fragment from the article "Das Narrenschiff als Aufklaerer" by Gerhard Stadelmaier, published on January 18th, 2009 on the German newspaper Frankfurter Allgemeine Zeitung. "Conclusion" features a reading by the well-known French artist Pierre Leguillon. Recorded in Paris in March and April 2010, conceived and edited by Vittorio Santoro. The silences at the beginning and at the end of each side are integral parts of the sound work. The silence had been recorded in Paris in the night between April 8th and 9th, 2010. Edition limited to 125 numbered copies. The first 5 copies (numbered 1/125 to 5/125) are reserved for the 5 installation pieces, while the remaining 120 copies have been produced for the private use of the artists. Only a handful of copies available for private distribution through the alga marghen newtork." |
| 9/17/2006 | Sarah's Charity | Atonic Feedback Consumerism | CDR | $12.99 | Reverse | "Edition of 70 in spray painted covers and heavy PVC sleeves presenting this solo project from Christian Stadsgaard's most brain-lolling application of heavily modulated space to date. Twin oscillators squoze through flat-lining filters and ring modulators with a tar of rainbow harmonics. Intensely psychedelic. Previous release on Heavy Blossom." |
| 5/14/2007 | Sarah's Charity | Code Of Red Twin | CDR | $9.99 | Arbor | "Among the metal forests of Denmark, there is Sarah's Charity. A maelstrom of expert tone work and free electricity; sounds so electric, yet still reminiscent of the flowing natural growth of fellow Danes Family Underground (it should be noted that Nicolas of FU helps out on track 2). This naturalism plus the actual sterility create a feeling nothing short of psychedelic. A wall of intense oscillation and soothing vacuous space ala Marcia Bassett's various projects. Speaking of Marcia, SC is also famed for being the only non Bassett/Bower related project to be released on the esteemed Heavy Blossom label. In a numbered edition of 150 copies in absolutely beautiful mind tripping deluxe screened sleeves by Dylan Martorell, with screened discs and an insert." |
| 2/13/2011 | Sarry | Roshara | CDR | $11.99 | Reverb Worship | "The beginning of february brings the superb new album from japanese duo Sarry.Sarry was originally formed in 2004.They have previously had two releases on the Gyunne Cassette label in 2008 and 2009. "Roshara" has been specifically recorded for Reverb Worship in 2010.Sarry comprises Fujiyuki (vocals) and 821 (bass).Sarry create and perform very unique dark ambient drone music.821 uses more than ten different bass pedals with bowing, slapping, brushing, harmonics and loop sampling.The album comes in a hand numbered limited edition of 50 copies.It contains three tracks and has artwork created by Sarry themselves.You also get a dinky handmade inkstamped bookmark with each copy of the cd." |
| 3/5/2009 | Sasqrotch | Slipping The Reaper Tongue | CDR | $9.99 | Blackest Rainbow | "This one has been on the cards for a long time, and after over a year of waiting the master dropped through my mail box. These dudes have had releases on BR label buddies Not Not Fun and DNT, and this is a steady paced doom tinged rock out beast, there's no joy found here. Two tracks, one studio, and a nasty live piece recorded at LA's Echo Curio, lined with sax blurts, guitar shreds, psychedelic swirls, and smouldering drums." |
| Sato, Yoko | Searching For My Recording Engineer | CD | $8.99 | Public Eyesore | Four guitar and voice improvisation pieces recorded at Studio Jive, Autumn 2001. | |
| 5/1/2009 | Satoh, Masahiko & Soundbreakers | Amalgamation | CD | $17.99 | Drone Syndicate | "Number seven on the Japrocksampler Top 50, available again for the first time in over a decade!" "This preposterous piece of psychedelic avant-jazz sounds like the work of aliens, each with only one foot in our universe. Propelled by cacophonous brassy blasts, volleys of machine-gunning, ecstatically 'Light Fantastic' rhythms and moments of Teo Macero-style 'Mixing Concrète' (during which the whole track becomes consumed by waves of new sound); the result is the most singular mash-up of inappropriate sounds any listener is ever likely to hear. Over two side-long tracks, shaman Masahiko Satoh sends us through a sonic mind-field, baffling our senses and our sense of gravity. Located at the centre of Amalgamation's giddy sessions was the frantic Detroit drumming of hard-bop legend Louis Hayes, whose role it was to play the bubbling ever unfolding fundament on which Masahiko Satoh's whole trip proceeded, as though the rhythm section were a magic carpet magically pulled out from under the feet of the other performers. Over this rhythmic shaking, Satoh scattered Hammond organ around and ring-modulated his Fender Rhodes piano solos (Roland built three especially for the record), added lead guitar from 'super session' legend Kimio Mizutani, trumpets and sax from Mototeru Takagi, scat singing from Kayoko Itoh, and strings from the Wehnne Strings Consort." -- Japrocksampler |
| 8/20/2004 | Satyrswitch | The High Lonesome Sound of... | CD | $14.99 | Camera Obscura | "To those who know the work of Jason Kesselring (mostly via his efforts as leader of the space rock group Skye Klad and his newest band, Blitzen), the music of The Satyrswitch may come as something of a shock. However, anyone who has ever taken a plunge into a clear northern lake on a hot summer's day knows that after the initial icy shock of the water comes a singular and beautiful refreshing feeling unlike no other. Kesselring's Satyrswitch project offers this kind of striking contrast in its crystalline acoustics, engaging original compositions and unique interpretations of traditional folk songs that pay strong homage to their roots while giving them a new twist. Shedding the layers of distortion and epic, ear-splitting space voyages he has been known to use in the past has not only brought into light Kesselring's versatility and variable virtuosity, it also provides the bracing refreshment that only a drastic change can bring. Kesselring is joined by a few guests on some tracks (notably his wife Christine and fellow Skye Klad/Salamander members Dave Onnen and Erik Wivinus), but on most of the album we find him on his own. Many modes and styles are explored (including intriguing takes on such tried-and-true trad numbers as 'Tom Of Bedlam' and 'Nottamun Town,' Barrettesque, chord-organ laden psych-folk originals and an impressive and nimble guitar raga that will certainly give his contemporaries in the new acoustic underground a run for their money), but throughout there is a consistent and singular cohesive musical strain to bind together these seemingly disparate elements. Though this is a quieter musical form, it maintains all the power of his earlier efforts while pushing his vision forward to new vistas. Kesselring's eardrums doubtless thank him for the cool respite, and doubtless will the eardrums of those lucky enough to find this release in their hands." |
| 9/17/2006 | Saul, Danny | Balance | CDR EP | $5.99 | Filthy Home Recordings | "Following a succession of acclaimed live performances, this is the debut release from Danny Saul. Intricate guitar playing, subtly and skilfully applied arrangements and a perfectionist's attention to detail form the backdrop of songs that cast a razor sharp gaze over the ways people fuck each other, and themselves, over. At times intimate and warm, at others chillingly expansive Danny draws on influences ranging from the most esoteric US alt. noisemakers to the pioneers of British folk in order to create a sound that raises the bar for the bustling hordes of singer-songwriters employing inferior weapons in the battle to touch the hearts and minds." |
| 9/17/2006 | Saul, Danny | History + 3 | CDR EP | $5.99 | Filthy Home Recordings | "Emerging from the Albini-endorsed Tsuji Giri, Saul's approach to his craft is all consuming. On this, his second solo EP, he fleshes out his absorbing avant garde folk with layers of electric guitar, vocals and drums. If 'Signs 1' has a haunting claustrophobia and 'Cuts' aches with frustration, that's because Saul feels comfortable building up his songs alone, surrounded by a variety of instruments, in his dusky Manchester flat." |
| 9/18/2003 | Sawdust Caesars | LSD Art | 7" | $5.99 | Rocket Recordings | "Second release by these Acid Punksters from Coventry, four tracks of wah frenzied mayhem. Includes covers of Bob Calvertąs 'Ejection', and The Attack's 'Anymore Than I Do'. Turn On, Freak Out, Piss Off........Edition of 300 copies." |
| 9/18/2003 | Sawdust Caesars | You Pigs | 7" | $5.99 | Rocket Recordings | "The Sawdust Caesars unleash two slices of glorious psychotic and psychedelic punk with overloaded wah wah guitar action to blow your mind. The Acid Punk Revival starts here!" |
| 7/31/2006 | Sawyer, Phil | Childhood's End | LP | $22.99 | Guerssen | "A magical discovery from the down under '70s psychedelic scene. Phil Sawyer's 1971 album Childhood's End, originally released in Australia on the Sweet Peach label, remains pretty unknown yet to most of collectors around. No justice. This is a wonderful album that will please anyone into psychedelia, rock and folk. Totally electric, great production, great songwriting, warm uneducated voice by Phil himself that gives a slight looser feel to it at times... the album contains some fantastic mid-tempo psychedelic folk-rock ballads, and the song that gives name to the album is an incredible slice of pure psychedelia with lots of tasty psychedelic sound effects. This is a very rare and collectable item in original (Hans Pokora gives 5 discs to it in his books). This first ever reissue is licensed from the original label and the sound is taken from the mastertapes." |
| 2/19/2007 | SB, The | Who Will Feed Them | LP | $21.99 | QBICO | "Performed by: Mark Bajuk, Tony Fasce, Silvia Feriozzi, Eric Mauer, Brent Peich, Russ Waterhouse. The next evolutionary step from Double Leopards and Family Underground, very subtle and psychedelic music." |
| 3/21/2009 | Scarcity Of Tanks | No Endowments | LP | $12.99 | Total Life Society Records | "Scarcity Of Tanks, this Cleveland combo, led by Matthew Wascovich, has sounded a little random to my ears previously. But this effort, NO ENDOWMENTS, featuring Clevelanders Dave Cintron (Terminal Lovers, Downside Special), Ted Flynn (Theodore Vril), Andrew Klimek (X-Blank-X, Johnny & The Dicks, Death On A Stick, Ugly Beauty), Scott Pickering (Pufftube, Prisonshake, My Dad Is Dead, Spike In Vein, Happy Flowers), Nate Scheible (Self Destruct Button), Dan Wenninger (Oblique Orchestra) and Oakland, California's Weasel Walter (Flying Luttenbachers, XBXRX, Lake Of Dracula) is freeform skronk, but other parts are great rolling-CLE-word-spews in the Laughner/Kryss tradition, with instrumental moves jacked from Death of Samantha and Rocket From The Tombs, then updated like crazy. Crazy." - Byron Coley |
| 4/3/2010 | Scarduff Sixpäck | C20 | CDR | $6.99 | 267 Lattajjaa | "20-minute-mix of "Lamatronik'n'Roll" from this amazing new band, it's like bits of lo-fi indie rock, avantgarde, krautrock and all kinds of experimental but cool things put in a blender, recommended!" |
| 5/20/2009 | Schitosoma Japonica | Kankei UFO From Zanryu-Shinen | CD | $15.99 | PSF | "Volume 3 in the ongoing Japanese Avant-Garde Cassette Reissue Series. The '80s and early '90s saw a great deal of fascinating and exciting material released on cassette in the Tokyo underground. While some of the more noise-oriented stuff enjoyed a modicum of international distribution, the avant-garde material generally did not. This series, whose first release was Iro / Tamafuri (PSFD-180), aims to rescue the best of this material from historical oblivion. Schitosoma Japonica (AKA Nihon Juketsu Kyuchu) were a cracked avant-garde, recording-only offshoot of the freeform rock band Amanita. Formed around 1990, the group lived a communal existence in Saitama, on the northern borders of Tokyo, experimenting with music, magic and psychological experiments. 'Our basic performance style was completely freeform, utilizing prepared instruments and rejecting regular rhythms and melodic development. Our abiding themes were communication with the afterlife/cosmos and the manifestation of paranormal accidents. We would jam endlessly until our performance space was filled with the 'signs of blood and feverish becomings'. For us, performance was a kind of ritual.' The group released a clutch of barely distributed cassettes in tiny editions. This CD compiles the best of them, sifting through the detritus of a technological society to float between noise, drone and ritualized avant-garde gestures. Eight tracks, fifty-four minutes. Liner notes in English and Japanese." - Alan Cummings |
| 12/24/2005 | Schizoide | Death Alley | 3" CDR | $13.99 | Audiobot | Belgian noise guitar destroyer. |
| 12/1/2004 | Schlaf Gesucht | Drift | 3" CDR | $6.99 | Fact Records | “The third and last episode in Schlaf’s 3”cdr series featuring three untitled compositions . Drift sees the trio migrant to gentler / much soothing regions than their past (two) adventures with drums, small cooking pot, organ, classical guitar, electric guitar & bass packed inside their multi – colored sound bag.” |
| 12/1/2004 | Schlaf Gesucht | Kishkushim (Scribble) | 3" CDR | $6.99 | Fact Records | “The second chapter in Schlaf’s 3”cdr series. This time round the free noise trio is joined by Michael Busidan who circles their chaotic yet expressive sound with warm / progressive synth washes. The cd consists of one long raw & colourful session exhibiting a more spikey & elaborated side of the band. Recorded in a bomb shelter in Maale’ Edumim. Instruments: drums, bass, guitar, keyboard, small can, wooden boards, chairs, keys, drill, electric shaver, scissors, shoes and more.” |
| 12/1/2004 | Schlaf Gesucht | Put It On the Riz | 3" CDR | $6.99 | Fact Records | “Limited edition 3" inch cdr from Jerusalem based trio, Schlaf Gesucht (Boris Livshits - Drums, Shimi Zaken- guitar, Rafi Busidan- bass). EP1 / ‘Put it on the Riz’ is the first chapter in a series of three EP's documenting Schlaf's live sessions (this time round at the Rosa Pub, July 2003). It consists of two powerful tracks that showcase the group's ability to craft beautiful & imaginative free noise soundscapes.” |
| 6/9/2011 | Schneiderman, Ron | Music for Dance #1 | CDR | $7.99 | Blueberry Honey | Recordings from workshop collaborations with Aurora Corsano, Cyndal Ellis, and Sakura Shimada at the LUMINZ STUDIO in the Winter of 2010 - 2011. |
| 11/6/2010 | Schnitzler, Conrad | 10.10.84 | cassette | $9.99 | Mirror Tapes | "Conrad Schnitzler, a previous student of Joseph Beuys, and a founding member of Tangerine Dream and Kluster, as a soloist developed the idea of the "kassetten konzert" or cassette concert, utilizing pre-recorded synthesized sounds on separate tapes, which were mixed together through adjustments of volume and equalization into a vaster and more complex piece that formed his live remix performances. Each event is unique due to the element of unpredictability in his real-time improvisations, and this is a documentation of such a performance on 10th October 1984, Berlin." |
| 8/21/2003 | Schnitzler, Conrad | Gold | CD | $29.99 | Marginal Talent | "A real sensation for lovers of electronic music. Gold is for insiders a real gem. Although generally known that Conrad had quite a few unreleased recordings from the 1970s, this recording remained a legend for Conrad's many fans, and was never released, until now. Think about it, Conrad, together with Mobius And Roedelius as Kluster, released their Eruption album which influenced many of Germany's most respected artists, like Kraftwerk and Can, an album which today, as an original pressing, fetches 500 Euro or more on the collectors market. Gold is from the same era, recorded 1974 -1978, and considered by many as one of his most important albums, eagerly waited by his many fans. It is one of the first albums he recorded on his own, free from compromise and devoted to his artistic vision, locked up and unheard for almost thirty years." |
| 6/19/2002 | Schnitzler, Conrad / Giancarlo Toniutti | Kulák (camma) | LP | $39.99 | "This is a collaborative work with German electronic pioneer Conrad Schnitzler. He supplied me with several different electronic sounds, that I complemented with my recordings of acoustic objects and instruments (tape treatments included), and mixed into two long quasi narrative unfoldings of small structures developing into each other. Rather heterogeneous in sounds, yet balanced in the final mix. And I have been said less difficult in listening. The gatefold-cover include some photos (by Conrad, a friend of mine and myself), a text by me (about language), and the work data." - Giancarlo Toniutti Limited stock. | |
| Schumacher, Michael | Room Piece | CD | $11.99 | Studio Five Beekman | "'The Room Piece' originated in 1994 as a 16 channel computer-generated sound environment. The form of this is composed in real time by the computer, using a complex set of algorithms that control the random generation of timings for the articulation of the pitches by the various (synthesized) instruments. Everything on this recording except the voice and electric guitar is 'played' by the computer, which makes its decision about rhythm and pitch based on small sets of criteria. This recording should be played at low volume in a room relatively free from extraneous noise. The title has to do with the way the sound comes to find its place in a room. Even without an extensive multi-channel setup, sustained tones and articulated pitches find their place in the room. Like Feldman, I want the sound to 'permeate' the room. The title also refers to a tradition, chamber music, one more intimate that the concert experience." | |
| Schumacher, Michael J. | Four Stills | CD | $13.99 | Sedimental | "Schumacher has a strong presence on the experimental scene with his refined guitar 'drone' compositions but parallel to this activity he has been working with number system applications of sampled material through electronics, a direct extension of his audio installations. Where as much digitally generated material succumbs to a hermetically closed world of glitches and electronic landscape Schumacher's work opens up this environment, despite the density of the material, into a breathing, organic spaciousness while still maintaining the intimacy inherent in the form. ‘The Four Stills are expressions of the number system that I have used since 1989 in my electronic compositions. These numbers form the basis for dozens of rhythmic processes executed by the computer, from playing a midi grand piano, to deciding a range within a sample buffer to play, to determining larger structural aspects such as the alternation of sound and silence within a particular part. The fact that they are prime numbers prevents predictable patterns from emerging. The limit of six maintains structural coherence. The Four Stills were recorded direct to stereo in real time. Though the sounds used in a given piece are predetermined, their interaction with each other over time is left to chance. These pieces are extensions of my installation pieces, which evolve over long time periods, and are also created in real time by generative algorithms. However, in contrast to the installations, which utilize distance as an important perceptual feature and employ as many as 16 independent channels of sound, allowing for meaningful variations in texture, these recordings, being limited to two channels, are more compact in their presentation of the sonic material. They therefore remind me of certain styles of painting, which present the spectator with a static field of color that is experienced in no particular order. Though the music obviously unfolds over time, the analogy seems appropriate to me, since the dense textures (sometimes as many as 27 simultaneous parts) invite a contemplation of the many layers of sound and their relation, not in time, but in space.’" | |
| 1/1/2008 | Schurt Kwitters | 2007 | cassette | $6.99 | Open Mouth | "jess goddard solo; current fat worm of error singer, ex-caroliner, and ex-deerhoof. edition of 200." |
| 9/17/2006 | Sci Hi | Lab Recordings | lathe cut 7" & CDR | $18.99 | CMR | "Sci Hi is the moniker of musician and sound artist Paul Winstanley. Paul has been active for many years in numerous incarnations while in Texas and Auckland, New Zealand including P.H., Lo'Casta, Artificial Subterrane, Speed Cook, Paul Guilford from 'The Dave Dove Paul Duo', and more recently in Auckland groups such as Audible 3 and Plains. The Sci Hi sound is made from digital feedback. Sci Hi is like a school of small fish where each fish is represented by a tiny sine wave rising or falling in pitch. PW jumps in the middle of the school and all the little fishy's go scattering in every direction, creating beautifully complex, multi-layered clouds of sound." Features full length album on cdr and is in an edition of 60 copies with blue textured paper outer sleeve and with brown paper inner sleeve. |
| 7/11/2008 | Scorces | I Turn Into You | DBL LP | $24.99 | Not Not Fun | "Very few fringe duos of the 2000s have succeeded in so fully utilizing the witchy, wordless, and wondrous bond of the twosome formation as Scorces' twin figureheads Christina Carter (also of Charalambides, Bastard Wing, etc) and Heather Leigh Murray (Taurpis Tula, CEO of Volcanic Tongue, more). Their early incarnation as East Texas fried-folk loners instantly struck a chord in clued-in heads for both its bold formless experimental moods as well its instantly gripping emotional power. Their 2003 masterpiece on Eclipse, Vivre Avec La Bete, captured their magic craft perfectly, and in retrospect has definitely cast a heavy influence over a whole host of today's underground's voice-based lonesome drifters. So it is with amplified honor that we offer up this latest tome of spells unearthed from the Scorces' vaults: I Turn Into You. Nearly 70 minutes of pedal-steel guitar tendrils, basement dust, whispered melodies, enchanted strings thrummed against the quiet, and possibly the planet's single intensest dual free-crooning chemistry (as anyone who caught one of their Fall '07 opening sets on the solo Thurston Moore tour can attest) sprawled across four spectral sides of black vinyl. All tracks were recorded several years ago back at Charalambides HQ in Houston, TX by psych-guitar journeyman Tom Carter, and they've aged like oil paintings (cracking, majestic, immense). Housed in embossed, metallic ink jackets designed by Marcia Bassett (with a racy poem by the Scorces' ladies on the back), plus an 11x11 insert with info and a live shot. Edition of 500." |
| 4/23/2003 | Screamin' Mee-Mees | Nude Invisible Foot Phenomenon | CD | $10.99 | Slippy Town | "Reissue of 1996 Bag of Hammers LP from Missouri's premiere poets of basement-rock, low-tech experimentin', and righteous silliness. The eight minutes of ‘3 string classical guitar’ (by drummer Jon Ashline) and tape manipulation called ‘Chinese Handcuffs’ demonstrates wonderfully how much of the ‘serious’ ‘art’ music that got released in the 1990s was nothing but cynical, stillborn crap. Whoever decided you can't have a few laughs while you're lookin' for a little space done got theyselves stuck! On the other hand, if you wanna open a frosty one and reclaim your whiteboy stoopid roots, check ‘Dogfishin',’ ‘The Grand Old Duke of York’ (storytellin' in the tradition of their '77 classic ‘Max Factor’), or ‘Goin' to a Barbeque.’ But I think I'll grab the bong and check out ‘Smarter,’ a druggy bog up the bum of hierarchies everywhere, recorded in England by guitarist Bruce Cole with cover artist Todd Dillingham and friends. Mastered from vinyl by a friend of Bruce. Edition of 96. CDR released May 2002." |
| Screamin' Mee-Mees & Hot Scott Fischer | You're Now In Our World:Warp Sessions 1972 | CD | $10.99 | Slippy Town | "Re-discovered in late 2000 by Jon Ashline is this prequel to the Warp Sessions 1973 CDR. Bruce Cole sez he, Ashline, and rock-writer Scott Fischer 'recorded this on Fischer's balcony on a hot-ass summer day, fucked up on who knows what!? The cops only came by two times.' This is an epic exploration (total time 54:55), with seven musical chapters to ponder: 'Just Fine' (10:05), a cover of 'Sister Ray' (7:24), 'Edge of Space' (9:06), 'You're Now in Our World' (11:13), 'Take Cover' (3:31), 'The Attack of the Intergallactic Cement Mixers' (9:44), and 'In the World of Space' (3:48). Need I say more? Edition of 125." | |
| 6/17/2004 | Screening | Low End | CD | $13.99 | Maor Appelbaum Productions | “Screening is a one-man project, delving deep into experimental and avant-garde music. The whole project was created using only a bass guitar, manipulated by effects into a unique sonic experience, which tests the boundaries of music as we know it. Maintaining a somber, eclectic atmosphere throughout the album, Screening tests the limits of conventional music, exploring the outer reaches of the sound spectrum. Adventurous souls willing to experience a quest previously unknown are welcomed to test their senses and musical concepts with: Screening." File this under experimental / avant-garde. |
| 3/2/2005 | Sculptress | How The Kingdom Fell Apart | 3" CDR | $7.99 | Firstperson | "A live recording of theStoke-on-Trent based improvising unit, here operating as a trio of Melanie Delaney (Ashtray Navigations), Joincey (Inca Eyeball, Wagstaff, Target Shoppers, etc) & Andy Jarvis (Anna Planeta). Over 20 minutes they slowly weave a trance-inducing web using clarinet, acoustic gtr, electric gtr, percussion & toys. This is the first available document of the group's continued & varied live work over the last 2 years." 3" cdr housed in hand-made clear acetate covers with information printed on one side and an image on the other. |
| 7/11/2008 | Sea Donkeys, The | Live At The S.S. Marie Antoinette | LP | $13.99 | Assophon Records | "The Sea Donkeys 2nd long player is here. asso-001, Live at the S.S. Marie Antoinette LP is the culmination of a sound only dreamt of by today's cognoscenti. This record does not belong to any scene or movement or marketable new buzz word. This record is without geography. It is about electricity! While cries of JUDAS reverberate through the halls, The Sea Donkeys will not look back! Imagine the Godz (ESP-Disk vintage) recording at the Smegma studios, or the Velvets in Brazil. How about Ayler by way of Faust, how about that! This record is a blend of seductive pastoral folk rock tunes, free jazz reveries, shimmering strum drone, ascot pop, and unhinged rock!" Edition of 400 copies. |
| 9/16/2007 | Seagull | The Conqueror Worm | one-sided 7" | $5.99 | Ketchup Cavern | "Debut release on newly formed Ketchup Cavern label, first vinyl release by Vancouver experimental musician Michael Piercey AKA Seagull after numerous self-released cassettes/CDRs. Performed using homemade noise generators and a gang of distortion pedals, The Conqueror Worm features 5 minutes of poorly-recorded static, roaring distortion (and some mysterious crackle added by the pressing plant). Guaranteed to confuse your neighbors. 1-sided 7" record, limited to 180 numbered copies, b&w cover." - label. "Seagull's "The Conqueror Worm" came to me from nowhere looking pretty menacing; I was thinking it was either a noise record, a black metal record, or a Stephen O'Malley side project just from looking at the artwork. Turns out to be the first option, and a quick Googling reveals Seagull to be one Michael Piercey outta Vancouver, who's got an array of tapes and CD-Rs to his name, unbeknownst to yours truly. Ketchup Cavern sez "The Conqueror Worm" consists of "poorly-recorded static, roaring distortion (and some mysterious crackle added by the pressing plant)" and that pretty well sums it up. It's a straight-forward snarling drone, cavernous rattling and tectonic plate-shifting sensibilities abounding, which is nice enough but kinda begs the question why, as Piercey seems to be treading on sure ground here...though I could never say I know a man after listening to five minutes of his music. Plus I think I could get into it more stretched out over full-album length. So as long as it's competently performed (it is), who cares if it doesn't change my life. Slick black and white sleeve designs on this baby though." - Outer Space Gamelan. |
| 6/30/2010 | Second Family Band | Dream Release | LP | $13.99 | Earjerk | "Originally released on Bum Tapes in an edition of 40 cassette copies. Now pressed on colorful tie-dye vinyl in an edition of 300 hand numbered copies. All wrapped up in recycled LP covers which have been turned inside out and individually hand stamped with original artwork by the band. Fuzzy with analog warmth, the recording retains it's tapey feel. Probably because it was mastered directly to vinyl from the original cassette recordings. Never leaving the analog realm! All over the freaking map, this record floats from free-form, bucolic ramblings (Secrets of Magic Revealed) to soaring, eternal guitar ripping (Takeover The Rainbow) and even trips through some truly dubbed out terrain (Version). Just the kind of dreamy sounds you've come to expect here at Earjerk. This time, of course, we have been assisted by two other wonderful imprints. Namely, Tree Tapes and Boondock Pissoir. Pick up this wax now and Dream On!" |
| 5/21/2009 | Second Family Band | East to West | c80 cassette | $8.99 | Earjerk | "... Pack some granola. Two long hikes through the haze grace this 80 minute cassette. 'Morning in the East' blazes trails." I'm taking my banjo along through the Himalayas and if you wanna drag that ARP along that'd be cool with me." The flip has a real dirty metropolis groove. Traveling. Lets crescendo awhile. Way out west now...How long we been drivin? ...Any Natives still live around here?" |
| 1/22/2011 | Second Family Band | Good Blood | LP | $19.99 | Alt.Vinyl | "Second Family Band is a musical collective from Madison, Wisconsin which rose from the ashes of legendary free-folk outfit Davenport. They've had releases on Sloow Tapes, Earjerk, Gods Of Tundra, Bumtapes and a whole host of other crucial underground labels. Alt.Vinyl Records is proud to release 'Good Blood', an absolutely necessary slice of bold psychedelic absurdism from a tribe of musician-magicians operating at the very peak of their dark powers. Line-up: Endless, Woodman, Nico Kain, Clay Ruby, Dave 3000, Ivan Mariesse, Tyler Ol'Son, Lliam Lee Zian. Opening scuzz-haiku 'Below The Arch' instantly enthralls with some throbbing maltronics circling a quivering cardboard totem , a sky of sound pinpricked open with some gently rabid Ponca drumming and delicate wafts of fragrant fuzz. In seven minutes we are ascended beyond cloud level onto a crytalline plateau of ringing light and trembling breath. It's a shamanistic free-drone space-jam in miniature, rather like some strange confluence of The Necks, Sunburned Hand Of The Man and Circle at their most obtuse. The next track 'Night Graces of the Morning Temple' slowly balloons us back to earth, the music seemingly deflating the speakers as she goes. A choir of rusty radiators throb, moan, creak and boing along a half-dreamed corridor of mournful wah-wah. It sounds like Morphogenesis playing Berio at the bottom of a sewer, or the soundtrack to some Lynchian nightmare - very cool and grubby, bathed in a sort of undulating aural moonlight. Total deep listening mirage-music. Side 2 is comprised of a single 23-minute track, 'Good Blood', a delightfully pungent slab of relentless exotica blending elements of Les Baxter and Martin Denny with a nice Wooden Shjips-esque vibe, the whole mad soup bled through with some really sensitive electronic splashes and splutters. At about seventeen minutes we emerge from hypnosis into a clearing, bleary-eyed and stomach-cramped, and face a dramatic climax. The boulder-strewn groove threatens to topple at any moment, the air is awash with the flash and hiss of cymbals and feedback, it just rocks harder and harder.... then it's over, and my hand is reaching for the needle to spin it again." 180gm LP ltd to 300 copies in 3 colour screen printed sleeves |
| 3/28/2010 | Second Family Band | Jerusalem | CDR | $5.99 | Boondock Pissoir | "Is their a more mystical and perilous city in the world than Jerusalem? Old Testament dread haunts the first side. The Family sings of Glory while Pan dances and plays impishly outside their circle. Side two commences with the sand blown sounds of the Ancient City, before Night Journey finds the band escaping heavenward through dark skies." |
| 3/28/2010 | Second Family Band | Naked Ladies & Dragons | CDR | $5.99 | Boondock Pissoir | "Second Family takes you on an erotic “D&D Quest” in this hour long ambient-prog synthesizer fantasia. On the A side Naked Ladies shimmer in the moonlight; flip it over and Dragons circle dreamily overhead." |
| 3/28/2010 | Second Family Band | Nandi | CDR | $5.99 | Boondock Pissoir | "Mysteriously added to the SFB discography in early 2009, this session is finally officially available to the public. The two-part title track Egesta of Nandi Mystery Mojo Rising uses an electric organ to summon the ghosts, while Cramped is the Family’s first rockabilly freakout! encapsulates the entire history of raga-rock in one gigantic headsploitation pisstake." |
| 11/15/2008 | Second Family Band | Phasis | cassette | $8.99 | Earjerk | "Hot on the heals of the Slooow Tapes release... another killer collision with Peaking Lights and this time with Relentless Corpse! Record live to stereo cassette at the P.L. compound and a flip side with a traditional solstice jam and a small piece performed for Indra and Aarons (P.L.) wedding... Pro-dubbed, yellow tapes with matching case." |
| 5/21/2009 | Second Family Band | The Eternal Lag / Our Way is the Right Way | CDR | $6.99 | Earjerk | "This is part of the new SFB cdr reissue series featuring 2 tape releases reissued on a single CDR. Eternal Lag: "Space. Travel. Time travel. Wanderings through distorted landscapes. Supernova! This cassette can barely contain the music spun on its reels. A cleaner fuzz there never was! The Second Family lays it on THICK with slanted hand drum rhythms and break neck tempo shifts, piano pulse, banjo abuses and epic sci-fi synth." Reissue of Earjerk tape. Our Way is the Right Way: "It's a dirty new age and we are set in our ways. Ingest these two crunchy jams." Reissue of Housecraft tape. |
| 5/21/2009 | Second Family Band | The Eternal Lag Pt.2 | c30 cassette | $8.99 | Dark Age | Murky. The newest Dark Age Kassette! The latest addition in the subscription series. |
| 1/17/2010 | Second Family Band | The Eternal Lag Pt.3 | cassette | $6.99 | Dark Age Kassettes | "The Quest continues! If 'Our Way Is The Right Way' is the prequal. And Eternal Lag Pt.2 is 'The Two Towers'. Then this is 'The Return of the King'. Killer, blown-out, science fantasy, noise epic. Trbal drums, buried synth etc... Standard Dark Age Kassettes packaging. Purple Tapes. Limited to 45 copies." |
| 5/21/2009 | Second Family Band | Weird Sword / Seers Word | c32 cassette | $8.99 | Earjerk | "Truly the darkest SFB excursion to date. Channeling some kinda queer science-fantasy/4AD vibe, The Second Family make up a strange bed o 'spheres... Gradually the vampire vox get laid down, courtesy Max Elliott. Karen Eliot lends a healing chant and some wicked guttar...also crawling around in the dark: Iam Lee Ian, Dave 3000, Ivan Mairesse, Endless and Woodman." Edition of 45 copies. |
| 5/21/2009 | Second Family Band | When We Are Gone | CDR | $6.99 | Earjerk | "Set sail! This is some solid action from the Family, in full force, honoring their ancestors. A Samhain gathering. Sunset and the music begins....it is morning before long. Freeeeeeeee Jams with db Pedersens vocal contortions and a Spontaneous Sabbath Sermon by Father Karen Eliot. What a trip." Part of the new SFB cdr reissue series. |
| 5/21/2009 | Second Family Band | Whose Wave We Ride | c60 cassette | $8.99 | Earjerk | "Had to happen... Let's take things to the Eye-Lands! Tropical breeze bass lines and a sunset vibe definitely rule this release. We know! We know! It's all the rage right. Well... we did what we did and now we gotta let you have it. Would it help if we let you know it just kinda happened? I mean, you can't plan these kinda jams right? Hey! I said Pina Colada not Ayuasca! Come aboard... we're expecting you..." |
| 4/10/2009 | Second Family Band, The | Changing Suns | cassette | $6.99 | Earjerk | "5 or 7 tunes out of thin air. Recorded on the shores of windy Lake Mendota. Acoustic strumming, guitar-body drumming, trad sec fam throat singing, courtesy db pedersen and some amazing string action from Jared Annoye. For the most part a daylight affair but the Suns definitely dip behind the cloud more than a few times. First 25 copies on sunny yellow cassettes." |
| 2/21/2009 | Second Family Band, the | The Eternal Lag | cassette | $5.99 | Earjerk | "Space. Travel. Time travel. Wanderings through distorted landscapes. Supernova! This cassette can barely contain the music spun on its reels. A cleaner fuzz there never was! The Second Family lays it on THICK with slanted hand drum rhythms and break neck tempo shifts, piano pulse, banjo abuses and epic sci-fi synth." |
| 6/27/2009 | Secret Abuse | The Immeasurable Gift | LP | $14.99 | Arbor | "The Immeasurable Gift" is a testament to cathartic possibilities and the role of creation/release as a means of understanding. Recorded throughout the past three years in a variety of locations and personal moments; encapsulated by a common, unrelenting concern. Beautifully delicate, elegiac melodies concealed within curtains of dense electronic ambiance reveal themselves like the light at the end of the tunnel; a signifier of the temporary vessel form. Balancing recklessness with care and coming to terms with the inevitable; encountering the man on the shoulder, reminding us that we are all just weary travelers. In an edition of 425 records in full color proprinted cardboard jackets with printed labels and an insert; all design by Jeff Witscher." |
| 11/15/2008 | Secret Abuse | Violent Narcissus | LP | $16.99 | Not Not Fun | "Secret Abuser Jeff Witscher is an enigma wrapped in a riddle rolled in cassette tape and plugged into a battered pair of towering PA speakers. He's lived everywhere, met everyone, and inspired legions through his lifestyle, utopian fashions ('refugee chic'), and spellbindingly intense music. Up from Rainbow Blanket, through to Impregnable, and across the arid plains of Roman Torment and Deep Jew, Witscher's maintained a singularity of vision and total commitment to execution that has wrecked us, personally, to the point of speechlessness at least a dozen times. But, despite his restlessly shapeshifting spirit, the past year plus has seen him settling slightly deeper into his Secret Abuse sinkhole style, and here's hoping he lingers a while longer, cause it's a fucking winner. Brutal, pensive, blown-out tones crossfade into tortured minor key guitar laments before being slowly subsumed in a droning ocean of choked vocals and sulking, selfish electronics. Repressed, burning, and emotional like a young man pushing away everything, Violent Narcissus is as definitive a document as has thus far yet emerged from the SA canon (and lord knows there's been a grip of gems). Look long and hard; the mirror is a bitter mistress. Black LPs, mastered by Bill Hutson, housed in jackets designed by Witscher. Edition of 445." |
| 4/3/2011 | Secret Colors | Lunar | LP + c20 cassette | $23.99 | Aguirre Records | "Secret Colors offers up his latest, a bubbling album called 'Lunar'. Homespun ambient soundscapes taking you on a space trek without any sort of cliche spacey noise. Glitchy without being abrasive, hollowed out yet wholly satisfying. You'll find a new jungle planet with this as the soundtrack. Its about to get humid. (Leftist Nautical Antiques). Limited to 300 copies." 125 copies come with bonus tape. |
| 4/10/2009 | Sedayne | Naked Season | cassette | $8.99 | Sloow Tapes | "Experimental re-imaginations of English traditionals by the man who in a distant past was member of the Masstishaddhu cult. These tracks venture through dark medieval seasons of sheep stealers and John Barleycorn. Instruments played, among others, are hurdy-gurdy, voice, jew's harps, crwth, citera and bones. Artwork by Sedayne, 70 copies." |
| 6/25/2011 | See See, The / By The Sea | split | 7" | $7.99 | Great Pop Supplement | "One of 2 new 45s on The GPS for June, this one's a split featuring a spanking new tune from The See See backed by a gorgeous debut from new Wirral band 'By The Sea'. "Automobile" once again displays The See See's penchant for hazy, sun baked West Coast psych / power pop. Hooks a plenty, killer backing vocals, and a tidy follow up to the mighty "Late Morning Light" full length that came and went in a week on wax for the GPS, with a CD amassing salivating reviews throughout. The Wirral's "By The Sea" are steadily creating quite a buzz for themselves both on Merseyside and down here in London after a number of stunning live shows, where their (so far), small cannon of beautiful 60s flavoured tunes leave audiences eagerly tipping the band for future greatness. Sublime songwriting recalling The Left Banke, Gene Clark, The WCPAEB, with subtle nods to that first euphoric moment you heard the Stone Roses for the first time. This single could almost only come out late Spring, early Summer- 2 gorgeous tunes in tastily packaged vinyl only. Just a perfect pop record and one which sees it's release celebrated with a launch show at the perfect setting of the Williamson Tunnels in Liverpool on Sat. June 11th. 500 only so be quick." |
| 6/25/2003 | Seeds, The | The Seeds | LP | $15.99 | Get Back | "1966 debut album by Los Angeles garage punk legends, the Seeds, featuring the now classic primitive rocker 'Pushin' Too Hard'. Originally released as a single to promote the album, it went largely unnoticed until the full-length album was released, at which point it began to climb the charts, creeping its way into the Top 40. Featured on numerous compilations and covered extensively, it remains one of the great musical landmarks of the sixties California garage scene." |
| 6/25/2003 | Seeds, The | Web of Sounds | LP | $15.99 | Get Back | "Springing from the underbelly of the Los Angeles garage scene, the Seeds were punk rock before the world had ever heard of a tribe called Ramone. Staying mostly to the 'primitive rock' side of the great hippie divide, they released their debut album in 1966, followed by Web Of Sounds that same year. The band did eventually succumb to the inebriating perfume of flower power, but that ultimately proved to be their demise, unravelling in the face of the dawning of a darker era. Includes their second hit single 'Mr. Farmer' and the raucous 'Rollin' Machine'." |
| 12/3/2010 | Seguin, Logan | ss-vntrx 34000 - original film soundtrack | c31 cassette | $7.99 | Digitalis Limited | "It's albums like this that make me think goddamn i'm one lucky fucker. this just fell in my lap and listening to it again, for the 30th time or so, i still can't believe it. amazingly, logan seguin generally plies his trade making folk-based tunes but somehow managed to make this fictional soundtrack on an old yamaha keyboard that rivals most of the electronic explorations i've heard in the past few years. anyway, equal parts john carpenter, the legend of zelda and disjointed sonic mayhem "ss-vntrx 34000? is a journey all on its own. seguin does an incredible job of making music that is wholly cinematic - i can totally imagine what this imaginary film is about, what it looks like, etc. darkened sci-fi synths and blasted outerspace beats collide in delicious harmony, creating a soundworld that is rich in texture, both aural and visual. take this ride. edition of 75, chrome tapes." |
| 5/29/2008 | Seht | Dead Bees ((the((quiet)earth))suite) | CD | $13.99 | Pseudoarcana | "Campbell Kneale once explained that to describe Wellingtons Seht as drone music is much the same as describing Antarctica as white. Where as many of us utilise the drone as an ingredient, a point of departure, Stephen Clover's Seht project distils drones to craft something very like a fine liquor. 'One Moment', the 35 minute first track on 'Dead Bees' is Clovers somnambulant ambient drone masterpiece. A famous insomniacs grand fantasy of sleep. Setting sail with the gentle sound of submerged bells one sinks deeper as lush rich tones gradually merge into a swell of dreamscape waves. Deeper still and one finds oneself glowing in a deep warm golden molasses that shimmers and sways until time somehow folds in upon itself and loses all meaning as ones consciousness shifts into angel gear for the lonnnng coast out. But Clover is also agent provocateur- a wry and acerbic wit. To say that there are surprises to follow is an understatement." |
| 6/11/2006 | Seht | Fedearacy Boots | CDR | $12.99 | Pseudoarcana | "Sublime glitchy processed organ, clicks and more from the irrepressible and suddenly everywhere seht. (For those who don't already know seht is Wellington local Stephen Clover who besides being incredibly prolific and consistently great under his seht moniker is also member of The Stumps, The Longshoremen and more..). Constructed of ear-bathing loops, drones and electronic renderings 'Federacy Boots' is weird enough to disturb your dreams and gentle enough to beautify your Sunday mornings. Better than berroca!" |
| 4/24/2006 | Seht | Nova Bonalbo | CDR | $12.99 | musicyourmindwillloveyou | "speech of ghost lunar rays ornate from the distance bent into refraction glyphs or i pine for the security of my escape pod , cast upon the endless black seas of the night." |
| 9/17/2006 | Seht | The Green Morning | CD | $12.99 | Digitalis | "New Zealand's seht (AKA Stephen Clover) has spawned a musical monster around one consistent idea: that simplicity can be the most mind-expanding drug around. Over the course of a dozen releases on labels like Last Visible Dog and Celebrate Psi-Phenomenon, Clover has perfected this artform. Using a minimal array of instruments and effects, he sculpts every sound source he can find into soothing walls of aural bliss. Doing more with less is rarely done better than this. "The Green Morning" is seht's third proper CD release, and comes on the heels of a series of limited CD-Rs. Through his ability to synthesize a seemingly endless array of sounds into a single, focused point, seht acts as a modern composer in the same vein as William Basinski. Clover's drones have explored various territory through the past few years, everything from glacial ambience to desconstructed blues. "The Green Morning" is like the early moments of dawn, bathed in warm plumes of sonic sunlight. These songs are the memories trapped beneath the floorboards, and by looking back Clover offers a mere glimpse into the ambience of a not-so-distant future." |
| 4/27/2011 | Seijaku | Mail From Fushitsusha | CD | $21.99 | Doubt Music | "Massively-anticipated pair of releases from Keiji Haino's new post-Fushitsusha avant blues rock group. Seijaku is a trio, with Haino on vocals, electric guitar, steel guitar and, on You Should Prepare..., blues harp. He is joined by Mitsuru Nasuno on bass and Yohsimitsu Ichiraku on drums for two live in the studio/no over-dubs recordings. The closest comparison for both discs in terms of atmosphere is Haino's double acoustic/electric set Black Blues, albeit transposed to a group setting. However, both records have their own particular atmosphere. Mail From Fushitsusha obviously makes the most overt connection to Haino's past and the interplay between the bass and drums marks a direct extension of where the Takahashi/Ozawa backline were headed, with staggered, overlapping rhythms that fall into odd repetitive/organic cycles that are massively hypnotic. Haino's guitar is more taught than on latter-day Fushitsusha recordings, sometimes playing with a little growl of fuzz and the aggressive, auraless appeal of his interactions connects to the whole No Wave/Mars aesthetic that he has long championed. But like Black Blues there's a real focus on the vocals, with some of Haino's most soul-scraping singing, while "Humiliation To Be Selected To Come Down From Elsewhere" comes closest to the Fushitsusha of old with a beautiful fuzz/reverb guitar solo in elegiac Star Spangled Banner/Peter Green style. You Should Prepare... is based around four longer tracks that really punish the blues rock metaphor with some fantastically aggressive brokedown boogie cut-up with wailing blues harp that harkens back to the 1st Fushitsusha album. Dedicated to "Albert King, The Doors and Steppenwolf", it takes roots based rock music back to the future with a transcendent vision of the still pregnant possibilities of guitar/bass/drums that sounds like nothing else. They might have changed their name and their personnel but they're still the greatest rock band on the planet. An easy late entry for albums of the year. Highest possible recommendation!" - Volcanic Tongue. "Mail from Fushitsusha, which Keiji Haino himself calls 21st-century blues, draws out exquisite dynamics and "space"--like a nerve being passed through the eye of a needle. Carrying out their sonic explorations while adhering to the Fushitsusha method, these three tough artists create a muscular sound--a sound that turns the rock/blues concept on its head!" |
| 4/24/2006 | Seikazoku | Live in Japan | CD | $15.99 | Vivo Records | "A wonderful mixture of progressive psychedelic rock, improvised structures of jazz and extraordinary world music inspirations! Yoshida Tatsuya ( head of Magaibutsu Records, Ruins, PainKiller, Korekyojin, Zubi Zuva, just the name of few!), Tsuyama Atsushi (Akaten, Haco, Omoide Hatoba, Acid Mothers Temple), Kawabata Makoto (Acid Mothers Temple, Zoffy, Godman, Akaten, Gong, Mainliner, Musica Transonic, countless other projects). Featuring 13 tracks recorded during shows in Tokyo and Nagoya in 2005. Must-have for all fans of new sound of Japan!" |
| 1/1/2008 | Selvä Pyy & Pyy Pivossa | untitled | 3" CDR | $7.99 | 267 Lattajjaa | "psychedelic pop freakout, limited numbered edition of 80 copies, features an insert." "This is pretty wild: mushroom-damaged pop that sounds completely all over the place. Surf riffs, ghostly improvised piano, garbled goblin vocals, dub echo melodica, swells of distortion." Boa Melody Bar. Out of print. |
| 6/10/2004 | Sender, Ramon | Worldfood | CD | $12.99 | Locust | "'In those pre-Buchla Box days, we cobbled together whatever odd bits of equipment we could beg, borrow, steal and occasionally buy to coax whatever squeaks and chirps or sequences of noises we could from their complaining depths.' - Ramon Sender. Worldfood is a wild, psychedelic warble & drone of looped, overlayed tape pieces produced by 'goosing' an ampex tape player with a computer calibration device. The resulting two pieces - 'Worldfood III (To See With my Eyes)' and 'WorldfoodX!!' - both part of a number of variations in a series - make for gorgeous, careening sungazing music. Leave your glasses behind. Ramon Sender is a legendary figure in the Bay Area scene - first paving the way for the San Francisco Tape Center with Mort Subotnick (Silver Apples of the Moon) and Pauline Oliveiros at the dawn of the 1960s where the stunningly out pieces on this disc happened. In subsequent years, he played an active role with the San Francisco Diggers - the anarchist guerilla street theater group that challenged the emerging Counterculture - and co-founded the legendary Morningstar Ranch Commune in Sonoma County. Worldfood is the first in an ongoing series of archival discs to come from Ramon Sender's exceptional vaults." |
| 12/29/2004 | Seo, Yoo Suk & Yang Hee Eun | A Fairy | CD | $20.99 | MVD | “Seo Yoo-Seock - Shin Joong Hyun songs collection. From this record only the side A songs were reissued on CD format together with the Yang Hee Eun records in 2003. Side A songs are Shin Jung Hyun's songs ; Side B are other music writers songs. I think that this record is a good folk rock or psychedelic folk album from Korea. Personally I think that Korea best folk rock album is a Kim Jung-Mi's ‘Now’ as a total album while Korea best folk rock song is a Seo Yu-Seok's ‘Seonnea (Fairy)’. ‘The fairy’ is a more progressive and acid folk song. Especially you can hear great harp, violin, cello session, string session, Shin Jung Hyun's wawa guitar sounds, oboe, Bass guitar at this song. A real Korean acid folk masterpiece song!!” - Folkie Jin. Basically this compiles two lp’s but only includes the songs with Shin Joong Hyun (which was one side of each lp). Great stuff! If you dig the Kim Jung Mi cd and / or any Shin Joong Hyun releases I think you’ll like this, too. |
| 6/19/2007 | Sephiroth's Knot (aka Jow Jow) | untitled | CDR | $12.99 | Spirit of Orr | "The Western MA flagship gathering offers it's first ever release through outside channels, SPIRIT OF ORR could not be more honored with their offering this collection to us. JOW JOW, also known as SEPHIROTH'S KNOT or just SEFIROTH is a Free-Improv, Psych Music Collective drawing influence from a broad pallet ranging from Sun Ra to the Godz "Third Wave" with a penchant for the obscure sound or instrument. Contains members of FEATHERS, RED FAVORITE, BUNWINKIES, & SUPREME DICKS. Born from nightly imbibing of the magic antler. Feel the Wreath. Limited to 300 numbered hand assembled copies." |
| September Plateau | Occasional Light | CD | $11.99 | elsie and jack recordings | Solo recordings from Birmingham, Alabama's Chris Jeely (Accelera Deck) made in late 1997. Very nice ambient drones via guitar. | |
| 11/15/2008 | Sepviva Bells | Halloween In The Sea | cassette | $8.99 | Sloow Tapes | "Duo recordings by Tara Burke (Fursaxa, Anahita, Tau Emerald) and Grant Acker (Slurp Dogs), smoking one late-period Un/early Fursaxa style. A scorching blend of distorted psychedelia, hypnotic riffing and mellow vocals trapped inside a very trippy atmosphere. Edition of 170 copies with silkscreened fold-out booklet." Highly recommended! |
| 6/5/2009 | Sequin Trails | Maiden Midst | CDR | $9.99 | Golden Lab Records | "Janina Angel Bath's unabashed approach to cranking out sun-drenched, ecstatic drones overlaid by seedy saxophone and deep, almost Nico-esque vocals has us melting into our sofas. We came upon Sequin Trails through this here myspace, which is normally a bit too postmodern for us. But the fact that there was dayglo, facepaint and tonal honking involved really won us over. The recording is blown-out and buzzy and all the better for it. And it traverses muddily pulsating rhythms through to pure note elongation that zaps the senses and focuses the mind's eye, like listening to one's own tinnitus. This is so deep, it may be bottomless." Edition of 80 copies. |
| 7/10/2008 | Seven That Spells | Black Om Rising | CD + DVD | $25.99 | BLR | "Black Om Rising is a tightly wound precision time piece ringing the hours with an effervescent brutality. The rhythm section growls with a low, mean thudding punch that could give the back end of The Birthday Party or Big Black the business in a street fight. Black Om Rising ascends; a beautifully bejeweled bloody stump of instrumental brilliance. Powerful, melodious, charismatic, dynamic, weird and ballsy to the core. STS has compassed an album whose every drone, silence and screech is so slyly crafted that Mozart called from the 18th century demanding amps!A Japanese tour CD/DVD with 500 copies available for North America and 500 for Japan. Audio CD plus region free DVD consisting of the entire Black Om Rising album performed live. Mastered by Tatsuya Yoshida of Ruins." |
| 5/4/2011 | Seven That Spells | Men From Dystopia | double LP | $32.99 | BLR | "Double LP on 180 gram vinyl and housed in a book bound gatefold sleeve and isssued as an edition of 250 numbered copies. Simply amazing Croatian psych with special assistance from Makoto Kawabata (Acid Mothers Temple, ...) If the metallic mettle of these men represents Dystopia, then forget Utopia, I wanna bang on Dystopia's drum all day!" |
| Seven That Spells | The Blowout | CDR | $29.99 | Seven That Spells | Edition of 100 copies from 2003. | |
| 6/30/2010 | Seven Vowels of Nature, The | Vol. I and E | c20 cassette | $6.99 | Sacred Phrases | "The whole—greater than the sum of the parts. Rooted from buried Earth. Clairvoyance and Clairaudience: these tracks, progressive in their slow pace, elucidate the hums of the past and future. cardstock j-card, labeled cassettes. art by adam. edition of 48." Nice! |
| 3/16/2003 | Seven Year Rabbit Cycle | Animal People | CD | $11.99 | Free Porcupine Society Records | "A crash-and-smash goodtime of brutal improvisation mixed with stark, crushing melodies for a world ruled by giant owls and bitter rabbits from former Deerhoof guitarist Rob Fisk, along with Miya Osaki, Steve Gigante (Tiny Bird Mouths, Theteethe) and Kelly Goodefisk (also ex- Deerhoof). Packaged with hand painted covers." |
| 8/31/2010 | Sewer Election | Bristning | LP | $23.99 | Release The Bats | "Originally released as a tape in 100 copies on Klorofyll Kassetter in 2008 which sold out immediately, Bristning finally gets the vinyl treatment. For this reissue, Dan Johansson revisited the original masters recorded at Utmarken in 2008 and elaborated it into an extended version, now clocking in on 33 minutes. Bristning shows the progression between the loop-based vocal manipulations on Kassettmusik (iDEAL) and the more recent Vidöppna Sår LP (Pan), weaving together elements from both. A RTB favorite in the big Sewer Election discography. Mastered for vinyl by Viktor Ottosson. 275 copies." Klorofyll said: "Sewer Election gives you a twisted world of decay and filth. Putting out records since 2002, on labels like Segerhuva, Release the Bats!, iDEAL and Troniks, you can definately say Sewer Election has been around quite a while delivering his punches of endlessly violent bursts of noise. Earlier this year, on his latest album called Kassettmusik, Sewer Election introduced a new sound to his music, replacing his former well knowned harsh noise to a more subtle and restrained soundscape, although nonetheless still filled with the corrupting and creepy feeling of moral decay and disease. In many ways Bristning is following in this direction, continuing with a tapeloop orientated sound, and in many ways it is not. Using all kinds metal junk to create analogue noise this recording is at times far more harsh than any fx-pedal ever can be. Bristning consits of only analogue sounds, recorded using microphones and a tapedeck, reducing the artificial feeling and creates a gritty and filthy sound of a world falling into pieces." |
| 11/21/2009 | Sex Worker | The Labor of Love | LP | $12.99 | Not Not Fun | "Intense visionary debut by Mi Ami frontman Daniel Martin-McCormick‚s solo alias explores a different realm of pulsing body music. Dancy, grey-wash keyboard rhythms and post-dub echoes pitter-patter under weird vocal smears and shadow melodies. Edition of 500." |
| 11/25/2010 | Sex Worker | Waving Goodbye | LP | $11.99 | Not Not Fun | "In a weird case of life imitating art imitating life, Daniel Martin-McCormick's sophomore Sex Worker full length, Waving Goodbye, coincidentally gets released on the very day he embarks on his transamerican relocation road trip from the Bay to Brooklyn. Waving goodbye indeed. Sad times for California, but at least his parting gift/LP is as haunting and poignant and vivid as these six dance-damaged life/love/loss anthems. A huge evolutionary pole-vault upwards from last year's The Labor Of Love, here the SW art-pulse echo-anguish aesthetic has been refined and reborn into fresh neon-smeared street grime crooner ballads ("Cool Boy," "Tough Love"), sprawling forlorn trancefloor fantasias ("Next To You," "Honeymoon Babylon"), plus a killer loner-ized Corona cover. Recorded over several months in SF and mastered in Berlin, WG is clearly his peak achievement to date and we've been jamming the shit out of it. Live, he brings a bizarro entertainer/MC vibe to the proceedings so for sure go see him when he's passing through yr zip code. Black vinyl LPs in jackets designed by Mr. DMM himself. Edition of 500." |
| 2/28/2011 | Seziki Tetrasheaf / Perspectives | split | c60 cassette | $6.99 | Rotifer | "edition of 100 pro-duplicated type II, chrome cassettes. Seziki Tetrasheaf and Perspectives' third appearance on Rotifer." |
| 8/31/2010 | SF | Ghost Pulse | c23 cassette | $8.99 | Dungeon Taxis | "Would've called this set of stunning organ and guitar vignettes 'spectral' if it wasn't for its already right-on christening. Did call Sean O'Reilly King Loser's éminence grise once and the feeling stays. Has to be the musical doyen of what Deleuze would call the 'in-between'. Looked across and saw him clapping his hands unamplified whilst playing in the Renderers, too. It was in the heat of a refrain and he was just grooving out, in tacet. His reticence is cool but this tape is next level. Sick to hear something of his very own for the first time since the Supra EP on Flying Nun" |
| 12/24/2005 | Shackamaxon | Shackamaxon | LP | $15.99 | HP Cycle | "Shackamaxon began back in 2001 when members of Double Leopards, Son of Earth and Magik Markers united to record and create music together. Since that time, the ensemble has quietly unleashed their psychedelic drift through a handful of live performances and a self-released CDr. Their self-titled debut LP presents four pieces of restrained beauty that encapsulates the Shackamaxon sound. The album begins with a side-long excursion where sparse organic textures become enveloped in cavernous layers of sound and perpetually fuzzed drones. It is a steady swell which builds to immense heights before fading into the expanse. Side two starts off with a brief introduction of fluttering tones, then diverges into an intricate passage of controlled feedback chatter and subtle reverberations. The album concludes with what sounds like a field recording from an alien rain forest, capturing strange creatures chirping and gurgling as the humidity drips from the canopy. Beautiful cover art by Amy Borezo." 2nd edition. |
| 3/5/2009 | Shades Of Joy | Music of El Topo | LP | $22.99 | Dagored | "Recorded in San Francisco in 1970 and originally released on the Douglas label, this intriguing piece of urban-jazz-funk-psych-rock-fusion delivers seven instrumental mantras whose core is neatly amalgamated by the fine art of this great 15-piece ensemble, here together only for a seemingly extemporized job, apparently inspired by the visionary western-on-acid epic film "El Topo" by Alejandro Jodorowsky. Gatefold sleeve, 180 gram vinyl, Italian import." |
| 3/2/2002 | Shale to Shift | Dromomania | CD | $10.99 | Taking inspiration from the poetics of ruined spaces, the three players map out a sonic geography using found objects, guitar buzz and rattle, cello, violin, and internal processing feedback. At times spare, simple, neo-minimalistic and then emerging as a cinematic soundtrack with layers of drone, metallic and wooden percussion, or freely interpreted ambient music... For more info, please visit www.jerryblue.org and www.1000pieces.com." | |
| 6/27/2009 | Sharper Capes | Sharper Capes | CDR | $4.99 | Lost Treasures of the Underworld | |
| 5/17/2011 | Shaw, Matthew | Goetheanum | cassette | $9.99 | Sonic Oyster Cassettes | Two pieces for guitar, piano, singing bowl and voice. Sonic Oyster Cassettes: Strictly Limited (numbered) edition of 50. 'Goetheanum' comprises two beautifully measured slices of drone as cosmic debris: true knowledge falling in and around infinite dimensions in its quest for spiritual wakening. Two sides of the most haunting and affecting music you will hear this year. Not to be missed. |
| 11/6/2010 | Shaw, Matthew | Metherell | CDR | $9.99 | Sonic Oyster Records | "Moss, Trees, Lichen, twigs, dead leaves, soil, insects, birds, the wind, the rain and sunshine. Bracken basks in the shade and reaches upwards and outwards. My vision of the horizon broken by forest, the silence broken by birdsong, space, peace and quiet but never complete silence. For now this is my home." Matthew Shaw (Tex La Homa, Fougou, The Blue Tree) offers us a meditation on place; a quiet valediction to his beloved South West England. 'Metherell' is music born of a perfect moment, the repetitious swell and pitch of piano, our witness to the simple pleasures found in ancient woodland, seen through the half-light. The reference to geographical place puts one in mind of earlier environmental music; the style and easy posture of the composition owes a quiet word of gratitude to Eno and Basinski. This is all for the good. STRICTLY limited to 50 copies," |
| 8/22/2008 | Shearer, Dylan | Planted/Plans | LP | $19.99 | Yik Yak | "Beautiful melancholic bedroom-pop informed by west coast composers such as van dyke parks and harry partch. a nice follow-up to the robert martin lp from another santa cruz long-gone. limited edition of 100." |
| 6/27/2009 | Shearer, Rachel | Fakerie | DVD | $15.99 | Family Vineyard | "Fakerie is a digital séance of aural and visual sculptures by the New Zealand artist Rachel Shearer, formerly known as Lovely Midget. Filmed in an environment to facilitate focused listening, Fakerie is as much for the ears as the eyes. Glowing white lights ebb and expand from darkness in shifting series -- like clustered stars -- as penetrating resonances of acoustic and electronic overtones decompose into the tiniest sand-like components. Traces of Mary Lucier's mid-1970s burn films and Francois Bayle's musical investigation into the physical and psychical world is present. The specially programmed Region 0 (free)/NTSC format DVD plays in constant loop. Its 22-minutes can be expanded into hours allowing the user to immerse themselves in the work. This DVD is Shearer's first long-form film release. In the past 20 years she has released records on Siltbreeze, Xpressway, Flying Nun, Corpus Hermeticum and Ecstatic Peace as Lovely Midget and with Queen Meanie Puss and Angelhead. Packaged in a mini-LP-styled gatefold book, this set also contains a 20-page booklet investigating the ghosts, distances and signals of Fakerie." |
| 9/29/2003 | Sheffield, Colin A. | In Between | 10" | $7.99 | Elevator Bath | "In Between' is just by Sheffield and he announces this record as something to play while in between doing other stuff, like writing or reading. Here it's not clear what exactly it is that he is doing, musicwise. The a-side is mainly one large ambient drone piece that almost moves without moving. The b-side is also droney and ambient, but has more changes to offer. Beautiful dark ambience, that is also really good if you don't want to anything else then just hearing (and why not? why should you always wanna do stuff when hearing music of this kind? just dim the lights and soak up the ambience!)." – Staalplaat. |
| 9/29/2003 | Sheffield, Colin A. | Side One | 7" | $4.99 | Elevator Bath | "This is Colin's debut (as well as the first release for Elevator Bath), released in 1998. The record consists of two short pieces, each of which utilizes highly amplified machine sounds. This is sample-based digital minimalism. On transparent vinyl with fold-out covers, in an edition of 475 copies." |
| 9/29/2003 | Sheffield, Colin A. | Spring (Time) | 7" | $4.99 | Elevator Bath | "This 7” by Colin Andrew Sheffield (pressed on beautiful, clear vinyl), is an intriguing pair of tracks with a minimal, almost ‘microwave’ feel to it. On Side A, the track ‘Sprint (Time)’ is grounded in silence and comprised of clusters of sounds, shifting tones and crackles. Side B, ‘The Bridge’, is more of a mood piece. Its sparse and isolated atmosphere provides the setting for further tonal shifts, clicks and pops. Incidentally, the crackle of the vinyl compliments these tracks wonderfully. Short and sweet, this excellent and very noteworthy single is limited to just 300 copies." - Richard di Santo |
| 9/29/2003 | Sheffield, Colin A. / James Eck Rippie | Variations | LP | $13.99 | Elevator Bath | "Colin A. Sheffield is the owner of the Elevator Bath label and also responsible for this release. This one is a duet with James Eck Rippie who is apparently a turntablist and guitarist (albeit unknown to me) and Sheffield calls him a sampling minimalist. They have played a couple of concerts together in the past few years, but this is their first recorded work. The a-side is entirely filled with 'Variations For Harp', which is an extremely minimal piece of stuttering cracks and the harp (didn't I just write that one of them is a guitarist?) playing softly loose notes. But everything goes into repetition and with small changes in speed the sound gets extracted and later on they are in unison again. Steve Reich's phase shifting technique for analogue instruments and digital processing. The b-side has two pieces, 'Variations of Guitar' and 'Variations For Flute'. The first one is a very soft piece for sustained guitar sounds and softly hoovers by. A very controlled atmosphere. The same goes for the flute piece. The instrument is hard to be recognized there and is soaked up in a deep wash of ambience (and sounds almost like it was recorded out door somewhere). Very minimal music that is simply beautiful. Topped off with a nice full colour cover in a Touch/Ash style.” – Staalplaat. On 180-gram vinyl with lovely full-color jackets, in an edition of 400 copies. |
| 8/4/2007 | Shelf Life | Ductworks | CD | $9.99 | Public Eyesore | "Shelf Life is Brian Day's most important musical venture today, besides of course running Public Eyesore. Shelf Life is a quartet of musicians, besides Day, there is also A. Boardman, J. Jaros and J. Schleidt. The cover doesn't list any instruments, but I believe to hear a saxophone, one or more guitars, a short wave and some sort of percussion. They are played in a true improvised manner: hit it and see what comes out. They pluck, hit, strumm their instruments in what turns out to be an endless stream of sounds. Thirteen pieces in total, although it's hard to say when a piece ends and when a new one begins. This is my main objection against this release: the dynamic level is not very high, so everything happens on more or less the same level, which is a pity, since it makes it a bit too much in a free form mass of sound. Some more mixing could have helped. Unless of course the idea was to have a total democratic sound, and not have one to play the leading part. If that was their goal, they succeeded in that very well." - Frans de Waard, Vital Weekly |
| 10/25/2008 | Shemboid | A Spaghetti of Wires | CDR | $12.99 | Memoirs of an Aesthete | "Now this one was meant to come out last year before Memoirs' cash-strapped hiatus, we are glad to finally dish this sweetie out from one of the unexplored corners of the West Yorkshire Psychedelic Underground. Shemboid is a one-man project which has been dishing out homemade CDR releases (and the very occaisional gig) since 1999 to very little attention, a situation we hope to change. Expect mutilated field recordings, garage electro-punk, freak-out guitar and kaoss pad overload with a heavy atmosphere of half-remembered childhood Radiophonic Workshop encounters. Edition of only 50 copies (still the highest profile Shemboid release!) in full colour covers." |
| Shepp, Archie | Blasé / Live At The Pan-African Festival | DBL CD | $22.99 | Charly | "Shepp stands twenty feet tall on these two monsters recorded in Parisian exile, August 1969. Blas‚ features Jeanne Lee delivering a soliloquy on sexual politics lead by Shepp and assisted by a veritable who's who featuring Lester Bowie, Malachai Favors, Dave Burrell, the amazing Philly Joe Jones on drums and the duel harmonica blowing of Chicago Beau and Julie Finn. Live At Pan-African Fest pulls out all the stops as he's joined by Dave Burrell, Alan Silva, Grachan Moncur III, Clifford Thornton, plus the incomparable Sunny Murray on drums, and a couple of Algerian musicians. Just incredible." | |
| Shepp, Archie | Yasmina, a Black Woman | LP | $15.99 | Get Back / BYG | “Shepp's first 1969 sessions with musicians from the Chicago avant-garde, released as #4 in the BYG Actuel series. Shepp and his gang (including Art Ensemble of Chicago members Lester Bowie, Roscoe Mitchell and Malachi Favors, plus drummers Philly Joe Jones, Art Taylor and Sunny Murray) swing like goddamn crazy on the 20-minute ‘Yasmina.’ On ‘Sonny's Back’ (written by Grachan Moncur), there's an unlikely tenor tradeoff between Shepp and Hank Mobley, while ‘Body and Soul’ gives Shepp a showcase opportunity. Original artwork, 180 gram vinyl, deluxe gatefold sleeve.” | |
| 11/2/2008 | Sherriff Jake Fields | Original Ugly Man | cassette | $8.99 | Pizza Night | "Who is THE SHERRIFF? No one knows really. In fact, after being given his demo cd by a friend some years back, I began my search for him by asking local rappers, promoters and googling the hell out of every name he drops on the e.p. Nonetheless, After all this time I felt like the word needed to be spread about this guy.You gotta hear it to believe it. Certain tracks feature unknown musicians such as DJ White Lightning who creates some of the most INSANE trax on which the Sherrif uses his words to create the bleakest but most brutally honest and dated picture of Cleveland . 2x8 = 216?????" |
| 12/21/2004 | Shide & Acorn | The Legend of the Dreamstones | CD | $24.99 | Kissing Spell | "Fragile early 70's UK folk, a bit like the Incredible String Band with whimsical female/male voices, traditional instruments, mandolins, harpsichord, flute, acoustic guitars etc... Deep Summer wood music for mystic elven folk." - Malesch Records |
| 11/6/2010 | Shields, Christine | In The Sun | LP | $14.99 | Awesome Vistas | "A mix of old-time music and country psych from another dimension where apparitions flirt with the unnerving and the uncanny. Guest appearances by members of Enablers, Touched by a Janitor, Swans, Faun Fables, Autobody, American Music Club. The debut solo album by restless musician and artist, raised in rural California around cowboys, hippies, bohemians and punks. Edition of 400, with silk screened jacket design by Shields, printed by Bright Spot. Phil Franklin nailed it when he referred to In The Sun, Christine Shields's first solo LP, as "ten songs of dark and light." The album is very much about opposites, the sun and moon, descent into darkness and return to light. Instrumentation includes guitar, banjo, baritone uke, and voice, with percussion by William Winant, guitar by Joe Goldring (Enablers, Touched by a Janitor, Swans), Soundscapes by Sheila Bosco (Faun Fables, Autobody), and drums and production by Tim Mooney (American Music Club). Her musical pedigree includes Archipelago Brewing Company, Grouse Mountain Skyride, Shady Creek Girls, and Steeple Chase, but one could hardly be blamed if none of the above ring a bell. ABC released a CD on Brinkiman in the '90s, and Grouse Mountain Skyride contributed a track to a Kill Rock Stars Comp, but Shields is perhaps best known for her portraits of musicians, short-lived comic book Blue Hole and dark and humourous, Addams-meets-Gorey illustration work for countless small-press publications and zines. Her music, like her images, is dreamy, dark, melodic, harmonious, and high-lonesome. (That old-time influence has its hooks in her good.) If you want to make her day, compare her to Opal. You wouldn't be far off the mark." |
| 9/29/2005 | Shiftlet, Mike | Elaborate Palms | DBL Cassette | $14.99 | Heavy Tapes | "Three intense sides of extended studies in synthesis and live performance. Shiflet is the kind of artist who can seemingly 'turn it on' any time he wants, revealing the racket and buzz in his head and allowing us all to peak in. Side four is a Workbench 'Stasis Style' remix of the Elaborate Palms material." |
| 3/20/2010 | Shiftlet, Mike | Omnivores | LP | $11.99 | Lost Treasures of the Underworld | "Debut solo LP by Shiflet . Although,this guy has laid down more tracks than Union Pacific in the last 10+ years. Known here by the locals as the gift that keeps on giving. And he brings it home extra hot with this earth-rattler . Omnivores will take root to your record player once it has been played. Edition of 300 copies w/ pro-printed covers." |
| 8/22/2008 | Shiftlet, Mike | Opening Act | cassette | $5.99 | 905 Tapes | "Two more doses of shiflet drone, blazing here in the live variety, recorded earlier this year in st louis and cleveland. for those not in attendance, you can acquire mike's sleeperhold synth styleings here and get a second chance to wipe your brain off of your shoulders." |
| 1/24/2009 | Shiftlet, Mike | Solo Renegades #8 | 3" CDR | $3.99 | Lost Treasures of the Underworld | "Head-splitting mind-bending circuit damage point of no return visit to the depths of the unknown. Edition of 50 in clear plastic sleeves with photocopied artwork by French artist renegade dude Nicolas Murer." |
| 3/11/2005 | Shiftlet, Mike | The City Is All In Your Head | CDR | $14.99 | Celebrate / Psi / Phenomenon | "Taking the whole concept of 'understatement' to a fundamentalist extreme of near-Texan proportions, off-duty-electrician Mike Shiflet serves up a paralysing collection of recordings made in duet with a 12 hour sound installation by Sven Khans. Not that you'd ever guess he was even in the building from the evidence presented here. Unbearable tension coupled and cataclysmic release. Gigantic nothingness that will prove a fantastic addition to your burgeoning Mike Shiflet collection." |
| 2/23/2004 | Shifts | Vertonen | CDR | $8.99 | Humbug | A note on 'Vertonen' by Frans de Waard a.k.a. Shifts: "'Vertonen' was recorded in 1995 when I lived in Den Haag. It's the first release (and maybe last?) by Shifts that uses samples, here all of the acoustic guitar. It was recorded on four track. These are the first five pieces on the release. I can't remember when I added the sixth and seventh piece, but basically it was still sampler and four track. the eighth version of vertonen will be released on Humbug's Cottage Industrial series and is a computer version of the original source material." |
| 4/27/2011 | Shiggajon | Asconema | LP | $19.99 | Chironex | "Amazing new limited to 250 copies LP from this wild free folk/free jazz commune out of Denmark led by Nikolai Brix Vartenberg and Mikkel Reher-Langberg. Asconema is a recording from a Singing Knives-produced show that took place in Sheffield in October of 2009 with the group swollen to a nine piece and featuring Kelly Jones of Part Wild Horses Mane On Both Sides on flute alongside guitar, electronics, saxophone, drums and violin. This is dense/primitive polyphony in the style of the early Globe Unity Orchestra/FMP sides married to a contemporary free folk attack. The music moves from great accumulative waves of strings and throats and epic percussion through incredible sustained single note levitations that touch on Coltrane's Ascension ensemble, with the whole group straining upwards while gargling white light. Seriously, a phenomenal free music recording with the presence of Kelly Jones' soaring flute work pushing it to a whole other level. Highly recommended." - Volcanic Tongue. "Shiggajon is a Danish modern free music collective and continuing collaboration revolving around the duo of Nikolai Brix Vartenberg and Mikkel Reher-Langberg. The recordings for Asconema, their first vinyl output, were made at the conclusive show on a UK-tour in 2009 curated by Singing Knives, and sent the band of in a new direction musically. On Asconema, the sound of this 9-man version of shiggajon goes in a more acoustic and dynamic direction, moving from quiet solo-pieces to dense and bacchantic ones in a matter of moments. The music is formally more "traditional" and less psychedelic than most in this tradition, including the band's own, being almost stripped of added effects, and thus letting interplay and melody dominate the flow of it." - label. |
| 7/5/2011 | Shiggajon | Live I | cassette | $8.99 | Shiggajon | "We now have the first tape in the "live" series "at the cube" available. It contains material by us and Dreamers Cloth on each our side, recorded at a show we did in Bristol last year. The DC-side is one track of the usual brilliant, catchy pomegranate-seed-dolphin-keyboard-psych - ours is probably the most rock-like set we've done to date. Earth-riffs and 4/4 drumming etc. Limited to 100 ex, 50 of which are for sale. Silk screened artwork inside." |
| 7/5/2011 | Shiggajon | Live II | cassette | $8.99 | Shiggajon | "The second tape in the live-series, this time a collaboration between Shiggajon and the Sheffield-scene, represented by Le Drapeau Noir (already a collaboration between Chora, Hunter Gracchus, Part wild horses mane on both sides etc) recorded at Café Oto, London in September 2009. 14 people on stage - 21 minutes of very dense, somewhat bacchantic chanting. Released August 22nd 2010, ltd to 80 copies." Two copies coming. |
| 4/27/2011 | Shiggajon | Live III | cassette | $7.99 | Shiggajon | "Recorded in December 2009 at Prøvehallen in Copenhagen with a 11-piece line-up. The music moves from repetitive folkish chanting through aggressive full-on celestial communication and on to more abstract, fragmented territory. Limited to 70 tapes." |
| Shinichiro, Kanda and Norikane Sakura | Ongaku-Bigaku (Music Aesthetics) | CD | $16.99 | Bishop Records | Features Kanda Shinichiro (piano) and Norikane Sakura (percussion) "The important thing is that my music must be always in progress and keep the identity of myself. I do naturally free improvisation, but also use a motif which affect as limitation of play. Motif is also my insistence as a composer." | |
| 7/11/2008 | Shining Path | Chocolate Gasoline | 12" | $13.99 | Holy Mountain | "The new 12-inch from The Shining Path - Ilya Monosov & Preston Swirnoff. While their eponymous album exists in the world of post-SST black-clad psychedelia and noise, the group decided that they had gone far enough in said direction and realigned themselves. Chocolate Gasoline has a less harsh demeanor, a la Accelerator-era Royal Trux if the Stones-meter was set a little closer to "Under Cover of the Night" than "Dancin' with Mr. D," especially on the opener, "Lonely Hearts Killer." The remaining tracks stretch out via influences ranging from hard dub, early PiL, no wave, block-banging hip hop, and kraut-dance/industrial, if one could imagine a version of Viva more about bikinis than white overalls. Nonetheless, all of this can be played with real instruments and "rocked out" in a live setting, which is what the group intends to do. "Monosov's feedback massaging has a strong Jimi Hendrix bent, and Reif's rolling drums evoke the spastics of Keith Moon. But together the trio most recalls Japanese explorers like High Rise, Fushitsusha, and Kousokuya."- Pitchfork |
| 6/19/2007 | Shining Path | Shining Path | LP + CD | $16.99 | Holy Mountain | "The Shining Path is the "rock band" version of minimalist duo ILYA MONOSOV and PRESTON SWIRNOFF. Like This Heat or Metabolist, The Shining Path are a Can/Faust-loving group that also exhales expansive psychedelic guitar excess with hints of Greg Ginn and the High Rise discography while tripping balls to a violent, throbbing, not-always-so-steady, Suicide-like rhythm. Lusciously packaged in an old school tip-on jacket, the package includes a CD version of the album because, seriously, it's what you'll want to listen to wielding a golf club with your upper body outside the sunroof of your car as you steer with your feet. The soundtrack to all that is good and true in this world." |
| 8/2/2008 | Shining Path | Take You So Low So You Can Fly So High | LP | $13.99 | Planaria | "Side A contains the re-issue of the "Take You So Low So You Can Fly So High" cassette originally released on Brooklyn's T.B.T.D in a edition of 100. Side B contains a collaboration with Little Howlin Wolf live at the Marquise Dance Hall in Brooklyn." "...a scorching blend of vintage space rock from aggressive Kraut rock keyboards, No Wave noise breaks and Spacemen 3 drug swagger. The band consists of Preston Swirnoff and Ilya Monosov and these two freaks lay it on with a kind of death wish squall that reminds me why I did LSD in the first place. The Shining Path go straight to the center of the earth rather than into the sun, seeing all the dirt and garbage along the way... Shining Path have a full length out as well on Holy Mountain, although I haven't heard it, I will most likely seek it out now." - FADER MAGAZINE |
| 8/28/2007 | Shining Path, The | Take You So Low So You Can Fly So High | cassette | $8.99 | T.B.T.D. | "The Shining Path is the 'rock unit' formation of psych-minimalist duo Monosov Swirnoff. Ilya Monosov and Preston Swirnoff have released four highly acclaimed LP's of wide-ranging music on Eclipse Records and have just released The Shining Path debut self-titled full length LP/CD on Holy Mountain. This cassette oozes with damaged rock, disorienting feedback, pulsing unsettling rhythms, through beautiful sheets of white noise. Their sound has been compared to a mix of Les Rallizes Denudes, Suicide, and Mars with the free outbursts of Abe Kaoru or Takayanagi. Ripping. Edition of 100. Cover art by Tetsunori Tawaraya (demonstrations)." Killer. |
| 1/23/2002 | Shiraishi, Tamio | Live Performances 1992-1994 | CD | $18.99 | Pataphysique | Live Recordings from 1992-1994 from alto sax player Tamio Shiraishi. |
| 6/5/2009 | Shiraishi, Tamio & MICO | Live Duo | CD | $15.99 | PSF | Alto saxophone - Tamio Shiraishi; Alto saxophone, piano molanica, etc. - MICO. "A rare live album from one of the major names in the Japanese free noise underground, Tamio Shiraishi. Shiraishi was one of the major movers in the free noise / underground rock/DIY improv Minor scene of the late '70s and early '80s that gave birth to so many of the major names in the Japanese underground. This compilation of live recordings captures Shiraishi live in Europe, the U.S. and Japan between 2001 and 2007, together with NNCK member, MICO. Forceful, intense, chaotic improvisations for saxophone, vocals, percussion, piano etc. Shiraishi's trademark ultra high-pitched dog-whistle sax and guttural vocals are showcased to full and outstanding effect." - Alan Cummings |
| 5/7/2004 | Shiraishi, Tamio & Sean Meehan | In The City | one-sided LP | $15.99 | Fusetron | "Each summer Tamio Shiraishi & Sean Meehan pair up for a series of outdoor concerts in new york city always in a different location, the concerts explore unwatched and unconsidered sites of the city. (this LP) is the first release of this summer tradition. 12" vinyl with a b-sided etching by knickerbocker." - sean meehan. Recorded underneath the West Side Highway at 59th Street, NYC, by Geoff Dugan, 21 july 2001. SEAN MEEHAN - "Current performances generally find Meehan playing only the snare drum in a manner that sheds conventional usage and reconstructs the conception and function of the instrument." Meehan has collaborated with Sachiko M, Mamoru Fujieda, Michihiro Sato, Edwin Torres, Muigel Algarin, Greg Kelley, Ami Yoshida, Taku Sugimoto, Toshimaru Nakamura, Tetzui Akiyama, Kiyoharu Kuwayama and many others. Additionally he has performed throughout North and South America, Asia and Eastern Europe. TAMIO SHIRAISHI - Shiraishi has been performing since the late 1970s, including playing drums and synthesizer in an early incarnation of Fushitsusha. His first released recordings, consisting of solo sax with broken drum machine, were included on the 1981 Aiyoku Jinmin Juji Gekijo compilation on Pinakotheca (who also released the first Keiji Haino LP). Hes currently living in NYC and occasionally collaborates with the No Neck Blues Band. GEOFF DUGAN - "Geoff Dugan has been performing, recording, and producing sonic environments since 1983. Recent projects include a binaural psychogeography recording and performance: "aberto/fechyado parque serralves" at the Serralves Foundation in Oporto and an audio psychogeographical report from New York performed at the 2002 Zeppelin Festival of Sound Art in Barcelona. Geoff runs the recording label GD Stereo that has released a series of compilation compact discs organized around psychogeography and the theory of the dérive among the various (the artists): The Architecture of the Incidental (1999) and Psychogeographical Dip (1997). Solo projects include Play in random or shuffle mode. (GD Stereo, 2001), Surface Tension (Open Circuit, 2000) and the Stomach Ache Records release Technical Comfort Formalistic Style Features (7" vinyl - 1994). Geoff is also an architect and lives in NYC." |
| 8/23/2009 | Shitty Listener, The | Crying Sweater | CD | $10.99 | Ruralfaune | "The first ever CD released by Ruralfaune is the new output from The Shitty Listener aka Jason Honea; multi-faceted moon chaser who wanders through myriad activities that include: his personal label 3rd Acre Floor, being one of the founding members of the Jewelled Anter Collective, whisperings inside of The Child Readers (with Loren Chasse), singing for The Knit Separates (with Glenn Donaldson)...Recorded in Berlin by Michael Northam, The Shitty Listener is a lo-fi, bedroom folk project, deeply connected to Poetry. Incredibly intimate. The music incorporates whatever ambient sound happens to occur in the background, and it all just becomes part of the wound, becoming as much a part of the song as the song itself. Melancholic piano, gentle guitars, plaintive and emotive voices..., a sort of drifty fuzzy dreamy melody crosses each song." Edition of 500 copies. |
| Shlomo Artzi Orchestra | Pizza Little Party | CD | $10.99 | Public Eyesore | "Even for a PE release this is bizarre shit. I know absolutely nothing about this band and the cryptic packaging does not reveal much else, but the band is coming from a lot of different directions using tape loops, samples, and heavily mutated orchestration to create something... something... um, different. The best comparison i can think of, which isn't really true but is sort of in the same neighborhood, is Mauve Sideshow. Lots of groaning tapes in the background and what sound like devolved and processed wind-chimes turning in the wind in the foreground, with plenty of other peculiar bits drifting about in the space between. Much of it sounds like the eerie pipe-organ sound everyone associates with PHANTOM OF THE OPERA, if that helps, only... stranger. Some of the sounds and the overall approach remind me at times of Vox Barbara, although their intentions are different (i think). My favorite of the five tracks on here is 'Pachinko,' which features lots of swell tremelo sounds and drones, sounding like a science-fiction laboratory in which machinery is slowly switching itself on and off. This band would make excellent soundtracks for sci-fi movies and video games, i think. The music here is eerie and evocative without being jarring and unsettling, and thus would also work well as background music. Throw this on at work and see what your co-workers say, ha! RKF (Dead Angel No. 46 | |
| 9/16/2007 | Shoup, Wally / Chris Corsano / Paul Flaherty | Bounced Check | LP | $14.99 | Records | "Wally Shoup, Chris Corsano, and Paul Flaherty make up this Screamin' free punk-jazz-liquid-solid-noize trio captured LIVE "in your face"- style in Seattle, WA. Totally improvised double sax and drum explosions that break down into duos and solos and re-ignite as trio howlin' paint splattered maddness gone butt-naked wilder. Recorded at an art gallery with Artwork melting off the walls and frightened fans nervously mopping their furrowed blood-stained brows (they were especially afraid one or both of the sax players would expire...... it did feel like attempted sax suicide), this limited LP, which will be the final volume in the RECORDS label plan, represents one half of the concert that emerged on that unsuspecting evening. The other half is being released at the same time (relatively) on the Tyfus label in Finland as BLANK CHECK. Thus creating another pair of sister releases much like the LAST EYES (RECORDS #8) & STEEL SLEET (TYFUS) LP pair released in 2005. The 'CHECK' pair will serve as the document of the only event this trio has played to date, and it presents another blistering historical document of an underground movement that continues to go un-recognized and even un-noticed in most of the so-called civilized baby starvin' world." Recommended! |
| 6/11/2006 | Showers | Live in Rats Eyes | CDR | $9.99 | Maim & Disfigure | "providence scuzz-addicts make you feel like you're sitting in a sauna pumping out piss mist... goes from blown out heavy rock to stagnant out of order urinal rot... one song is a cover off of flex your head comp... edition of 50" |
| Shrin | Ventilating The Corpse | LP | $12.99 | Records | "The material here was recorded in 1991, 1992, and 1995 and is of the bowed cymbal, frenetic drumming, guitar, bozouki, and chant nature. Limited to 500 copies." | |
| 4/14/2011 | Shrinnirs | Early Singles | CDR | $7.99 | Mystra | "Contains the first three 45s plus a bunch of unreleased tracks by New England's political punkers influenced by The Ex, Dog-Faced Hermans, and various avant-garde movements. The Bimbo Shrineheads/Shrin/Shrinnirs have been blowing minds at endless venues since the late 80s.... And in true Dead Moon fashion, Dawn Cook (vocalist, songwriter) and Joe Malinowski (drummer & Tulpa Records executive) are still shredding around New England with their unique vision. Try to see them asap!!" |
| 1/1/2009 | Shuttah | The Image Maker Vol. 1 & 2 | double LP | $89.99 | Shadoks | "This is the rarest of unknown, anonymous English prog-psych from 1971, with only one known copy left in existence - a perfect acetate. The Image Maker Vol. 1 & 2 is a real underground concept album with a progressive touch that only needs a few spins to get it right. Well-crafted songs, great vocals, sound-effects, organ and heavy fuzz guitar all combine to make up one of the better albums on the Vertigo label with a good dose of acid in it. Since the original acetates appeared many years ago, this is still a very provocative unsolved mystery of the UK underground." Limited Edition of 500 copies pressed on German 200gm HQ 2LP, Silver Engraved, Heavy-Duty, Embossed Gatefold. One copy available. |
| 9/17/2006 | Siberia | Live | cassette | $8.99 | Fag Tapes | "Recorded two nights in Detroit. members of hzmt, max cloud, tape deck, mini-systems....two dudes, two nights, two venues. edition 77." |
| 7/11/2008 | Sic Alps | U.S. EZ | CD | $13.99 | Siltbreeze | "U.S. EZ is the fourth long-player in the Sic Alps canon (excluding the recent singles comp CD, A Long Way Around to a Shortcut), and their first for the Siltbreeze label. Fans of last year's amazing Description of the Harbor LP will not be disappointed, especially if they want to hear Side A's cosmic concrete creak, forged with the trebly, high-end neo-glam pop of Side B. The duo of Mike Donovan and Matt Hartman outdo themselves here and it is the most fully realized Sic Alps release to date. U.S. EZ knows perfectly well what it means to be high and inside. It's not just baseball jargon anymore. If you've been jonesin' for an LP that calls to mind equal parts Bob Markley and Uli Trepte, then look no further, mein dueden (und duedetten). U.S. EZ is the virtual brick of Berlin / Big Sur hash we've all been waiting to break into. The ominous death's head fez has now been ensconced in a witchy naugahyde bonnet, thus levelling the playing field for both the psychedelically challenged and the itinerant avant garde. Sic Alps have always sprechen zie good vibes and U.S. EZ is a solid thump on all fronts. A summer tour of the States and a European one in the fall are in the works. LP version to follow shortly." |
| 8/2/2008 | Sic Alps | United | 7" | $6.99 | Important | "This merch table gem is a one-sided 7" limited to 1000 copies. 500 on blue, 200 on red, 200 on yellow and 100 on green. Contained on this thick piece of love is a rockola version of Throbbing Gristles track, United." |
| 12/12/2009 | Sic Alps / Magik Markers | Tour | 12" | $12.99 | Yik Yak | Repress. Split 12" anticipating their upcoming December 2009 west coast tour together. Sic Alps give up three tracks with help from Lars Finberg (Intelligence) and Ty Segall, the highlight being a great punched-in guitar solo from Matt Hartman that makes one song reminiscent of a Safe As Milk outtake. Markers show up with a 7ft bass player who throws the band into Guru Guru mode. Great all around. 600 copies." |
| 7/30/2006 | Sick Feedbag | Action Mono 3 | cassette | $8.99 | Fag Tapes | "David Payne of Fossils, Offensive Orange, Feedback....in one speaker and Sick Llama in the other. random colab. style w/ option of listening to one band at a time or both (recomended) at once! raw cutting room floor surprise!" - label Edition of 50 copies. |
| 9/17/2006 | Sick Hour | Sick Hour | cassette | $6.99 | Animal Disguise | "4 YEARS LATER...FILLING THE HOLES IN THE DISCOGRAPHY. THIS IS MINIMAL SYNTH DRONE AND LOOMING CREEP FROM MEMBERS OF HAIR POLICE/EYES AND ARMS OF SMOKE. A BLEAK SOUNDTRACK TO CLIMB THE ENDLESS CLIFFS OF A PSYCHEDELIC MOUNTAIN. PUT THIS ONE ON REPEAT AND FORGET TO BREATHE. GREAT LOOKING FULL-COLOR ARTWORK BY ROBERT BEATTY. LIMITED EDITION OF 120." |
| 6/11/2006 | Sick Llama | Alien Facial 3 | cassette | $9.99 | Heavy Tapes | |
| 6/11/2006 | Sick Llama | Blue Syrup Dreams | CDR | $9.99 | Fag Tapes | "CDR jam packed w/ new knee deep in syrup soundz. newest sick llama style experiments. you hear children calling for help but yer too stoned." |
| 6/19/2007 | Sick Llama | Born Again To Die | LP | $15.99 | Hanson | "There are a lot of mugz you don't wanna know,: VD doctors, the Grim Reaper, the inside of a Fed Ex body bag, ex-mates, cops, silence, dentists, republicans, country music stars, ...list goes on and on....THEN= there are mugz you just want to get some sunshine from- you know who they are= just plain rad mugz, stokerz= and i gotta say....the Michigan Crew has Sick Llama'z BACK.....Heath AKA Juice AKA Fag Heath AKA Morellama= is just a ball of huge eyeballing goodness..how can you be mad at him? We used to have heavy skate shred sessions with the goofball and he would destroy the streetz, and still be smiling at the end, never breaking a sweat. You want this dude on your team. And you want the soundtrack to your boiling brain to be his Born Again to Die. Its got this amazing kinda arms-up-in-air-i-give-up-what-is -this-godamnn -sound style beaming through it. Heath man....dude aint really gonna give any clues back....cant count how many timez the crew has cornered the mug and been like: "Yo man....what the hell is going on inside "Live Birth"? Did you just record cars under an overpass and slow it down?" "....ha......that one...that's a weird one right?" "Well,...tell us....the fuck?" ".........." And repeat over the coarse of 120+ Fag Tapes, Heath's label AKA the Pyramids of Michigan. He never has properly answered a sound question, we all have our clues/ideas.. Probably wrong. Sick Llama holds the rotten essence of Midwest Basement Mystery Mind Sound inside the marrow of his weird skull, right behind the strawberry blond tuffs, unblinking bug eyes, and scandi-molded mildew skin. Born Again to Die is his debt, and any signs of progression are tossed out the windows of Ham Studios. I mean its electronics, tape hiss, and ....?????? Heath really doesn't get any better or more refined, just....... stranger AKA more strange. My man Connelly says every Fag Tape has at least a 30% "hands off" factor, meaning, seems like Llama has a nice mutant groove going on and then just jets for 10min, leaving the machine motionless. If you can tell what the hell is going on inside these grooves...bottle it and sell it, it would be ideal to have on tap.......it could be like taking a skinny dip inside the caverns of a black pool filled to the brim with soul-frying electricity waves. Born Again To Die= maybe our kid's rat kids will COMPREHEND. Then maybe they can attempt to decode FUNKY PANDEMONIUM...." -JOHN OLSON (Wolf Eyes, Boy Dept. Boyz), May 2007. Originally released on cassette in 2004 on AMERICAN TAPES. This is the first full length LP and one of the first recordings ever from SICK LLAMA. Limited to 500 copies. Housed in a slick orange and blue silkscreened cardstock jacket featuring the usual HANSON outer 'droll flaps'. |
| 7/16/2006 | Sick Llama | Degrade Yourself | cassette | $8.99 | Fag Tapes | "Another kinda chiller. more sick llama style caught on tape. panasonic. edition 65." |
| 2/14/2008 | Sick Llama | Distance Removal | cassette | $7.99 | Fag Tapes | "Sick Llama style. sometimes you just wanna be somewhere else......recorded at HAM Studios. edition 50." |
| 7/30/2006 | Sick Llama | Earth House | DBL CDR | $18.99 | Fag Tapes | "These 2 play from the outside ~ in. dark pain of gears forcing the earth to spin w/ opposite rotation. sick llama style." - label |
| 2/4/2007 | Sick Llama | Holiday at the Cove #1 | cassette | $8.99 | Fag Tapes | "sick llama on exotic vacation at Shcooner Cove. recorded at The Comfort Zone & Inzane Studios w/ rec. tech. help from Steve Perry and Tex. edition 77." |
| 10/1/2011 | Sick Llama | In Between The Mirror Vol. 3 | cassette | $7.99 | Fag Tapes | "Sick Llama style recorded at HAM Studios. Sounds like nothing the previous two In Between The Mirror tapes. What is lurking beneath there the glass? Like a tree there rooted stuck view point shaken by the wind. Time without space. New instrument used on these recordings: Th' Skeleton Form. What is it? Listen and chess it out. Hand-numbered edition 20." |
| 5/14/2007 | Sick Llama | Live Birth | CDR | $9.99 | Fag Tapes | "live barf syrup gigs from Chicago, Kalamazoo, Columbus. edition 77" |
| 6/11/2006 | Sick Llama | Once Believed | CDR | $9.99 | Fag Tapes | "2 takes live to tape in the studio. bent stereo feedback / tape manipulations / hands-on microphone trash." |
| 2/26/2006 | Sick Llama | Sickle Cell | CDR | $9.99 | Hidden Feast | "Brand new label straight out of shitty Grand Rapids, Michigan. weird city. they don't have a single post office. everything is handled by that Nazi company DHL. and people get arrested all the time for being overheard talking shit about the president. full color covers sick llama style." |
| 2/24/2007 | Sick Llama | Skin Walker | CDR | $9.99 | Maim & Disfigure | "The best dude in "noise" right now.... total fucking braindead, too burnt out to even get high anymore type noise.... some parts sound like plastic, 5 foot circular basketballs slowly boucning and deflating on a contact micd city street late at night; others sound like if you were the size of a safety pin and were crusing through a small, tight sewer that was all curvy and fucked up and the water was almost not even in there anymore but was slowly dripping while your carrying vessel was scraping up the ground you sailed on; others sound like someone flushing a toilet while taking a bong hit..... 2nd track = live on new years, hear how fucked up the emeralds crew was.... ltd to 75." |
| 11/4/2006 | Sick Llama | Team Brain Damage | cassette | $8.99 | Fag Tapes | "sick llama style. tape eating / speaker confusing / rotting alcohol mess. edition 90." |
| 7/16/2006 | Sick Llama | untitled | lathe cut 7" | $25.99 | AA Records | One-sided square lathe cut 7" from Nate Young's (Wolf Eyes) AA label. |
| 2/2/2009 | Sick Llama / Andrew Coltrane | untitled | c20 cassette | $6.99 | Hermitage Tapes | Sick Llama side contains 1/1 tape material from Andrew Coltrane's personal copy of Nobody's Children - Keep Away tape |
| 4/10/2009 | Sick Llama / Treetops | Light Infection | cassette | $6.99 | Fag Tapes | "Melting wax organ and keys. mixed down in Ham Studios. adrift in the night. edition 50." collab. |
| 9/17/2009 | Sick Pledge | The Darkness of Tomorrow | cassette | $7.99 | Fag Tapes | "Sick Llama / New Pledgemaster (Paul Gunsberg) colab. tape sounds like church rape or black metal fuck your bright summer you fucking tourist! hand-numbered / painted edition 25." |
| 10/25/2008 | Siddhi | Goabdesaijgge | CDR | $12.99 | Reverb Worship | "You may recall that Siddhi had a previous release on Reverb Worship entitled "Whispering Wood" which sold out very quickly. Siddhi are the italian duo of Delfo Catania and Elena Mandolfo.This new recording was made at home in July 2008."Goabdesaijgge" is one wonderful long shamanic track which features voices by Mariaelena Catania.The title of the cd is a Saami word meaning "time of ohum" which refers to the pre christian time when ohum was used in shaman rituals. The cd comes in an edition of 53 hand numbered copies." |
| 2/25/2008 | Siddhi | In The Wind | CDR | $13.99 | Akoustic Desease | "From the "space guitarist" of Comet III, a pure gift of sounds joy directly from the pulsating and deadly Mother Heart. 5 songs that go from melanchony and delicates drones thou strings resonance..handmade HARD cardboard limited to 115 copies." Trippy - real nice. |
| 2/11/2006 | Siena Root | A New Day Dawning | DBL LP | $35.99 | Nasoni | "Limited vinyl edition of the first full length album by this outstanding band from Sweden. They combine the best moments of Deep Purple, Led Zep, Blind Faith to a very exiting and unique blend of sweet early-70's rock with a bluesy touch and some prog/ psychedelic patches. Heavy organ, strongbass, guitar riffing, jazzy drumming and very charismatic vocals fuse into an unmistakable integrity and honesty. This album will be a sought after classic very soon. So buy tomorrow's pebbles today!" Limited edition of 500 copies. Black vinyl. |
| 11/23/2004 | Sightings | Arrived in Gold | CD | $12.99 | Load | "Never before has a band managed to erase themselves. New York City's Sightings have risen to the challenge of negation with this 'what the fuck' of a record that rolls the twenty sided dice to dematerialize any trace of guitar, bass and drums into proton dust floating microns on top of the speaker cone. Minimal, yes. Previous records have gone from favorites at magazines as chocolate and peanut butter as the Wire and Terrorizer. Past records have been steaming knee burn befuddled by German technoid impulse and Yoko-damaged Beatles-busting intensity. A new icy coolness is added to the steaming soup this time allowing the sounds of mouth breathing to open up the record into a drug-fueled nightclub beast humping a bass bin as the sun rises." |
| 5/13/2011 | Sightings | Michigan Haters | LP | $13.99 | S.S. Records | "When Sightings second album not only crushed everything that they had done prior, but revealed the band to be sonic explorers of Magellanic proportions. Sightings' overblown intensity was joined by abrasive twists and subtle unconventionality, a combination of sounds which one reviewer likened to 'a storm of knives.' Or something like listening to Terry Riley and Steve Reich though a Big Muff at 110 decibels. With Michigan Haters, Sightings started on what would become nearly a decade long reinvention of the rock & roll song. First through volume and now through invention, Sightings has given up a series of great albums: Absolutes, which clearly builds on what Michigan Haters created, Arrived in Gold, the coolly brilliant Through the Panama, and the fantastic City of Straw. Originally released on CD in 2002 by Psych-O-Path, didn't get a proper vinyl release. So after years of Sightings and SS talking about doing a single, I finally said 'Hey, Michigan Haters needs to be on vinyl. Let me do it!'" |
| 11/25/2007 | Sightings | Through the Panama | LP | $15.99 | Ecstatic Peace | "Bass, drum and guitars meshed together with a synthetic twine envisioned in future think tanks. Literally the sound of human progress darkened with a profound fidelity so loud the dark matter of the universe quivers in a deadly orgasm. Guitar, bass and drums reconfigured for a new purpose. This is the band's sixth album and takes the notch so much higher than previous efforts in terms of songwriting and production. With Andrew W.K. as a producer, some of the caustic curtains that swathed past albums have been parted to reveal a coldly pulsing artificial heart. And the beat of this heart sounds off in an alien tongue of bass and drums. Guitars descend like unforgiving sheets of napalm from the smoldering skyline. Songs pop out of this miasma that tick off icy coolness with piano and vocal stylings. Indeed, hot and cool. To accentuate the difference this album has versus previous Sighting's records, a Scott Walker cover is included. This is a rock album, but a rock for times coming, a sound of future days. Break the chains from the days of past, listen to Sightings and evolve. Limited edition pressing packaged in high gloss gatefold sleeves." |
| 2/21/2009 | Sikhara | Anduni | CD | $7.99 | Urck Records | "Sikhara exists in a constant state of motion, claiming no land as home.Just before the dawn of 2007, Sikhara released "Bardos State" on the extreme ethnic label, URCK. This was the most comprehensive recorded work of the band to date, including material registered on 3 continents. This included tracks from Seizure's Palace in Brooklyn, NYC, their notorious collaboration set in the ancient Senkoji Temple near Osaka and most importantly, a studio version of the new live set, captured in Portugal and performed on the subsequent tour. The Bardos State tour circled the totality of Europe and the USA and even decended into Asia Minor with mutilple performances in Ankara, Turkey. The duo of Nydegger and Geoffriaud reproduced the content of the Bardos story with a theatrical presentation that still maintained a rigid musicality. The next wave of Sikhara has began with the cd and tour entitled "Anduni". Anduni is heavily themed in the music and culture from the countries of Armenia and Georgia. The name is taken from the title of a tragic Armenian opera, which litteraly means homeless. A host of engineers and collaborators put a hand into the recordings, which took place in France, Belgium, Portugal and Nashville, TN. Sikhara performed the complete Anduni cd on thier tour. The accompanying spectacle is closely linked with the themes behind the music and represents a more refined twist to the savage visual elements of a Sikhara show." |
| Silcock, Matt | s/t | CD | $7.99 | Public Eyesore | "It's interesting to hold (the 7" by Naoaki Miyamoto) up to the solo CD-R by Blastitude's own contributing partier Matt Silcock, also on Public Eyesore, which has a similar attack in places, but at 13 tracks and nearly 60 minutes, is maybe a little too much of a good thing. Still, if you're in the mood, a good thing it is, and to Silcock's credit, he breaks up the 'noise guitar' stuff with saxophone, acoustic guitar, and some other field recordings (including a woozy not-quite-prog bass/drums jam). A strangely languorous approach is taken too, which helps spread things out, though some of the noise guitar work can get in your face, especially the album closer, an over-the-top quasi-metal number called 'Akira Takahashi Goes Home.' For the most part, however, the album makes nice background-with-option-for-foreground music in the same way a solo improv record on Incus might." | |
| 10/6/2007 | Silmaril | The Voyage of Icarus | DBL LP | $22.99 | Locust | "Awash in fuzz boxes and acid trips, the dozens of other overlooked groups from the psychedelic era bear little resemblance to Silmaril. While others buzzed within the hippie epicenters of Haight Street and the Lower East Side, Silmaril formed in haunted, industrial Milwaukee. Other bands might have met at a love-in; Silmaril were friends from a Catholic youth retreat bound together by a doomed figure in the eccentric madman tradition of Syd Barrett, Roy Harper and Mel Lyman, by the name of Matthew Peregrine. The Voyage of Icarus captures the dark, mysterious, and achingly beautiful acid folk & Christian-themed psychedelic sounds that emanated from 1973's highly collectable privately-pressed album, Given Time... Or the Several Roads, and their dormant, unreleased follow up, No Mirrored Temple." |
| 11/6/2003 | Siloah | Sukram Gurk | CD | $19.99 | Garden of Delights | "'The second and last one by the Munich underground band, this time with keyboards and more professional. From the master tapes.' New reissue of the 2nd and final Siloah album, originally released in 1972. As with the debut album, this was previously reissued by the now defunct Lost Pipe Dreams label, now in more superior form - from master tapes with 1 bonus track. Very loose, tripped-out feel with Can-like atmospheres at times. The absolute finest in early 70s flowing psychedelics and an essential document of the era." – FE |
| 2/6/2003 | Silt Fish | Zabaranda | CD | $8.99 | Public Eyesore | "The highly prolific Public Eyesore label usually deals in some variety of cracked international improv, but CEO Bryan Day does throw curveballs. Silt Fish qualifies, being a weird British art-folk duo. If that description brings to mind some kind of Betley-style bedroom thing, well no, this is like more produced and art-rockish, while still being pretty lo-fi....like it aspires to some sort of Henry Cow realm but has a setup almost like Suicide's: two guys, one playing an organ and one a guitar, and one of the two singing. I must say that I was immediately a bit taken aback by the twee-ness of Silt Fish. I finally realized what Byron Coley meant when he said of Red Krayola's Black Snakes album that ‘listening to the whole thing in one sitting makes my asshole clench.’ However, Silt Fish really hit their stride on track four, the title track, which is a long artsy spooky dirge. Think Roxy's ‘In Every Dream Home’ only with a more wandering melody and crazier Carnival of Souls organ. And, now that I'm used to the Silt Fish sound, I kind of dig all the other songs too. Once again the question must be asked: where does Bryan Day get these people?" - Matt Silcock, Blastitude #14 |
| 2/4/2007 | Silvercords | Pig Iron | CDR | $12.99 | into the lunar night | "New set from this duo off-shoot of Family Underground, featuring Nicolas and Sara in stoned circular drone mode with what sounds like prayer bowls and currents of spectral breath birthing orchestras of tone halo. Edition of 85 copies in printed gatefold sleeves with silver-on-black artwork." - Volcanic Tongue. Edition of 85 copies. |
| 11/29/2007 | Silvercords | Sapphire Staircase | CDR | $12.99 | into the lunar night | "Limited self-released album from the duo of Nicolas and Sara of Family Underground, with two long tracks recorded in October 2007. This expands on the weird Euro avant/Industrial time-stilling moves of their earlier releases with a doomy use of tolling fuzz and some harsh Xpressway styled destroyed rockisms." - Volcanic Tongue. "The follow up to the Time-Lag cdr of heaviness. This one is a bit more harsh and not as drone heavy as earlier efforts." |
| 5/29/2008 | Silverman | Blank For Your Own Message | CD | $18.99 | BLR | "The Silverman should be given a degree in bio-melodics. This most recent body of collaged constructions pulsates with aspects of a living system. Slurred drones rush sonic corpuscles through electronic capillaries, imparting breath to each track. An obscured, parenthetical heart beat occasionally comes through as an unexpectedly metallic panging in the background, mostly drowned out by the fluid dynamics of localized subsystems playing out their various vital functions. Perhaps each one of us does sound a little like a Javanese gamelan orchestra inside if you hit the right spot. Cutting to find out is not advocated. The Silverman's fantastic voyage sounds like a spiritual dissertation on degrees of scale. Edition of 500 copies packaged in full-color book bound CD cases." |
| 8/4/2007 | Silvester Anfang | Kosmies Slachtafval | CD | $16.99 | Aurora Borealis | "The Flanders-based Funeral Folk collective convene to become occult drone rock band Sylvester Anfang, a self-proclaimed 'Pagan Belgopsych' group featuring a line-up that boasts a member named Ignatius Van Kempenhof. They almost certainly get involved in live role playing games too, but all you really need to know about this record is that it's the group's debut album and it's a rollicking good listen. Across two lengthy pieces the band align themselves with the more far-out tendencies of Acid Mother Temple or perhaps even Sunburned Hand Of The Man unshackled from their more Woodstock-oriented tendencies. In amongst all the shifting textures and sinister wailing sounds you'll hear a jumble of campfire percussion and the kind of organ playing you might last have heard on an Italian horror movie soundtrack. Oddly, there's a bit of a devotional, trance-inducing quality to this music, and you most certainly wouldn't want to accept a glass of grape flavoured Kool-Aid from them, but this album is well worth donning a robe for." |
| 10/6/2007 | Silvester Anfang | Levend Op De Brandstapel | CDR | $9.99 | Skulls of Heaven | "Silvester Anfang are Belgium's premier house-band of the post-apocalyptic hellfire club known as Funeral Folk. This particular installment in their ongoing macabre musico-theatre finds Silvester Anfang tripping over the bloated corpse of Acid Rock. Conjuring the zombie spirits of Jimi Hendrix, Phil Lynott, Pigpen and John Bonham, Silvester Anfang transform into a murky cloud of fuzz-wah and terribly damaged atmosphere. In some ways this is the most heavy and sickening manifestation of SA yet.. Bitter and short, simple and sick, is this the new means to an end for our favorite Funeral Folks? |
| 7/30/2006 | Simeon | Sleepy Eyes | LP | $12.99 | Bobby J | "This is a plaintive and personal, yet inexplicably pop record. Stand-outs for me lie in the sprawl of longer songs like The Wind and Sweat Me (both side one) that combine the cryptic whispers and skitters of Skip Spences Grey/Afro with the boop-teet of a drum machine. Simeon is truly doing something very different, very personal, and is already far down that Misunderstood Highway. Pick him up, for his thumb and his record is out." - Luna Kafe. |
| 5/16/2010 | Simmons, Sonny | Staying on the Watch | CD | $12.99 | ESP-Disk | "The noted west coast composer made his ESP debut accompanied by his then wife, Barbara Donald, on trumpet, Teddy Smith on bass, John Hicks on piano and Marvin Pattillo on percussion. Recorded August 1966, Staying on the Watch is an important infusion of straight-ahead and avant jazz. Barbara Donald is a superb trumpeter who has made a strident contribution to the legacy of women performers and has been widely written about. Also, pianist John Hicks, who makes his New York debut on the record, went on to become one of the most prolific pianists in jazz. Personnel: Barbara Donald (trumpet) Sonny Simmons (alto sax) John Hicks (piano) Teddy Smith (bass) Marvin Pattillo (percussion)." |
| 10/8/2010 | Simsuns | Shyterrapops | CDR | $7.99 | Black Petal | "This is a short 3 track single by Mel Simpson (regular collaborator of Matt Earle from xNoBBQx in the band Craft Bandits), with her brother. this is a really beautiful, catchy psychedelic pop recording." |
| 6/25/2011 | Sirone Sextet | Live in Berlin, Ballhaus 1987 | LP | $25.99 | Sagittarius A-Star | "Thomas ! Thomas wrote me one day and said to me to check out some audio called So long ago in Berlin... wow, i immediatly fell in love with that sound, really 60's and melancholic in a way... those were the rec. of a mini Tour that Norris Jones set up with his new sextet (2 gigs in Berlin/2 more in NYC). Sirone was one of the most respected bassist coming out of the New Thing, having played with all the greats: Albert Ayler, Archie Shepp, Marion Brown, Pharoah Sanders, Cecil Taylor, Noah Howard, Sun Ra... to name just a few; co-founder, with Leroy Jenkins, of the Revolutionary Ensemble too. a totally underrated musician and tough guy, who released only one album in the 70's under his name (a 4et date with James Newton), a privatly pressed one. so this is indeed a SPECIAL event and hopefully an LP who do more justice to an unsung artist. all the tracks are composed by him and are full of poignant beauty... particular mention'd deserve also Jason Hwang playing, a young Thomas Borgmann on soprano sax, not to mention great solos on alto sax and trombone by Steinhuis and Nobili respectively. a RARE jewel indeed from the old skool." ep. 180gr. black vinyl, with insert; ltd ed 200 copies only. |
| 5/4/2011 | Sissy Spacek | Dash | LP | $11.99 | Gilgongo Records | "Sissy Spacek is the long running project of JOHN WIESE and CORYDON RONNAU. On DASH, their second release for Gilgongo following the Fortune b/w The Eyes Of Men 7", they are joined by Norway's Lasse Marhaug (JAZKAMER) and Will Stangeland (TEARIST, SILVER DAGGERS). 41 tracks of scathing sound, cautiously partitioned into short bursts of truly obliterated hardcore, redefining "raw punk", and an even more destructive force than the already harsh and damaged tone of recent output. "The same vein" in a sense, but ruptured and bleeding out, heavily." |
| 5/16/2010 | Sissy Spacek | Fortune | 7" | $5.99 | Gilgongo Records | "An on going project of prolific artist John Wiese, SISSY SPACEK has taken many forms: intricate collages of the small, quiet, details that trickle through in between "sound", drums spliced and severed, 18 piece "noise" orchestras, performances that included nothing but the act of shattering glass as source sound to ones that result in broken basses and bleeding throats, etc. You never know how overblown and explosive or incredibly quiet and intricate one specific release might be. On "Fortune", Wiese has assembled a trio with Charlie Mumma (drums) and Corydon Ronnau (vocals): crafting 26 songs of grind-core noise (like a Crossed Out playing with malfunctioning gear). Corresponding singles also released on A Dear Girl Called Wendy (Italy) and Ketchup Cavern (Canada)." Sold out at label. |
| 12/25/2005 | Sissy Spacek | SISSISSPSSKSSISSRS | LP | $15.99 | Misanthropic Agenda | "Limited deluxe gatefold 12" edition. Manic torrentials of multi-multidirectional percussion, guitar, voice, and electronics from the mouse of John Wiese." Edition of 1000 copies. |
| 5/13/2011 | Sissy Spacek | Sissy Spacek | double 7" | $19.99 | A Dear Girl Called Wendy | "FIRST EDITION ON VINYL!!! In 1999 Sissy Spacek made their first recordings as a more or less "conventional" blur/grindcore duo consisting of CORYDON RONNAU (vocals) and JOHN WIESE (bass and drum machine). Shortly after, the band entered a recycling period in which Wiese produced a number of albums and EPs, the first of which was this s/t CD (originally released on Helicopter), transforming their original source material into hardcore musique concrete. Listed in Studio Voice's "New No Wave 200" and declared a new genre by Koji Tano, the consensus was simply stated: "not for the faint of heart." Presented here on vinyl for the first time as a deluxe double-7" set by Italy's A Dear Girl Called Wendy. New edits, new mastering and previously obscure material from the same era. Limited to 200 handnumbered copies, one time pressing." |
| 4/22/2009 | Sister Iodine | Flame Desastre | LP | $19.99 | Premier Sang | "French pionner experimental rock band (trio) founded in the early 90's, Sister Iodine made themselves known with 2 albums recorded on the R.I.P french Label 'Semantic'; ADN 115 (1994) & Pause (1997), collision between the savage energy of No wave, the game of collage tapes and exploration of their instruments inspired by concrete music, their primitive love of Noise, and a primal free rock approach. From 1992 to 97 they did some wicked concerts in company of bands like Sonic Youth, Faust, US Mapple, Circle X, Keiji Haino, Flaming Demonics, Stereolab, The Ex, Bästard, Krackhouse, Melt Banana, Tone Rec, Pluramon amongst others.. Geographically separated since 1997 Sister Iodine began to play sporadically for some scattered events like some dates w/ Sonic Youth french tour 1999, Phonotaktik Festival, Vienna/1998, PS1 Contemporary Art Center NY/1998, each members focused then more on their own new electronic projets (Discom, duos w/ Tujiko Noriko, Evil Moisture) touring around the world. And still running...Back to pure and harsh electricity since early 2000's , Sister Iodine continued their ufo like road, gave brutal concerts here and there around their album came out on Textile records (Jackie O'Motherfucker, Magik Markers, Oren Ambarchi, Volcano The Bear, Chris Corsano & Mike Flower, Sun, and many more) on feb 2007, recorded @ Rare Book Room studio with Nicolas Vernhes. 2008, Sister Iodine recorded his new album home and did a few shows around like the one in Saint Nazaire invited by Sonic Youth to play for the opening of the massive exhibit "Sonic Youth, Sentational Fix". 2009, Sister Iodine is proud to announce their new album "Flame Desastre", out now on the new acid french label Premier Sang." Edition of 500 copies pressed on white transparent vinyl. |
| 8/17/2009 | Six Organs of Admittance | Luminous Night | CD | $13.99 | Drag City | "Through dark days and glowing nights, Six Organs of Admittance continues to step to the far rim of the world with purposeful strides. Indeed, new horizons are visible throughout Luminous Night. Be it in the face of spiritual crisis or catharsis, Ben Chasny as Six Organs refuses to stagnate, or to evolve in predictable fashion; in response, he keeps moving on. This is the first Six Organs of Admittance albums with such a lengthy gap between it and its former number. In the past two years Chasny has kept busy writing this new epic, moving house to Seattle, composing soundtracks for novels and movies, and touring constantly in America and Europe (with bands like The Dead C and OM) as well as being invited by legendary post-metal group Neurosis to play their Beyond The Pale festival in Belgium. Six Organs of Admittance is such a singular experience that it is sometimes easy to forget that Ben was the lead guitarist in Comets On Fire, as well as a songwriter and guitarist for Current 93's Black Ships Ate The Sky album and half of the pan-Pacific psych-folk duo August Born. But clearly, Chasny knows heavy, having grown through times of heavy and times of light. And in answer to the question what's heavier, a pound of rock or a pound of feathers, Six Organs of Admittance has devised this for Luminous Night: a pound of rock covered with a pound of feathers -- twice as heavy, but feathery light to the human eye. With Luminous Night, Chasny's working with some heavy dudes, like producer Randall Dunn and Eyvind Kang, whose sound on viola shines with a guiding glow throughout the album (both Dunn and Kang contributed their talents to the outré arrangements of the recent Sunn O))) album). The other invaluable contributors to the album are Hans Teuber on flute, Tor Dietrichson on tabla, Matt Chamberlin on drums, and Dave Abramson on percussion. Occupying their spots with care, they've collaborated to create something rich and vibrant, aching and new, in the world of Six Organs of Admittance. For its blanketing sound, Luminous Night draws inspiration from such cinematic sources as Jodorowky's El Topo soundtrack and the scores of Kurosawa's samurai films, but is at the same time music that could only have come from the singular sound world of Six Organs of Admittance. What is it about the man that buries his sound in the ground? He has faith in the earth, for one. When we think of Six Organs of Admittance, we think of a man with six-string ambitions, a rambler with mystic beliefs and dark electric visions. It's a big universe and we're only human, which basically means that we've got spirit and that were going to die. But until then, we live. Six Organs of Admittance has lived to tell about it on Luminous Night." |
| 8/17/2009 | Six Organs of Admittance | Luminous Night | LP | $15.99 | Drag City | "Through dark days and glowing nights, Six Organs of Admittance continues to step to the far rim of the world with purposeful strides. Indeed, new horizons are visible throughout Luminous Night. Be it in the face of spiritual crisis or catharsis, Ben Chasny as Six Organs refuses to stagnate, or to evolve in predictable fashion; in response, he keeps moving on. This is the first Six Organs of Admittance albums with such a lengthy gap between it and its former number. In the past two years Chasny has kept busy writing this new epic, moving house to Seattle, composing soundtracks for novels and movies, and touring constantly in America and Europe (with bands like The Dead C and OM) as well as being invited by legendary post-metal group Neurosis to play their Beyond The Pale festival in Belgium. Six Organs of Admittance is such a singular experience that it is sometimes easy to forget that Ben was the lead guitarist in Comets On Fire, as well as a songwriter and guitarist for Current 93's Black Ships Ate The Sky album and half of the pan-Pacific psych-folk duo August Born. But clearly, Chasny knows heavy, having grown through times of heavy and times of light. And in answer to the question what's heavier, a pound of rock or a pound of feathers, Six Organs of Admittance has devised this for Luminous Night: a pound of rock covered with a pound of feathers -- twice as heavy, but feathery light to the human eye. With Luminous Night, Chasny's working with some heavy dudes, like producer Randall Dunn and Eyvind Kang, whose sound on viola shines with a guiding glow throughout the album (both Dunn and Kang contributed their talents to the outré arrangements of the recent Sunn O))) album). The other invaluable contributors to the album are Hans Teuber on flute, Tor Dietrichson on tabla, Matt Chamberlin on drums, and Dave Abramson on percussion. Occupying their spots with care, they've collaborated to create something rich and vibrant, aching and new, in the world of Six Organs of Admittance. For its blanketing sound, Luminous Night draws inspiration from such cinematic sources as Jodorowky's El Topo soundtrack and the scores of Kurosawa's samurai films, but is at the same time music that could only have come from the singular sound world of Six Organs of Admittance. What is it about the man that buries his sound in the ground? He has faith in the earth, for one. When we think of Six Organs of Admittance, we think of a man with six-string ambitions, a rambler with mystic beliefs and dark electric visions. It's a big universe and we're only human, which basically means that we've got spirit and that were going to die. But until then, we live. Six Organs of Admittance has lived to tell about it on Luminous Night." |
| 1/21/2005 | Six Organs of Admittance | School of the Flower | CD | $13.99 | Drag City | "This is the first Six Organs of Admittance record to be recorded in a studio. No computers were harmed (or used) during the making of this record. Free-jazz sensation Chris Corsano contributes drums with the greatest sympathy. It's a fantastic new album, as just a fraction of a listen will reveal. The highly prolific Six Organs of Admittance returns with a sixth or seventh album, School of the Flower." Great record from start to finish! Includes a cover of Gary Higgins' 'Thicker Than A Smokey'. Highly recommended! |
| 1/21/2005 | Six Organs of Admittance | School of the Flower | LP | $29.99 | Drag City | "This is the first Six Organs of Admittance record to be recorded in a studio. No computers were harmed (or used) during the making of this record. Free-jazz sensation Chris Corsano contributes drums with the greatest sympathy. It's a fantastic new album, as just a fraction of a listen will reveal. The highly prolific Six Organs of Admittance returns with a sixth or seventh album, School of the Flower." Great record from start to finish! Includes a cover of Gary Higgins' 'Thicker Than A Smokey'. Highly recommended! |
| 11/17/2007 | Six Organs of Admittance | Shelter From The Ash | CD | $14.99 | Drag City | "Ben Chasny returns with a new Six Organs of Admittance album-a most fluid combination of electric and acoustic SOOA styles. For Shelter From The Ash, Chasny went into Louder Studios with the songs both in his mind and also demoed out, a different way of working than in previous sessions. Though their are definite song structures in place, improvisations and heavy drones are still a big part of the sound. Includes playing from NOEL HARMONSON (COMETS ON FIRE), TIM GREEN (FUCKING CHAMPS), ELISA AMBROGIO (MAGIK MARKERS), and MATT SWEENEY (SUPERWOLF)." |
| 11/17/2007 | Six Organs of Admittance | Shelter From The Ash | LP | $16.99 | Drag City | "Ben Chasny returns with a new Six Organs of Admittance album-a most fluid combination of electric and acoustic SOOA styles. For Shelter From The Ash, Chasny went into Louder Studios with the songs both in his mind and also demoed out, a different way of working than in previous sessions. Though their are definite song structures in place, improvisations and heavy drones are still a big part of the sound. Includes playing from NOEL HARMONSON (COMETS ON FIRE), TIM GREEN (FUCKING CHAMPS), ELISA AMBROGIO (MAGIK MARKERS), and MATT SWEENEY (SUPERWOLF)." |
| 6/11/2006 | Six Organs of Admittance | The Sun Awakens | CD | $13.99 | Drag City | "Despite the incredible prolificacy that has seen the release of seven albums since the turn of the millennium, the advent of The Sun Awakens, the new Six Organs Of Admittance record remains an event to cherish. Having finally achieved mainstream recognition with his last album, 2005's sublime School Of The Flower, Ben Chasny - who ostensibly is Six Organs Of Admittance - has decided to push away from the psych-folk blueprint that he conquered with the last Six Organs album and propel himself into the depths of bohemia with a masterclass in dark artistry. bWorking with some of his long-time collaborators (notably Noel Von Harmonson of Comets On Fire and Tim Green of The Fucking Champs) means that some of the hallmarks from earlier releases remain, so fans will recognise For Octavio Paz's melancholic six-strings on 'Torn By Wolves' and fragments of Compathia's sweet lullabies can be found on 'The Desert Is A Circle'. But this is an undeniably darker experience than its predecessor; some of the gentle percussion and the occasional cymbal crash remain, but there's little that isn't immolated by the disruptive fire of Chasny's electric guitar. Chasny even goes so far as to mangle his own words on 'Black Wall', before a volley of feedback blows his falsetto away entirely. At the end of The Sun Awakens lies the twenty-four minute long 'River Of Transformation', a desolate, droning whirlpool and the most oppressive track that Chasny has recorded to date, whether under his Six Organs guise or any other. The fearsome, crunching guitar is heavy enough to recall some of Chasny's psych outings with Comets On Fire, but the weird other-worldly chanting hauls the track back into the avant-garde mire. Dark, taxing and almost overwhelming complex The Sun Awakens may be, but it's an album laced with enough of Chasny's particular brand of mercurial grace to ensure that Six Organs Of Admittance's second album for Drag City is, nonetheless, a work of austere beauty." |
| 6/11/2006 | Six Organs of Admittance | The Sun Awakens | LP | $13.99 | Drag City | "Despite the incredible prolificacy that has seen the release of seven albums since the turn of the millennium, the advent of The Sun Awakens, the new Six Organs Of Admittance record remains an event to cherish. Having finally achieved mainstream recognition with his last album, 2005's sublime School Of The Flower, Ben Chasny - who ostensibly is Six Organs Of Admittance - has decided to push away from the psych-folk blueprint that he conquered with the last Six Organs album and propel himself into the depths of bohemia with a masterclass in dark artistry. bWorking with some of his long-time collaborators (notably Noel Von Harmonson of Comets On Fire and Tim Green of The Fucking Champs) means that some of the hallmarks from earlier releases remain, so fans will recognise For Octavio Paz's melancholic six-strings on 'Torn By Wolves' and fragments of Compathia's sweet lullabies can be found on 'The Desert Is A Circle'. But this is an undeniably darker experience than its predecessor; some of the gentle percussion and the occasional cymbal crash remain, but there's little that isn't immolated by the disruptive fire of Chasny's electric guitar. Chasny even goes so far as to mangle his own words on 'Black Wall', before a volley of feedback blows his falsetto away entirely. At the end of The Sun Awakens lies the twenty-four minute long 'River Of Transformation', a desolate, droning whirlpool and the most oppressive track that Chasny has recorded to date, whether under his Six Organs guise or any other. The fearsome, crunching guitar is heavy enough to recall some of Chasny's psych outings with Comets On Fire, but the weird other-worldly chanting hauls the track back into the avant-garde mire. Dark, taxing and almost overwhelming complex The Sun Awakens may be, but it's an album laced with enough of Chasny's particular brand of mercurial grace to ensure that Six Organs Of Admittance's second album for Drag City is, nonetheless, a work of austere beauty." |
| 9/18/2006 | Sixes | Submissions | 3" CDR | $7.99 | Jyrk | "Man.. one of the first times we rolled down to Oakland, we met up with this dude and his intensely dark steez.. Dude reminded me of my buddies up in Portland who had first told me about "The Temple," which Mr. Sixes calls home.. My friends told me that their show at "The Temple" was one of the most chaotic evenings of their band's career.. tons of smashed glass, fights.... debauch... A fierce mess.. When we finally got to SEE Sixes... or more importantly, when we moved to the bay and got to SEE Sixes a LOT, Dude was REPEATEDLY crushing.. on par with other westen freaks like Wiese and Gerritt.. totally gross intensity.. So.. we bug him to do a release.. and he takes his time.. but... now we're finally holding onto this SICK live recording of a set in Seattle from 2005.. It's perfect for JYRK too.. Totally a slow burner. you can't tell it's creeping up on you until it's too late...... edition of 200" |
| 6/19/2007 | Skaters, The | Dispersed Royalty Ornaments | LP | $17.99 | Wabana | "As the duo known as the Skaters and as solo artists, Ferraro and Clark, who are flat broke and currently without phone or Internet service, spend most of their days and late nights not working but huddled in their bedrooms jamming, obsessively exploring through the use of nontraditional instrumentation and the creation of abstract sound 'the inside and the outside at the same time,' and in the process experiencing what Ferraro calls 'private imaginations.' The end result is not what you would expect -- i.e., a pretentious, painfully dry avant-garde free-noise. Quite the opposite, it's a totally out there, vocal-dominated psychedelia, based, structurally speaking, on the open-ended drone heard in industrial music, minimalism, experimental electronics, folk, world music, and free jazz. And, like the best free jazz -- the early, fiery stuff: Trane, Ayler, Sanders -- the Skaters' noise-drenched cosmic soul is driven by their need to, in the words of Ferraro, 'grasp something that is beyond what you can verbalize." - Justin Farrar. Killer record - highly recommended!! |
| 2/16/2005 | Skaters, The | Gambling in Ohpa's Shadow | CDR | $13.99 | Pseudoarcana | "Does anything more need to be said about The Skaters? They exploded into the consciousness in early 2004 with 'Dark Rye Bread' (an album about to get a vinyl reissue courtesy of Norways Humbug imprint) and blew minds everywhere with their exceptionally 'JOYOUS' music. For those who haven't heard them yet The Skaters are the duo of James Ferraro and Spencer Clark. The main instrument used by these 2 genius's is voice, but not voice as we're used to it. Ecstatic chants are looped live through archaic delay units and played at a monstrous volume through old and broken amplifiers. Occasionally a broken-leaded guitar is strummed, or a very bent tribal sounding percussion looms into the mix, but overall its those crazy gnostic-gnomic voices that dominate. As with James Ferraro's solo 'Wooden Cupboard' project the immediate comparison that springs to mind is that of Angus MacLises Kathmandu recordings. Not everything is so chaotic on this disk, there are poignant moments of relative calm, but overall it is a remarkably distorted, energising - and joyous - affair. Note that some of the distortion on this disk is 'digital' in nature, a further manifestation of Ohpa's will sings morsecode clicks from out the void… |
| 8/2/2008 | Skaters, The | Physicalities of the Sensibilities of Ingrediential Stairways | LP | $14.99 | Eclipse | Uncalculated unconscious expectations within an involuntary interception (system) of detached fantasy detached provided the fantasy is born of ingredients outside of the body but determined by the unpenetrated unconsciousness this in combination with the minds ability to sight illusions creates a world in which the consciousness can travel in and out of realisation of the event arising as with the tangible actions of the ceremony ascending and descending within the spectators consciousness manifest exchanged illusions. The unknowing of levels of consciousness as the procession of the ceremony transforms the imagination from inner and outer experience to one a whole motion of physical and mental interaction. Recorded in Universal City, Mexico by Spencer Clark and James Ferraro. Limited edition - one time pressing |
| 4/13/2011 | Skeleton Birds & The Number of God | These Dark Roots of Heaven | LP | $17.99 | Alt Vinyl | "After 'resigning from' Volcano The Bear, this is Volcano The Bear founder member Nick Mott's new group, continuing and expanding on the experimental precedent set by Volcano The Bear. Recorded outdoors at a disused quarry and on two farms in Cornwall. Environmental sounds, traditional and hand made acoustic instruments, voice-as-instrument, distortion and electronics. There is the trademark VtB wash of noise distortion punctuated by whiplash percussive samples and abstractions. A rumbling momentum of charged strings, churning amplification and atmospherics. Psychedelic Concrete Folk NoiseŠ180gm LP ltd to 250 copies. Extract from review by Norman Records (4/5): "Things start out pretty obscure and vocal driven but as the record develops we are treated to brief jams and consistent grooves albeit all wrapped up in ghostly vocal madness. It's a quirky record this but one that I'm sure will satisfy many a listener, Volcano the Bear fans and beyond." |
| 5/1/2009 | Skeleton Warrior | Pornographic Hologram | c70 cassette | $4.99 | Obsolete Units | "One of the more secretive acts in the strange terrain of Florida-based noise makers, the always enigmatic Skeleton Warrior allow some more presence to take hold with this epic tape of bewildering glee. Pornographic Hologram very literally veers from speaker-damaging scuzz rock to amphetamine-ruined industrial pop to analog synth caterwauling to everything else in between. No spaces left untouched, and yet a distinct linking thread holds it all in place. A diverse and vigorous long-player made perfect for the adventurous." |
| 4/10/2009 | Skin Graft | Blackout | LP | $15.99 | Tusco Embassy | "First skin graft vinyl. 8 tracks of abrasive, negatively charged scum electronics. perfectly disgusting and abusive. three color screened artwork (lots of black ink)." Edition of 100 copies. |
| 7/16/2009 | Skin Graft | Brick in the Mouth of a Corpse | c20 cassette | $7.99 | Deception Island | "As proof that some small amount of justice lingers in the world, Cleveland veteran Wyatt Howland is finally getting his dues, having spent the past several years amassing a discography studded with many of the all-time classics of fucked rust belt electronics ("Soft Police Murder," "Drug Addict," "You Deserve Nothing," and the watershed "Blackout" lp on Tusco Embassy, to name but a handful), collabbing tirelessly with the likes of Ryan Kuehn, David Russell, Emeralds, and Aaron Dilloway, and turning in an endless stream of punishingly focused, concise, and pissed-off performances that simply must be witnessed to be believed. "Brick in the Mouth of a Corpse" is both a fitting introduction to Skin Graft and a bar-raiser for those already initiated, on which Howland continues to wax subtle, detailed, and glowering, as though drawing cross-sections of harsh noise with a drafting pencil, allowing us to view the creaking, dripping, and hissing armature under its skin. This is a strategy that could never be sustained without the patience and technique that are present in spades across the six tracks that make up "Brick," meticulously crafted vignettes that range from the principled scraping of bones and bodyslamming of trashcans to waking up brutally hung over beside a rustily copulating heap of sonar equipment. Essential filth." Hand-numbered edition of 149. |
| 11/21/2009 | Skin Graft | Caged | c30 cassette | $8.99 | Hermitage Tapes | "Wyatt Howland aka skin graft = veteran RULER from Cleveland. and as ALWAYS,he brings you the sickest nastiest FILTHIEST sounds ever!& this tape is yet another example of his mastery of his madness. black tape w/ title craved into it with a knife,wrapped in B&W dbl. sided insert wrapped in metal cage/wire." |
| 11/6/2010 | Skin Graft | Cancerous | double CDR | $9.99 | Pizza Night | "A double cdr version of the 4 c60 box set that sold out instantly. contains two years worth of recording churning harsh noise mud and hatred black coal forced into dark diamonds of audio... color covers housed in thick dvd style cases. limited strictly to 100." |
| 12/12/2009 | Skin Graft | Dirge | 7" | $6.99 | A Soundesign | "An instant classic, two years in the making... "Dirge" showcases what Cleveland's Wyatt Howland does best, pummel and grind. This record is a black assault with a deeply personal feel, like a perpetrator caressing you into eternal sleep with a set of pipe wrenches. Art by David Russell. Co-released with Mistake By The Lake. Black vinyl 33 RPM 7" record, black and white laser print insert in plastic bag." |
| 5/16/2011 | Skin Graft | Dystrophy | CD | $7.99 | Hanson | "Debut CD release for Cleveland's SKIN GRAFT. WYATT HOWLAND aka SKIN GRAFT has been blasting his crude noise in the filthiest Cleveland basements and scum punk bars every two or three nightsŠA WEEK! for the past five or so years. He has a knack for writhing in the filthy underbelly of sound using junk metal, field recordings and primitive electronics. DYSTROPHY is complete audio horror texture…pulverizing harsh sounds of fluttering static, feedback and crushed metalŠ This is the sound you hear when you are stuck upside down in the backseat of a hit and skidding car. Just HORRIBLE SOUNDS! The complete OPPOSITE to the sounds of his past collaborators EMERALDS and BEE MASK. Whereas they have aimed for outer spaceŠ SKIN GRAFT has aimed himself head first into a shitty old Cleveland gutter. Always touring, always playing gigs, and always recording…solo and as a member of long running Cleveland noise punks DEAD PEASANT INSURANCE as well as Power Violence heavyweights APARTMENT 213." Recommended for fans of Wolf Eyes, The New Blockaders, Napalm Death, Taint, Murder Corporatrion, Negative Approach, Prurient, and Controlled Bleeding. 500 copies packaged in black poly jewel cases. |
| 3/5/2009 | Skin Graft | You Deserve Nothing | cassette | $7.99 | Pizza Night | "Psychedelic scum electronics from Wyatt Howland. Intense dark zones and wet cold clutter. A real jaw dropper of pissed noise that at moments sounds as if Wyatt chose to set a modular synth rig on fire. The absolute best of OHIO." |
| 4/3/2010 | Skitter | untitled | 3" CDR | $7.99 | La Station Radar | Part of Fake Tape Series - limited edition of 50 copies. "Sound of one jpg. Here is the last Skitter from Liam Stefani. No title, no details. Black and White. The image is text and sounds are the words." |
| Skree | Fat Mouth Shouts Out | CD | $16.99 | Freek | Noisy improvisation with treated sax,trumpet,moogs,tape loops, & guitars | |
| 11/6/2010 | Skullbong / Zodiac Toys | split | c81 cassette | $6.99 | Bum Tapes | "Canada's Skullbong lay down a long side of live claustrophobic electronic compositions including a live radio transmission. Zodiac toys are from Bristol, proof that high-grade and low-fi do mix. Limited to 25 copies." |
| 7/28/2011 | Skullflower | Fucked On A Pile Of Corpses | CD | $19.99 | Cold Spring | "The most remorseless, brutal Skullflower ever! Alternating between granular lo-fi primitive rock and granular lo-fi primitive Power Electronics, this taut disc is a chain mail glove of hate to any lazy minds who've tainted the air with describing Skullflower as 'psychedelic'. But that's not to say this is an all out total assault. There are also moments of tender acoustic balladry, its just that they don't exist. The remorseless brutal sound is primitive, but as detailed and rich as a blood soaked medieval canvas, somewhere betwixt The Rita and Clandestine Blaze, but more brutal! Long live the New Flesh! Kether is in Malkuth, Malkuth is in Kether, but in a different wayŠ" |
| 2/12/2008 | Skullflower | IIIrd Gatekeeper | CD | $12.99 | Crucial Blast | "A reissue of Skullflower's acclaimed 1992 album IIIrd Gatekeeper, featuring the lineup of Matthew Bower (guitar), Stuart Dennison (drums and vocals), and Anthony DiFranco (bass). IIIrd Gatekeeper is an immensely heavy album that was originally released on HeadDirt, the label run by Justin Broadrick of Godflesh/Jesu/Final fame back in the early 90's, and featured Skullflower at their heaviest, grinding out slow, sludgy riffs and crushing, almost industrial rhythms amid a tempest of psychedelic guitar noise and dense sheets of feedback - easily the most crushing, rock-based music that Skullflower ever produced. IIIrd Gatekeeper served up a skulldozing dose of post-industrial dirge rock that sat comfortably next to Godflesh, Swans, and Ramleh in terms of dark, druggy, hypnotic lumbering heaviness. This is one of our favorite albums ever at Crucial Blast, and we are presenting this reissue with new liner notes, a new package design that retains all of the original artwork from the HeadDirt release, and a remastering job courtesy of Scott Hull at Visceral Sound." |
| 5/20/2009 | Skullflower | Malediction | CD | $13.99 | Second Layer Records | "Brand new Skullflower studio recording featuring the line-up of Matthew Bower, Samantha Davies (Voltigeurs), Lee Stokoe (Culver) and Stuart Dennison (Ramleh, original Skullflower) back on drums. Three long tracks of blackened guitar wall. Comes in 6-panel digipack with artwork by Matthew Bower. Limited to 1000 copies." Recommended! |
| 7/10/2008 | Skullflower | Pure Imperial Reform | CD | $13.99 | Turgid Animal | "New Skullflower CD now available on Turgid Animal Records. Recorded last year live on an Antwerpen radio station comes this new guitar wall "composition" from Matthew Bower and Lee Stokoe. This is a real CD (a first for Turgid Animal) limited to 1000 copies with artwork desinged by MB himself and pro-printed on quality grey paper in standard jewel cases. This is a seriously solid release and is for fans of modern Skullflower recordings and anyone who just loves a good harsh racket!" |
| 8/8/2009 | Skullflower / Limepit | split | LP | $22.99 | Posh Isolation | "Dark, clandestine noise from England and Denmark. Artwork by Rasmus Rosengaard. Silkscreened covers. Mastered at Dubplates and Mastering by FST." Edition of 333 copies. |
| 11/9/2004 | Skullpture | Farmyard Tapes | 3" CDR | $6.99 | 267 Lattajjaa | "Farmyard Tapes is a bit different from other Skullpture recordings. It's not dark and gloomy at all, but warm and almost joyful drone, at least on our scale (it's not that we try to be dark'n'gloomy, that's just the way our music most often comes out - we're happy and funny lads really). It was also recorded at a different place than our other recordings, in a small shed instead of a large hall with concrete walls, and also with slightly different equipment. These track were originally supposed to be released on a split cdr with another band on another label, but unfortunately that never came about. Anyway, our thanks go to Hannu for the chance to get this music finally available to public, and although not your typical Skullpture, I think it's a fine addition to our discography and your collection.” - Pekka PT on behalf of Skullpture. |
| 1/22/2011 | Skully | Világür | c30 cassette | $4.99 | Ghetto Naturalist Series | "Genre is obsolete?? yes indeed- concentrated pop and slashed manipulations- best and weirdest shit to date- really excited about this one- gem!! ed. of 45." |
| 1/17/2010 | Sky Dripping Venom | In Krasnozem | CDR | $10.99 | Ruralfaune | "Post-pyschedelic kraut_jams and moody experimentations by Nick Forté (Christmas Decorations, Felipe and Forté - Schematic & Kranky labels...) Kosmic rocks and musical meteors. Just great." Edition of 75 copies - part of Synth Series. |
| 2/21/2009 | Sky Juice | Above The Law | LP | $17.99 | Olde English Spelling Bee | "Above the Law is a 1988 action film directed by Andrew Zachariah Davis, probably best-known for being the film debut of Steven Seagal. This tribute album features the full Sky Juice rock band lineup of S.J. Jackson, S.J. Jones, Stoney Freeman, & Zac Davis and was recorded between 2004 and 2008 in various Ohio/Michigan/Massachusetts basements. Except for "Electric Engram" which is excerpted from an infamous/aborted live radio broadcast on Chicago's legendary dance station WGCI. Song titles: Asleep For Daze, Fractality, Slimescape (for James Ferraro), Prostration, Pressure Cook, Plan Of Attack (for Elisa Ambroglio), Recent Fog, Pushcart, Empty Grave, Womb Blizzard, Stable Current, Laid Out, Wall Of Mice, Suction Vent, Scrape Grate, Electric Engram, Brain Wash. Limited pressing of 375 copies, spraymounted covers, xeroxed collage insert." |
| 2/4/2007 | Sky Juice | Electric Mainline | CDR | $9.99 | Maim & Disfigure | "new release from these power rock brothers.... like the spacemen without enough drugs in their systems meet holden if he was missing a couple of fingers.... ltd to 50" |
| 3/21/2009 | Sky Limousine / David Payne | Multiplicity / Feedback #46 | cassette | $7.99 | Middle James Co. | "TERRORTAPES vol36. SKY LIMOUSINE / DAVID PAYNE "feedback #46"c60. side a = SKY LIMOUSINE "multiplicity" project from Chicago bro Josh Burke, with releases on Fag Tapes, STD, and his own Avocado Jungle Cassettes; the Sky Limo side is action mix of all sorts o shorty jams exhaling an unhealthy sample of weirdness via synth, tapes, voice and guitar. quicksand stone drones and puffs of huh makes you feel like riding a SKY LIMOUSINE all day. side b = DP "feedback #46" back in the slack, fingers folded back, no turning black, blue from smack. limited to 23." |
| 11/4/2006 | Skygreen Leopards, The | Disciples of California | CD | $12.99 | Jagjaguwar | "THE SKYGREEN LEOPARDS started in 2001 as a duo, just GLENN DONALDSON and DONOVAN QUINN. Working out of the Hobo Victoria district of San Francisco, they've since recorded five full-length albums and one EP in their five year history. Over these recordings the band has been given to metamorphosis but has always managed to sound distinctly "Skygreen". Their newest album, "Disciples of California", continues in the alchemical tradition of change and inward-revolt. On it, the Skygreen Leopards mix pop melodies, minimal country truisms, jingle-jangling Californianism and angular folk with something the band refers to as "our horse called Dire Arrow," which roughly translates into family friendly (sans the "American Censorship" connotations). |
| 11/4/2006 | Skygreen Leopards, The | Disciples of California | LP | $11.99 | Jagjaguwar | *The Skygreen Leopards - LP $11.99 (Jagjaguwar) "THE SKYGREEN LEOPARDS started in 2001 as a duo, just GLENN DONALDSON and DONOVAN QUINN. Working out of the Hobo Victoria district of San Francisco, they've since recorded five full-length albums and one EP in their five year history. Over these recordings the band has been given to metamorphosis but has always managed to sound distinctly "Skygreen". Their newest album, "Disciples of California", continues in the alchemical tradition of change and inward-revolt. On it, the Skygreen Leopards mix pop melodies, minimal country truisms, jingle-jangling Californianism and angular folk with something the band refers to as "our horse called Dire Arrow," which roughly translates into family friendly (sans the "American Censorship" connotations)." |
| 1/28/2005 | Skygreen Leopards, The | Life and Love in Sparrow's Meadow | CD | $12.99 | Jagjaguwar | "With Life & Love in Sparrow's Meadow, The Skygreen Leopards expand on their strange pastoral folk-pop and enter center stage as one of the most unique voices in the new folk movement. The Skygreen Leopards are Donovan Quinn (Verdure) and Glenn Donaldson (Thuja, Blithe Sons, Franciscan Hobbies, Birdtree, Ivytree, etc.). Formed in 2001, Quinn and Donaldson met while responding to a cryptic ad in the paper looking for Lumberjack players (little wooden dancing men you play on a board for percussion and visual interest). After being bested by an Appalachian man, Donovan and Glenn began studying the stars together where Glenn, while tracing his finger along Orion, said, 'Donovan, we are the Skygreen Leopards,' and so they were. The Skygreen Leopards originate from the Bay Area-based Jewelled Antler forest of bands. Donaldson co-founded the Jewelled Antler label in 1999, which has since released over 25 CD-R's ranging from straight field recordings & outdoor improv-folk to noise & fractured pop music. The Skygreen Leopards are without a doubt the most structured and accessible of these projects. Much of the Jewelled Antler music is recorded live outdoors on mini-discs & boomboxes while the Skygreen Leopards primarily focus on a surreal form of multi-layered folk-pop recorded on an old reel-to-reel housed in a moldy trailer on the back of a horse ranch. 12-string guitars, banjos, dulcimers, Jew's harps, organs, maracas, mandolins, harmonicas, ocarinas & reed flutes harmonize with the field-recorded songs of birds, barnyard animals & insects. This hedge of sounds is the backdrop for Quinn & Donaldson's mythological rants & hazy melodies." |
| 1/28/2005 | Skygreen Leopards, The | Life and Love in Sparrow's Meadow | LP | $11.99 | Jagjaguwar | "With Life & Love in Sparrow's Meadow, The Skygreen Leopards expand on their strange pastoral folk-pop and enter center stage as one of the most unique voices in the new folk movement. The Skygreen Leopards are Donovan Quinn (Verdure) and Glenn Donaldson (Thuja, Blithe Sons, Franciscan Hobbies, Birdtree, Ivytree, etc.). Formed in 2001, Quinn and Donaldson met while responding to a cryptic ad in the paper looking for Lumberjack players (little wooden dancing men you play on a board for percussion and visual interest). After being bested by an Appalachian man, Donovan and Glenn began studying the stars together where Glenn, while tracing his finger along Orion, said, 'Donovan, we are the Skygreen Leopards,' and so they were. The Skygreen Leopards originate from the Bay Area-based Jewelled Antler forest of bands. Donaldson co-founded the Jewelled Antler label in 1999, which has since released over 25 CD-R's ranging from straight field recordings & outdoor improv-folk to noise & fractured pop music. The Skygreen Leopards are without a doubt the most structured and accessible of these projects. Much of the Jewelled Antler music is recorded live outdoors on mini-discs & boomboxes while the Skygreen Leopards primarily focus on a surreal form of multi-layered folk-pop recorded on an old reel-to-reel housed in a moldy trailer on the back of a horse ranch. 12-string guitars, banjos, dulcimers, Jew's harps, organs, maracas, mandolins, harmonicas, ocarinas & reed flutes harmonize with the field-recorded songs of birds, barnyard animals & insects. This hedge of sounds is the backdrop for Quinn & Donaldson's mythological rants & hazy melodies." |
| 3/27/2004 | Skygreen Leopards, The | One Thousand Bird Ceremony | CD | $11.99 | Soft Abuse | "Soft Abuse is pleased to present the perfect soundtrack to a hazy springtime: The Skygreen Leopards' One Thousand Bird Ceremony! After two highly limited CD-R albums, The Skygreen Leopards unveil their most cohesive and fully-realized statement yet, as well as their first widely available CD release. The duo of Glenn Donaldson and Donovan Quinn converged to create The 'Leopards in 2001 in order to explore their mutual obsession with folk, psychedelic and surrealist sounds from the 60s and 70s. The band name, taken from a Kenneth Patchen poem, perfectly represents the duo's whimsical, dreamlike compositions, which reside somewhere between the ESP DISK outer limits (think Holy Modal Rounders and The Godz) and the lush folk-rock and psych-pop of The Byrds and The Monkees (latter circa Pisces, Aquarius, Capricorn & Jones Ltd.). The group has also garnered comparisons to the likes of Tyrannosaurus Rex, Richard Farina, Greg Weeks, early Pink Floyd, and White Album-era Beatles. Recording to Ľ" tape on a decaying 8-track machine, the Skygreen sound is easily the most hi-fi of any of the Jewelled Antler manifestations. Layered 12-string guitars, wayward harmonies, 5-string banjo, bouzouki, jew's harp, found sounds, dulcimer, Hammond organ, tambourines and maracas and much more creep into the songs like a light breeze. Though decidedly more 'pop' in structure, the duo retains the Jewelled Antler spirit of spontaneity, improvisation and playful sound exploration, often recording without pre-determined lyrics or chord changes and incorporating various sound sources and field recordings. The first two Skygreen Leopards albums, She Rode on a Pink Gazelle & Other Dreams and The Story of the Green Lamb & the Jerusalem Priestess of Leaves, were released on CD-R by the Jewelled Antler label and received highly favorable mentions in such publications as The Wire, Dream Magazine and The Broken Face. Both are slated for reissue on Soft Abuse later in 2004. Glenn Donaldson is also a member of The Blithe Sons, Thuja, The Franciscan Hobbies, The Birdtree, The Knit Seperates, and most of the other groups in the Jewelled Antler stable. He co-founded the Jewelled Antler label and masterminded the Pink Skulls label, and currently resides in San Francisco. Recently featured in Ptolemaic Terrascope, Donovan Quinn lives on a ranch in Walnut Creek, California and is a celebrated solo artist, releasing music under the Verdure moniker. More Verdure music will soon surface on the Camera Obscura and Lexicon Devil labels." |
| 1/24/2009 | Slashdeath | Kein Mitleid | one-sided LP | $25.99 | Die Taubnessel | "1-sided LP record. After completing the Unrein Bis Zum Abend/Reise Ins Diesseits LP recordings, Arnulf Meifert decided to be available for the Slashdeath project, this time under the direction of Kommissar Hjuler and in collaboration with Mama Baer. What resulted is a kind of death-metal-pastiche or parody, spontaneously realized with nearly no instruments at all. Quite noisy and primitive screams with percussive cymbal ostinato! Black cover with no info at all, except Slashdeath print and hand glued title in plastic scotch lettering. Edition limited to 115 copies." |
| 2/7/2009 | Slasher Risk | Shoe Mania | cassette | $5.99 | Abandon Ship Records | "In true spontaneous/on the spot/spur of the moment fashion, this tape was recorded live on the first night of the first bi-annual Eye and Ear record fair and music festival. We used a hi-fidelity digital recording, which was immediately brought home and put to tape that was packaged and ready to sell at the beginning of the second day of the fair! It was quite the achievement. To ensure we could fit the entire recording on tape, we used c62s, which resulted in some extra empty space at the end of side B. But fear not, there is still approximately 45 minutes of some of the most intense Slasher Risk live recordings to date. They absolutely tore the place apart on this now historical night. Claim your piece of the pie and grab this one before it's gone." Edition of 95. |
| 11/6/2010 | Slaves, The | Ruins | cassette | $6.99 | Wiseblood Media | "The Slaves barbara kinzle and birch cooper(members of oregon painting society) "Ruins" cassette can best be described as Daniel Ash moonlighting with Popul Vuh among the old growth trees of the Cascadian rainforest. Moody drones,monastic chants, echoes of 50's pop, beach boys, shoe gaze, and noise all bound together in a heavy dose of chrome audio miasma. This is the 2nd release by Wiseblood Media. In an edition of 100 hand screened pro dubbed and imprinted chrome cassettes." |
| 1/22/2011 | Sleep Bottoms | Jamaica | 7" | $6.99 | Feeding Tube Records | "Recorded in March 2009 in New York by Jonathan Granoff, Zach Iannazzi & Ted Lee. Imagine dream-scaped drum machines, cleaned up guitars and low end vocal delights to play once, or more, or many more times, only to sleep back into the cave of bottoms. Doing the job right for 30 years! Only 100 copies." |
| 7/14/2007 | Sleepwalkers Local 242 | Things We Put Our Friends Through | 3" CDR | $4.99 | Phantom Limb Recordings | "18 minutes of drugged out bedroom folk strained through cheap computers. Think Low on more painkillers and Newcastles. Comes in a sickly sweet sky blue and clouds spray painted plastic case, with printed insert and spray painted 3 inch cd-r. Words from a Foxy Digitalis review - 'Sleepwalkers Local 242 has been lurking in the shadows for some time now. There have been sporadic gigs but little else for the world to hear. Now, the sounds that have been building for years are starting to spill out into the daylight. 'Things We Put Our Friends Through' is what feels like 12 inches of vinyl album dreaminess distilled down to fifteen minutes on a 3-inch CD-r. The results are sublime. One man laying out a flirty little symphony. Miniature scores, entire films scored in minutes really, presented here.'" Limited edition of 90 copies. |
| 10/1/2002 | Slight Surface Noise | Slight Surface Noise | LP | $14.99 | Worship Guitars | "Excellent debut album from the trio of David Wilcox, Mike Switzer (Avijit, Willaim Switzer) and Vaughn Boone (Dry Nod). In the vein of Mission of Burma, Big Black, and early Sonic Youth. Beautiful silk screened covers." |
| 12/12/2009 | Slither | Alien Column | LP | $29.99 | Nashazphone | "Alien Column" is the first full length LP by the thick-smoke-filled-Michigan-basement duo of Chris Pottinger (Odd Clouds, Cotton Museum and the Tasty Soil label) and Heath Moerland (Sick Llama, Cygnus, Drug Abuse and the Fag Tapes label). Often described as a post-Wolf Eyes combo, SLITHER offer a mutant take on free jazz through their multiple electronics manipulations and dual horn tandem (alto saxophone and clarinet). An additional proof to why Michigan is currently the BEST place to be on earth! Edition of 240 copies. |
| 1/17/2010 | Slither | Burnt Offerings II | cassette | $6.99 | Fag Tapes | "Latest, newest recordings from the basement Slither lair. the first "burnt offerings" cassette came shrink wrapped w/ 1.75 grams of weed. boo! this one doesn't come with weed. the recording on this one is better because we recorded it the same session and were more in the zone and the first tape has young jeezy and shit on it. WAY ZONED REEDS / ELECTRONICS. hand-painted, hand-numbered edition 25." |
| 3/20/2010 | Slither | Burnt Offerings IV | cassette | $7.99 | Fag Tapes | "Fourth installment from reeds / electronics duo C. pottinger / H. moerland. in th' basement of your mind recorded in a basement. amazing free calculating recordings. hand-painted/numbered edition 25. |
| 10/1/2011 | Slither | Burnt Offerings VI | cassette | $7.99 | Fag Tapes | "A long wait for this entry into the Burnt Offerings Series. Studio recordings revealing new set ups and approaches coming across as always two brain thoughts bringing together something at once. Reeds electronics synth duo. Decay delay corpse outside a restaurant. A corpse of sound that just ate. Saynara. Hand-numbered edition 30." |
| 1/24/2009 | Slither | From a Fading Age | cassette | $7.99 | Fag Tapes | "Reeds / electronics duo of c. pottinger / h. moerland. the sound system is underwater or on a barge going further away from you out to sea...clarinet wah and windstorm corrupted electronics / sax. hand-numbered edition 50." |
| 4/10/2009 | Slither | Room With No Corners | cassette | $6.99 | Fag Tapes | "h. moerland / c. pottinger reeds electronics duo tearing this one up ! amazing sounds ! there's no where to hide and you keep running around in a circle trying to escape. edition 50." |
| 11/4/2006 | Slither | Silver | cassette | $8.99 | Fag Tapes | "stoned keath (sick llama) and chris potthead (cotton museum) play underworld reeds duo. broken clarinet, saxxx, in a room that isn't silent. color covers. edition 90." |
| 10/25/2008 | Slither | Venom Injection / Invertebrate | LP | $24.99 | QBICO | "Heath Moerland & Chris Pottinger: horns & electronics. Side A: 'Venom Injection,' 'Invertebrate.' Ghosts horns howling at twisted electronics, sub-humans or invertebrate." Out of print. |
| 2/7/2009 | Slomo | The Bog | CD | $14.99 | Important | "The Bog is the 2nd full-length release from Slomo, honing down the ritual clatter of their first album, The Creep (2005), into a more cumbersome and laden affair, ever heading downwards into the Northern underworld upon slurries of unsignposted mung. Core duo Holy McGrail and Howard Marsden once again create a lumpy bed of bass-heavy synthesizer and guitar drones while arch-drude Julian Cope provides a coda to proceedings with the recital of his poem Land, especially written for this album.Holy McGrail: Moog Taurus II, Sunn Mustang, Clatter; Howard Marsden: Korg MS10 & Korg MS20, Hiss; Julian Cope: Poem. " |
| 1/24/2009 | Sloow Road | Sloow Road | cassette | $10.99 | Sloow Tapes | "Space hymns from deep woods within by Sloow Tapes Bart De Paepe and Golden Roadie Matt Valentine, crawling beyond shredding wah-wah guitars and intoxicating synth, culminating in twisted chouffe raga and porkslap pulse. Reissue of obscure Heroine cd-r, 100 copies." |
| 5/14/2007 | Slow Listener | Only on my own am I truly loved | CDR | $14.99 | Celebrate / Psi / Phenomenon | "Utterly arresting restlessness from this brand new UK slumberpunk. Carnivorous guitars grizzle in shallow, fitful sleep whilst digesting smaller prey. Lonesome and bedragled, post-Skaters howl & whine, aiming for the heart of the sun whilst still not being able to muster the energy required to answer the phone. Like a grey lollipop made from the boiled remains of your neighbours 'free noise' picture disc collection. Like small, battery-powered amps clustering together to build a foot-high pyramid of apathy. Like watching BBC World with the sound down at 3am. Perfect." |
| 7/23/2004 | Slowburn with Makoto Kawabata & Mitsuru Tabata | untitled | 7" | $8.99 | Apartment Records | Expensive 3 track 7" on heavy black vinyl. Side A (one track) plays at 45rpm - side B has 2 tracks that play at 33rpm. Nice full color sleeve. |
| 1/22/2011 | Slug Acid Freaks | Somewhere Between the Cradle and the Lonely Grave | CDR | $10.99 | Threshold Tapes | "Fabulously unlikely collection of unreleased original recordings by this previously unknown UK DIY/avant garage group existent between 1984-85 in small town England. Using various domestic appliances, Casio keyboards, Echopet, walkie-talkies etc Slug Acid Freaks - also known as Slug Sisters and Slug Culture - featured 'Sputnik', 'Dr Slime' and 'Septic Sex' playing primitive Industrial pop that existed in a void somewhere between Throbbing Gristle, The Scrotum Poles, the whole Omming For Woks/Strolling Ones/Redemption Inc axis and the early Sheffield sound complete with epic keyboard drones, doomy vocals, cheapo drum machines and instantly memorable pithy pop constructions. This represents the groups first ever official release, with tracks from 84/85 in a hand-numbered edition of only 33 copies. Massively addictive and highly recommended: "Nearly a quarter of a century after they broke up, impossibly obscure UK DIY/minimal wave outfit Slug Acid Freaks have released their first "official" album through the Threshold Tapes label. Formed in 1981in Andover, Hampshire, by Ken Pearce and Ed Pupplet, and ably assisted by regular guest Andy Broome, the band recorded 5 albums worth of material before their demise in 1986, none of which was ever made available beyond the band's immediate circle of friends. Somewhere Between the Cradle and the Lonely Grave collects over an hour of music from the band's most prolific period, 1984-85. Without being overly deterministic, it's possible to regard Slug Acid Freaks, partly, at least, as a product of their environment. In the 1950s and '60s, Andover, an ancient market town, had been designated one of London's official overspills. The capital's allure was keenly felt, but Andover's Slug population retained a strong enough sense of hometown identity that the metropolitan influence was always recycled with a measure of "provincial" strangeness. If even the most ardent archaeologist of DIY is unlikely ever to have heard of the Slugs, they were nonetheless active during the late heyday of the UK's home taping underground. Employing necessarily minimal means - borrowed Casios, sequencer, basic drum machine (or the rhythm programme of a home organ?) - the band recorded at Ken's house on his Dad's music centre and a Wien portable tape recorder. While early Human League and Devo are cited as an influence, the Slugs were also contemporaries of many of the 2nd and 3rd wave electronic/industrial bands who took up the baton offered by pioneers like Throbbing Gristle and Cabaret Voltaire. Despite the relative poverty of its means, Slug music is generally more carefully crafted and song-based than that of its DIY or industrial peers, never lapsing into pointless juvenilia, on the one hand, or metal dunce cliché on the other. Somewhere Between the Cradle and the Lonely Grave has been remastered from the original tapes by Andy Broome and is released in a still barely available edition of 33 copies. Fans of Transparent Illusion, early Portion Control, John Bender, Colin Potter, Legendary Pink Dots, Instant Automatons etc., should act now to avoid disappointment! Slug Acid Freaks - seriously, the best thing to come out of Andover since The Troggs and Twinings tea." - Volcanic Tongue |
| 2/12/2008 | Slurp Dogs | Postal Licks | one-sided C60 cassette | $10.99 | Sloow Tapes | "Echo-dyed space chanteys dwelling into cosmic generosity, homebrewed by high sky couriers Willie Lane (Golden Road) and Grant Acker (Un). Have another sip of the lion's head and get with the beam. Silkscreened visions in 101 copies." |
| 8/31/2010 | Sluth Mouth | Amateur Hour | CDR | $8.99 | Bug Incision | "New recordings from this Fossils-related duo from Hamilton, Ontario, following some recent releases on Middle James Co. and Fag Tapes. 30 minutes of deconstructed free rock jams on guitar and partial drumset, edited down from an epic 60 minute session. Some extremely crude and loose playing styles, backgrounded by the sound of dying amps and buzzing patch cables. Skeletal grooves and patterns occasionally emerge from the wreckage, and are usually abandoned just as quickly. Closest thing that comes to mind in this ballpark would be the Vampire Belt CDRs from a few years ago, but way scrappier." Edition of 45 copies. |
| 7/16/2006 | Smaldone, Micah Blue | Hither and Thither | LP | $29.99 | Tequila Sunrise | "500, 180 gram vinyl, pressed at Record Technology inc. with an 8-page booklet in full color 'old-style/tip-on jacket' printed at Stoughton printing. Micah Blue's got an original voice, reedy and spare, and he's a virtuoso ragtime finger-picker, too. His songs are charming, antique ditties - austere Tin-Pan Alley tunes with lyrics by Soren Kierkegaard. Like a single bright light, his music illuminates much while also casting a lot of sharp shadows, lovely, dark and deep. When he plays live, he tenses up his whole body - tenser than you'd expect for a folk musician, like he might snap the strings, or snap the neck of his guitar, or just snap. But there's not a trace of irony in his music or in his performance, and I guess that's the Yankee in him. See, it gets cold at night up there in Maine, where he's from, and when you got the blank eye of god bearing down on you, and you got the Jukes and the Kallikacks next door getting high on Freon or something, it just makes a man think seriously about where he fits in. Willem de Kooning, gazing up at the star-spangled sky over Black Mountain in the forties, remarked 'the universe gives me the creeps,' and I imagine Micah might agree. Human consciousness may be a makeshift contraption held together with bailing wire and duct tape, but it will have to suffice. And it may well be true that regret and loss are inescapable human conditions (if you marry you will regret it, and if you don't marry you'll regret that too). But it is also true that music is a bulwark against such notions of human frailty, and Micah Blue's music does more than suffice. It offers balm and succor to a weary soul." - John Jacob Niles |
| 6/10/2004 | Smallflowers Press | #1 | zine | $4.99 | “Debut issue of this Malden-based mag. Features extremely extensive interviews with Dredd Foole (whose classic 1995 album In Quest of Tense has become some kind of cornerstone), Sunburned Hand of the Man, and Chris Corsano. No reviews, almost no ads. Just one piledriving Q and A after another. ‘I spent 2003 interviewing free-folkers (hardy har har) Dredd Foole, Chris Corsano, & especially Sunburned Hand of the Man. The result is issue one of a zine called Smallflowers Press. It is the most in-depth, horse's-mouth document to date on what The Wire called 'new weird america' and features about 200 exclusive photos and 80 pages.’” – Kris Price (man behind Smallflowers Press). This is a great read! Recommended! | |
| 5/8/2005 | Smarzoch, Raphael | Spitrobot | 7" | $5.99 | Tonschacht | "Spitrobot is the debut-release of the Cologne-based guitar player and producer Raphael Smarzoch, which contains two intensive attacks of heavily treated guitar madness. Side a contains an ecstatic, but almost minimal piece or pure feedback freakout, while on side b the six strings almost sound like a dark, surreal layers of organ sounds. It might be of no surprise that both the thick, subterranean metal of Sunn O))) and the power electronics of the Wolf Eyes are the most important influences for Smarzoch’s noise pieces. 'Spitrobot' is the work of one of the most talented guitar players and an promising, impressive initial point in the discography of the 23-year old Raphael Smarzoch which you definitely shouldn’t miss if you’re into the solo-works of Kevin Drumm, Agata or Joseph Suchy." |
| 1/24/2009 | Smegma | Live! 2004 | CDR | $10.99 | Resipiscent | "Sound (just like smegma) needs obscurity and ample neglect to really ripen. 30 years along, if Smegma themselves roll down your ol' Pacific rim (as they did in '04 on tour with pop-pantywaists, Wolf Eyes ) prepare for pure dumb joy. Like a rupture of personal sepsis, completely engrossing yet indescribable. Or give up waiting and drop this live specimen in your lap right now. Behold as sebaceous sounds begin to spread, from Seattle to LA you'll hear a sac of garde-avanteers discharged along the way including: Jello Biafra , Steve Mackay (Stooges), Tom Recchion, Ace Ferren Ford, Josh Mong. Once exposed, take some time alone right away; these things only gets worse with waiting." |
| 2/1/2005 | Smegma | Rumblings | CD | $12.99 | Hanson | "Considered by many the kings and queens of American free noise, Smegma have been confusing minds since 1973 when they helped form the Los Angeles Free Music Society. They've recorded with everyone from Wildman Fisher to Merzbow and more recently, with noise goons Wolf Eyes. This disc is their first full length in nearly 10 years and also the first to feature vocalist / punk beatnik / Blue Oyster Cult lyricist Richard Meltzer. Rumblings is a sound collage of turntable manipulations, electronics, horns, bells, junk, toys, marijuana, and surf rock band. Smegma have been around forever and show no signs of slowing down. They just hopped off a killer west-coast tour with Wolf Eyes, Rubber O Cement and Comets On Fire where they ripped the skulls off of everyone." |
| 11/17/2007 | Smegma | The Smell Remains The Same | LP | $12.99 | Anarchymoon Recordings | "Second in a slow series of 7" reissues, The Smell Remains The Same presents 10 tracks originally released in 1990-95 on 7" by various labels, including the impossible to find ? comp on Cavity Search records. (Literally, the title is ?). The tracks display Smegmas pioneering style of audiophile-lo-brow folk-noise-rock, in their early-middle age when they were surviving through the birth of grunge, alternative, and indie rock." |
| 2/19/2007 | Smegma / Perry Robinson | Live @ No Fun Fest | LP | $21.99 | QBICO | "I used to buy and collect Smegma rockets when younger, so I'm really happy to release an LP by this really far out band, especially since they played with my friend Perry, who is one of the most versatile musicians I had ever met! Smegma is a kind of cult mob in the US experimental underground, based in Portland, Oregon, they started back in the early '70s and got connections with the Los Angeles Free Music Society (Tom Recchion, Joe Potts, Le Forte Four, Airways, Doo-Dooettes, Ace Farren Ford and even The Residents); they also got an amazing label called Pigface... here they played some jazz for the year 3018." |
| 5/9/2009 | Smiles and Frowns, The | Mechanical Songs | 7" | $6.99 | Great Pop Supplement | "Beautiful debut 45 from u.s duo who offer up the very lo-fi, cyclical, almost otherworldly sounding "mechanical songs" backed with the fabulous "echoes of time". 2 irritatingly annoying tunes that stay with ya long after each has ended. think elements of galaxie 500, low, young marble giants, merged with the quieter side to the left banke or perhaps the west coast pop art experimental band. "60s psi-fi pop music" as has been recently described?! .... the packaging is something else, amazing die cut op-art sleeve with matching label art finished off on tasty white vinyl......" Edition of 300 copies. |
| 7/14/2010 | Smith, Ches | 21.01.2010 | CDR | $16.99 | Unsound | Limited edition of 120 numbered copies, packed in a deluxe gatefold, LP-look cover. Doom Bells Metal Vacation Conclusion Turn Your Ipod Into A Car... ...And Your Car Into Spanish |
| 7/7/2003 | Smith, Gary | Forgotten Room With Chairs | CD | $13.99 | FMR | "Forgotten Room With Chairs, an album of solo electric guitar improvisations by cult British guitar player Gary Smith comes hot on the heels of Mass, the eponymous debut of his power trio that features bassist Gary Jeff and drummer Lou Ciccotelli (of Ice, Eardrum and Laika). In fact, this album predates the Mass sessions. It was recorded in 1996, under the encouragement of Trevor Taylor, who was inspired to link Smith's improvising with the photographs of Dylan Collard. Hearing Smith's playing in this context is certainly a challenge, as Smith eschews much of the electronic paraphernalia that can make solo guitar palatable. Instead, he plays with a very dry stereo sound, at times making the thing feedback for all it's worth and at others playing lightly shimmering chords that hover on the edge of pretty - but always with a threat. Elsewhere, his trademark flurries of dissonant, flying notes, often performed pianistically with both hands on the fretboard - are as mesemerising as ever. Another fascinating piece of work by one of the most interesting innovators on the world's most played instrument." |
| Smith, Gary / Joe Gallivan | untitled | CD | $16.99 | Paratactile | "Moogy electronic percussion/stereo electric guitar duos from London/1998 featuring Gallivan (he of Love Cry Want, mid 80s INA-GRM affiliate, various outsider jazz aggregates), Smith (he of post-Swans ensemble 'Mass', duos with John Stevens, various scenarios declined by Bailey). Quite visceral on occasion, placid the next (like... life). Impressive in spots (Gallivan), flaccid on others (Gary). Questionably necessary." -Hrvatski. | |
| 12/15/2001 | Smith, Jack | Les Evening Gowns Damnées - 56 Ludlow Street 1962-1964, V.1 | CD | $16.99 | Audio Artkive | "The first in a series of remarkable vintage recordings which feature the protean film-maker, photographer and performance artists Jack Smith (1932-1989). The material includes readings of short stories and other audio excursions (featuring musical accompaniment from the likes of Conrad, John Cale and Angus MacLise), as well as excerpts from Conrad's soundtrack to Smith's notorious and groundbreaking film Flaming Creatures (1962). Recorded in glistening monaural lo-fidelity at Conrad's 56 Ludlow Street studio between 1962-1964, these pieces reveal an important facet of Smith's artistic legacy, and offer a rare glimpse of one of the most influential milieux of the 1960s." |
| 4/1/2004 | Smith, LaDonna | Rare Earth | LP | $14.99 | Table of the Elements | Latest in Table of the Elements' 10th anniversary 'Lanthanides' series of single-sided, silkscreened LPs. "Violinist and violist LaDonna Smith has been on the international new music scene for well over 25 years. A native of Birmingham, Alabama, she is an active performer, educator, publisher and artist, and has been responsible for keeping improvised music alive in the Southeastern United States. Her unique style of improvisation alternates between classical and extended techniques; she explores her instrument, painting scenarios and sound pictures as she plays. LaDonna has performed at practically every major improvisation festival and many of the New Music Festivals, and has toured Europe, the former USSR, Siberia, and Japan. She has also toured North America and Europe many times as Trans Duo, with guitarist Davey Williams. As musical partners, they maintain their own recording label, TransMuseq, and also co-edit the improvisor, the international journal of free improvisation." |
| 4/20/2008 | Smith, Sean | Eternal | LP + CD with 2 bonus Mp3's | $15.99 | Gnome Life Records | "Sean Smith is a modern composer of ageless guitar folketry [instrumental poetry]. With several masterful solo-guitar albums behind him, Smith has been drawn out of his hermetic recording life by the power and potential of collaboration, presented here on this record! Sean Smith becomes more fully fructified in the company of his friends, one voice becomes many (instruments)… 6-string steel, Weissenborn [slide], & nylon-string guitars, with dulcimer, banjo, violin, organ, drums, & electric wall of sound… his guitar breathes deeply in this new depth of field and altered sonic state, giving bright light and love to his powerfully emotive instrumental songs. Limited to 300, with letter pressed sleeves! This is a pure analog recording, recorded and mixed to 2 inch reel-to-reel tape, mastered directly from tape to vinyl by John Golden!" |
| 4/20/2008 | Smith, Sean | Sacred Crag Dancer, Corpse Whisperer | LP | $12.99 | Isota Records / Gnome Life Records | "In the corner of a small room a shadow is stretching out from the window by the fire-escape, relaxing in a worn out armchair, picked up from the street corner. That shadow sings with a guitar's voice, and hums tunes boldly, little secrets, esoteric, and humble. Shadow and guitar belong to Sean Smith, who controls them both with his mind from the other side of the room. The night in black, but the light is held in little bubbles of brightness, exploding off of all things that live and breathe. These tunes are living, and breathing their first breaths right now! Ten completely spontaneous recordings, improvised music for the solo-guitar…played for the first time ever as they were being recorded. Fresh paint painted with metal strings, a wood body, and fingernails. Totally. The extremely mind expanding cover is ready for your feasting eyes… Hallucinogenic photos by Sean Smith's mother (Julie Brown Smith), high definition silk-screened in two colors by a local independent press, then wrapped around and pasted on jackets (Just like they did before 1965). Hand-made, limited to 500." |
| 8/22/2008 | Smith, Sean / Adam Snider / Matt Baldwin | Berkeley Guitar | LP | $13.99 | Tompkins Square | "Berkeley Guitar is a collection of new recordings by three of the Bay Area's finest young acoustic guitarists: Sean Smith, Adam Snider, and Matt Baldwin. The city of Berkeley and the acoustic guitar share a rich, decades-long history - most notably as the '60s home base of Takoma Records, which released landmark recordings by John Fahey, Robbie Basho, Leo Kottke and many others. This history inspired three young guitarists from the Bay Area to create a document of the present-day guitar scene. The album was produced by Sean Smith and recorded and mastered at Fantasy Studios in Berkeley, CA. Larry Kelp of Berkeley public radio station KPFA contributes liner notes, as does Ed Denson, co-founder of Takoma Records." Each artist gets 3-4 separate tracks, not a collaborative album. |
| 4/3/2011 | Smits, George "TOET" | isomopolis. ICC | one-sided LP | $24.99 | Ultra Eczema | "For a while i thought i was completely lost in the maze that is the recorded archive of George "TOET" Smits, a few years back i got boxes full of cassettes that i have been sitting thru for a few years, a bunch unlabeled, and a lot of recordings from his ZBOLK NIGHT RADIO. George Toet Smits started out playing mouth organ and guitar in Ferre Grignard's band in the 1960's, he was also a vibrant part of the Ercola collective in Antwerp, where he co-published "Spruit", a comic/fanzine or "mannekesblad" full of psychedelic insanity, has always been connected to Radio Centraal where he did the incredible "zbolk night radio" , a show weekly remixing his own music, both electronic and recordings of his sound sculptures. he silkscreened under the "mafprint" moniker, was losely connected to the "vacuum" artist space, played in the "Cash? Cash!" film by Paul Collet and started building his own string/isomo instruments after finding a surfboard on a beach.. this one sider is a recording of the long string instalations he build for his first exhibtion at ICC in antwerp, it is a archival recording from 1981. metals, strings, feathers and springs amplified by isomo creating a weird psychedelic ball of confusion. this edition includes an insert with photo's from the man's archive, a silkscreen on the b side and a interview that patrick vandenberghe did in early spring 1997, a few months before the illness was diagnosed that sadly took his life. limited to only 200 copies!" |
| 9/29/2005 | Smyth, Paul | The Anaesthetic | CDR | $9.99 | Deserted Village | "'The Anaesthetic' documents a set of improvised piano pieces, performed in an unlit concert in the spring of 2004. Intense and accomplished, they're presented here in the order of performance, and should be considered one complete work. As painterly as any of Smyth's visual work, this is nervous-system music with a long memory and fast heart." |
| 3/3/2011 | Snaps 'n Claps | Greatest Hits | CDR | $5.99 | Feeding Tube Records | "Girl Group covers by casio and melodica duo featuring lovely and naive harmonies. Get this beaut before they're all gone! Erin "Snaps" Schneider & Andrea "Claps" Love brings the classic hits and some new ones to boot. An amazing and wonderful joy to hold and listen to! "Like falling in love again and again" -Ted Lee of Feeding Tube Records |
| 2/16/2005 | Snow Fox | The Lost Resort | CDR | $12.99 | musicyourmindwillloveyou | "Holyblood was Santa Sangre but has now become Snow Fox. Songs of love and loss, smothered in rich creamery psychedelia and executed like a wounded animal." |
| 3/20/2010 | Snyder, Doug & Bob Thompson | Daily Dance | LP | $19.99 | Cantor Records | "Amazing, unique, celebrated, and genuinely rare artifact from Rural Ohio. After stepping out of a Stooges concert in 1971, Doug Snyder and Bob Thompson set up a studio in their kitchen and attempted to record a record HEAVIER than the Stooges. They were completely successful, and the resulting LP, their only release at the time (put out by themselves, privately, in a very limited number (500)), immediately became an underground legend and favorite amongst the likes of Carla Bley. A frenzy of distorted guitar and improvised drumming. The type of album that quickly achieves mythical status and begs so many questions yet leaves so few answers. Some songs start with a semblance of a groove or rhythm until they quickly deteriorate into a wall of psychedelic noise. Repackaged and remastered with liner notes including an introduction by Dante Carfagna." |
| 12/24/2005 | Soarwhole | Knows Krystal of Doom | CDR | $10.99 | musicyourmindwillloveyou | "two long reasons to waste you mind" |
| 1/22/2011 | Sobering | Partygoer | c60 cassette | $5.99 | Gods of Tundra | "Parties can be fucked. I met Jackson, the man behind this brand new full on noise project Sobering, at a super fucked party. Hair Police and Awesome Color were on the bill along with Sobering. It was a house party in Fayetteville, Arkansas. The gig moved along more or less smooth...it was after the sounds that the weirdness began. Jackson and I were outside on the porch shooting the shit. The rest of the crew went up on the roof of the house to hang out. When we all decided to go back into the house, no one was there. No one. Not the people who lived there, not the people who put on the show,not the people who came to the show. No one. It was around 2am. The house was dark and empty save for HP, AC and Sobering. We decided to put on Index s/t on the stereo and embrace this strange situation. After a bit, we crashed. We were torn out of sleep a few hours later by a strange guy who had wandered into the house. He was beyond wasted. He smoked cigarettes. He tripped over Allison. He passed out on the hardwood floor. Then he began to snore. Violently. The hardwoord floor was shaking. It was light out. I went to the van to try to sleep. Allison tried on the porch. Don't know what the others did. We never found out who the guy was or what the hell happened to everyone. This tape is the soundtrack to a party gone wrong. C-30 (repeats on both sides of a c-60)." |
| 11/21/2008 | Soccer Committee and Machinefabriek | Drawn | LP | $17.99 | Morc | "4th or 5th collab by these two dutch artists whom you should know by now - soccer committee for het elegant minimalistic songwriting, machinefabriek as one of the most profilic drone/improv/electronic artists. this is their first collab on vinyl, pretty much focussed on the newest material by soccer committee. the record comes on white vinyl, is ltd to 200 copies and is housed in a silkscreened jacket. 140 grams of vinyl." |
| 7/16/2009 | Social Junk | Born Into It | CD + cassette | $17.99 | Digitalis Arts & Crafts | "Social Junk have blasted through walls, east & west, over the past few years cranking out some serious sparklers along the way. Now after dropping a megaslice of deliciousness on Not Not Fun last year, this duo follow it up with a journey through the mother earth canal. "Born Into It" stretches across the lands with thudding percussion and hypno synth excursions. Waves of swirling vocals from both Heather Young and Noah Anthony. You may have just been born, but stretch those wings baby because it's time to fucking fly. There's no going back once you take the first plunge on "Born Into It." Immediately, through no fault of your own, you'll be drawn in and tied down. At times it feels like Young & Anthony are scouring the lands, taking in whatever technological progress they can find and chewing it up and spitting it out into a gloriously dissonant pile. This is music for the next wave; music to find your way back to the sun. Social Junk are soaring like never before and "Born Into It" is their latest testament to a new world. Limited to 500 copies. Special Edition limited to 100 copies and includes exclusive cassette, "Champs 09." |
| 8/8/2009 | Social Junk | On The Corner | c40 cassette | $7.99 | Threshold Tapes | "Philly residents Noah and Heather recorded on two trips down south in 2007 and 2008. Don;t know if this is intended as a funk-less tribute Miles Davis' 1972 classic. Instead you get queasy pulsing electronics, vocal hoodoo and some primitive percussion clatter courtesy of guest Jasper Justice. It's got a nicer cover than that Davis record. Edition of 50." |
| 3/20/2010 | Socrates Martins | Au Seuil De La Liberte | 7" | $5.99 | Absurd | "The same person who is working as Nixilx.nijilx, Blanco Estira Nuestro and Helice Peid is working as Socrates Martins and for his 7" he took the title of a painting by Rene Margritte from 1937. On these pieces he plays 'field recordings and objects', but all of this highly obscured through extremely lo-fi transformations. It seems like captured on a cassette (or perhaps a whole bunch of cassettes), which add a low resolution to the material. It moves low over the surface of sound and is truly obscure record, but also a captivating one, I think. Maybe because one doesn't have a clue what's going on here, it leaves lots of space to contemplate about that. A record that poses more questions then the answer it gives. Which I guess if you call yourself Socrates Martins is the whole idea. Beautiful obscurity." |
| 1/22/2011 | Softland City Singers | Parting the Veil of Isis | c49 cassette | $5.99 | Tranquility Tapes | "One half of glorious Texas duo Blood on Tape, Kevin O'Sullivan flies solo on the first release from his project Softland City Singers. On both of the lengthy tracks that comprise Parting the Veil of Isis, O'Sullivan is unafraid to let the sounds unfold with utmost patience, utilizing guitar, synth, vocals, and hand percussion. Paradoxically monolithic and subtle at once, perfect harmonies slowly emerge from billowing clouds of gentle feedback, ultimately enveloping the listener and reaching a point of overwhelming beauty. This is an absolutely stunning, refined debut and it's sure to please fans of minimal ambient projects like Stars of the Lid and Marble Sky. Pro-dubbed and imprinted, featuring designs by Caroline Teagle." Edition of 100 copies. |
| 3/23/2007 | Softwar | Softwar | CD | $12.99 | Digitalis | "What could these musicians do after collectively playing on a million records, releasing a million more, and nurturing a scene that is both international and inner-visionary? Why not release a record that is so stunning in its scope and so well executed in its manner that it defies simple comparisons. Such is the story of Softwar and this lushly presented gift to our eyes and ears. Loren Chasse, fresh from his blistering noise work on Kyrgyz, shows us a softer but deeper side with the swirling opium-induced gems on Softwar. Playing with him are the equally talented Christine Boepple (also a key part of the Jewelled Antler sound, as well as Kyrgyz), Kerry McLaughlin and Geoff Koops. Focusing on what could be called more "traditional" rhythm structures, the songs merely lull you into a false security before melting your brain with some heavy layers of tone, provided by multiple organs and keyboards. For fans of Thuja and the Jewelled Antler collective (obviously), but also for those who love the out-there ragas of MV+EE (you'll just crack a tooth from smiling over the opener "Psychic Shake" or the twisted noise-hop of Jackie-O Motherfucker, found buried deep in "Immul (the Children's Crusade)." Conceived in a redwood think tank, born in Golden Gate Park, Prui begins March 2007. Softwar is a thick slab of fractured voices in harmony and almost unidentifiable sounds, slipping slowly through the rabbit hole and back out the other side of the sun." |
| 7/5/2011 | Sol | Black Cloud Of Becoming | cassette | $8.99 | Golem Tapes | "The sound on Black Cloud Of Becoming is diverse, though strangely consistent, moving from oscillator/organ-drones to blackened doom-metal and on to heavy earth-inspired dronerock. The sound is striving and desperate. Sol has a lot of more or less straight doom metal-releases behind him on prominent labels like Paradigms and ván, but this tape examplifies a new and less genre-specific direction in his production." Edition of 50 copies. |
| 5/4/2011 | Solar Fox | Infinity Rituals | c52 cassette | $9.99 | Medusa | Sealed, 3 color screen print on 18pt board hand-cut wrap around in sleeve. Edition of 100. "Medusa is honored to present 'Infinity Rituals', the first album by Solar Fox featuring Chicago's Plastic Crimewave and Ms. Libby. Clocking in at just under 50 minutes, this release comprises live and studio sessions by this 2 note martian psych/cosmic choir-chant duo that will blow your balloon bag in two. Imagine a debris blasted satellite floating through space manned by Sergius Golowin's distane future relative and his cosmic sister. Seriously delivers on the 'Garden Of Delights' territory astral zones, bleached in pastoral hymn. Trust me, you'll be peeling your face off the ceiling with a spatula after this one. FRIED and CRISPY." |
| 5/31/2009 | Solar Furnace, The | Imaginary Invalid | c30 cassette | $5.99 | Gods of Tundra | "Bizarre alien tranmissions from a dethroned and forgotten world. Direct from the ether into the cove. Get damaged." |
| 1/22/2011 | Soliloquy Sun | Soliloquy Sun | CDR | $9.99 | Sonic Oyster Records | "Soliloquy Sun is an ambient and experimental outfit comprised of varying members and instruments. It was created out of an idea Will Klingenmeier (Burning Shutter, Still Light) had to gather various musicians to play improvised music based around simple chord progressions and/or spontaneously create music. These recordings drift out into the room: sombre, reflective, nocturnal, deeply personal: this is a highly original work, owing much to the techniques of jazz improvisation and the early pioneering minimalist composers. Recorded in Spring 2010, this is simply one of the most evocative recordings Sonic Oyster has put out to date." STRICTLY limited to 50 copies. |
| 11/17/2007 | Solo Joint, The | 2 | CDR | $7.99 | Foxglove | "this is the second release from spaniard toni ruiz for the foxglove imprint and continues the theme on his self-titled debut. acoustic guitar mazes that lose their victims in a mass of organic greenery. hell, i'm not even sure what that means, but listening to ruiz's meandering compositions that flirt with the line between out-and-out improvisation and something more structured, more resolute. sure, there are vague hints of fahey, but even more apparent is pastoral americana, something from a time since past. ruiz's music is simple and beautiful. and hey, there's gold in them there hills. damnit." Edition of 100 copies |
| 3/1/2007 | Solo Joint, The | The Solo Joint | CDR | $7.99 | Foxglove | "Following on the heels of the cd-r from raro & apenino comes another talented spaniard by the name of toni ruiz aka the solo joint. ruiz crafts bare-bones folk songs using an arsenal of acoustic guitar, various flutes, some meandering vocals, piano, and minimal, ramshackle percussion. these sketches are a canvas dipped in wax, where all the colors chase each other around until finally falling off the page in a glorious suicide plunge. the solo joint's songs float on a magical carpet on an express route to the third eye. viva españa." Edition of 100 copies. |
| 9/29/2005 | Solvent People | Songs From the Afternoon | Cassette | $8.99 | Tone Filth | "John Olson (Wolf Eyes, American Tapes,Dead Machines, etc) delivers two pieces of homemade electronic mud. Comes in an edition of 66 with black and gold hand screened covers and hand inked labels." |
| 6/25/2004 | Son of Earth | Carhole | CDR | $8.99 | Apostasy Recordings | Recorded live in the Belchertown Carhole. A journey in three parts. Packaged in handmade elongated cardstock envelopes with a paste-on front and hand-stamped back and insert. Edition of 200.” If you’ve not yet heard this trio from Amherst, MA give this one a listen. Really great stuff in the same vein (at times) as Double Leopards. Recommended! |
| 10/6/2007 | Son of Earth | Erotic Empire | CDR | $7.99 | Apostasy Recordings | "Tantalizing follow-up to the _Carhole_ cdr, _Erotic Empire_ sees the Son of Earth ship steered in a more stressful, almost harsh, direction. Piercing, shuffling, scraping, and lulling all in one breath. And it's Son of Earth's quiet breath at that." |
| 8/8/2009 | Son of Earth | Improvements | LP | $17.99 | Amish | "With equal nods to Throbbing Gristle's retrograde conceptualism and Recommended Records' unwavering musicality, Amish is pleased to announce the Required Wreckers Series. Over the next ten catalogue releases, R/W will explore the work of artists operating at the intersections of sound art, improvisation, drone, outsider experimentation and modern composition. In the spirit of its name, R/W aims to disrupt the boundaries typically used to delimit genre and the sensibilities that help to inform taste. In so doing, R/W slips out from under the simple, reductive classifications so often used to discuss, and even critically engage, contemporary music. Each release is a one-time vinyl pressing and will be housed in a letterpress band (designed by Bryan Christopher Baker) that will vary with each installment. These LPs will also include artwork and assorted ephemera that invoke our deepest respect for the medium and the hand-crafted (and assembled) components we regret have disappeared with the rise of digital media. R/W terminates after ten installments. Beginning a decade ago, in a Pre-Weird America, Son of Earth has traveled a surprisingly linear trajectory through noise and collective improvisation to a simple, quiet, and more considered music. The band's path has led through hundreds of performances and collaborations (including Shackamaxon, which brought together all three members of Son of Earth with Marcia Bassett and Chris Gray of Double Leopards and Pete Nolan of the Magik Markers), but has resulted in only a handful of releases, often handcrafted and released on the group's Apostasy Recordings label. While still being filled with the unease and tension that is their hallmark, Improvements is the first record that also allows the humor and camaraderie between the members of Son of Earth to come to the fore. Most of their previous releases have been culled from live recordings, and the group has always thrived on the tension of live performance. Earlier studio efforts, such as the acclaimed Pet LP, though recorded at home, were composed in an everyone-has-to be- serious approximation of the live performance experience. This time, possibly for the first time, in a sweaty little room, and in a stairwell, and in a back yard tossing horseshoes in Holyoke, Massachusetts, the group finally dropped all pretense -- not of seriousness, but of obligation to some unseen spectator. On Improvements, you can really hear John Shaw, Matt Krefting, and Aaron Rosenblum being themselves, and being Son of Earth and it's weird. Manchester-bred, Rick Myers, who has worked with John Cale, Andy Votel, Dinosaur Jr. and Badly Drawn Boy and has created books with Nieves Zurich & Gladtree Press to name a few, provides the beautiful art / design-work for the LP jackets. LP comes wrapped in letterpressed band and contains a 16-page art book." Recommended! |
| 5/1/2009 | Son of Earth | Naked Float / Elimination of Present Life | lathe cut 7" | $19.99 | Static Caravan | 2004 release - lathe cut edition of 100 copies. |
| 10/6/2007 | Son of Earth | Pet | LP | $13.99 | Apostasy Recordings | "Son of Earth began life in early 2000 as Son of Earth-Flesh on Bone Trio. Aaron Rosenblum, Matt Krefting, and John Shaw, inspired by many spirited late-night experimenting sessions, began to play out using wild arrays of sound-making devices. As the years have gone on, the group has chisled away at the number of instruments used and brought their once maximalist and varied sound creation down to a whisper, a murmer, a sound that hints at and flirts with texture and atmosphere; a music made from almost nothing. Seven full years into their life-span, Son of Earth offer their first full-length LP, Pet. The record represents a culmination of sorts of a certain arc in the Son of Earth sound, one where simple electronics and oddly-played instruments are combined to create a music that walks a tight-rope between easily definable atmospheres and emotions. The results are so delicate that at times the music seems to cease to exist at all." |
| 2/26/2011 | Son Of Salami | A Study In Eraser Headless Tape Recording | LP | $13.99 | Feeding Tube Records | "21 lo-fi pop gems from Burlington, VT. Includes such hits as "Cigarettes Make Me Feel Good", "Pretty Girls Is A Motherfucker", "God's Vag", "Corporate Sluts", and "My Penis Is A Fortune Teller". All songs performed and recorded by Joey Pizza Slice on his eraser-headless portable tape machine which allows for audio layering at the cost of not being able to hear the music you are recording over. Each overdub is a one-shot deal, recorded without the ability to erase! I might say this is for fans of Ariel Pink's earlier stuff, but I actually think this is a lot better. Funny, strange and charming songs that really break through their primitive trappings, rather than fall back on them. Book Joey at your next party!" Edition of 500 copies. |
| 2/19/2007 | Sondheim, Alan | Fifty-Six | LP | $21.99 | QBICO | "After releasing two unique LPs back in the '60s for the legendary ESP label with his Ritual All 770 and another one for Riverboat, finally Alan Sondheim is back! This is his 1st LP after nearly 35 years and here he plays guitar, alpine zither, electronics, field recordings... as usual he presents us an eclectic mix of fascinating sounds." |
| 12/2/2008 | Sondheim, Alan | For Boojum | CDR | $7.99 | Majmua Music | "Boojum was our cat, who died recently at 18, and is missed terribly. Most tracks are recorded mono directly from a Yamaha keyboard output. This is the 'pure' sounding of the machine; there's no stereo enhancement or graphic equalization. I determine the state of the machine, that's called playing it. The accompaniment is automated but its figuration is not. The keyboard is touch-sensitive, but as you know, touch on an acoustic keyboard translates not only into volume, but also harmonic structures and envelope. Here touch is volume only. Note that all playing is live. Think of the real. Track 8 is recorded live on the same keyboard acoustically; you can hear breathing, key and nail sounds, and so forth. The recording is stereo. Here the machine gives way to the periphery of the human player One might place this configuration in the symbolic. The Cluster track is recorded from a very large Beowulf computer cluster which generates considerable electromagnetic radiation in the radio spectrum. These are recorded acoustically from a Realistic Patrolman SW-60 radio slowly tuned across various SW, VHF, and UHF bands. This is the sound of the machine in air, transformed into audio signals within the range of human hearing. Machine-states and machine exist in the imaginary. Emanents exist within and without the machine.. Think of the true world in all its glory. For Boojum." - Alan Sondheim |
| 2/12/2008 | Sonic Boom / Julie's Haircut | N-Waves/U-Waves | 10" | $13.99 | A Silent Place | "In late September 2005, Sonic Boom (a.k.a. Pete Kember, founding member of Spacemen 3, Spectrum, and Experimental Audio Research) met Julie's Haircut at Studio Alpha in Bologna to cooperate with the final editing of their new album. This was a new starting point for Julie's Haircut in the field of music research-only a small portion of the three days of studio recordings were released on that album. N-Waves/U-Waves contains, for the first time, two takes from that session. "Gemini Pt. 1 & Pt. 2" is here in its first take, while "Scarfo Spanks DC" is a completely unreleased improvisation. Limited edition pressing of 524 copies in deluxe cover with foil stamping." |
| 8/9/2003 | Sonic Catering Band, The | Live from the Canteens of Atlantis | DBL CD | $14.99 | Absurd | "Spanning their very brief live career from 1998 - 2001, the two CDs convey all that was exciting, frustrating, ridiculous and ultimately nourishing about an S.Catering performance. CD1 begins at the beginning: w/ the first carrot chop at London's 333 nightclub, 27th September 1998 and ends at the end: Geneva's Moloko restaurant, 9th November 2001. In between lies a lean collage mix of culinary overdrive, assembled from every gig the project did capturing the various moods & atmospheres that were created during their live sets. Extracts of their 5 hour shift at The Moloko are manipulated and included between tracks 1,3,5 and capture/present a dense atmosphere at the restaurant. a cd giving you a great example of their sound, showing nearly all of the project's sides, full of various & bizarre moods & atmospheres, sometimes a bit rhythmic or others harsh or obscure. CD2 is the documentation of their last proper performance at Geneva's Forde Gallery. An hour's recording full of meditative, abstract, spacious soundscapes. This is sonic catering bands definitive live document, minus the food of course. The CDs come in a gatefold package with a reminisce by the band and a list of live dates/venues." |
| 12/13/2008 | Sonic Kettle | En | CD | $15.99 | Sonic Records | "Young Osaka psychedelic band Sonic Kettle have released a live album entitled "En" on their own Sonic Records label. Kawabata Makoto (Acid Mothers Temple) guests on two tracks on guitar, and Higashi Hiroshi (Acid Mothers Temple) guests on synth on three tracks. The album also includes a cover of "Pink Lady Lemonade" featuring both Kawabata and Higashi." Recommended! |
| 4/19/2004 | Sonic Temple Assassins | Sonic Temple Assassins | 3" CDR | $6.99 | 267 lattajjaa | "Hello out there! The label boss, Mr. Haahti, asked me to write something about the Sonic Temple Assassins' EP out on 267 lattajjaa. Let's see... 1. the opening - Irritating droning vapors for your precious eardrums. 2. g.f.r.c.b. - Hi-pitched feedback and distorted vocals. The lyrics are about... umm... go and figure it out by yourself! Grooves like an epileptic stroboscope-washing machine. 3. jack's holiday - Inspired by lounge organist Jack Malmstens' track 'Satan Takes A Holiday'. An acid casualty second cousin of Gershon Kingsley's 'Pop Corn'. 4. clear - Calm before the storm. 5. emperor of dreams (for clark ashton smith) - The irritating vapors are back. Recorded late one night during a heavy snowstorm. Toxic waves of feedback and distortion dashing all over the stereoscape deadening you. You have been forewarned." - Jani Hellén |
| 7/28/2011 | Sonic Temple Assassins vs Kompleski | Slick Little Girl / Ctne Dub | lathe cut 7" | $19.99 | Root Don Lonie For Cash | "techno sleaze groove, northern europe sounds hot! lick my lips, shake your wiggly pink gold tooth" |
| 10/28/2003 | Sonic Youth | A Thousand Leaves | LP | $13.99 | SYR | "Independently-manufactured-and-vended vinyl of the 1998 DGC album. Four sides of SY, ranging from modern rocking to crypto pop-kult lyricism to chunky rhythmic rhyme and formless art-drift." |
| 7/16/2004 | Sonic Youth | Goodbye 20th Century | DBL LP | $17.99 | SYR | "The fourth release on the SYR label was not designated to new material or studio improvisations, but instead a double-disc set of Sonic Youth's interpretations of various works by other composers. A truly ambitious project, it's one of their most diverse releases yet, featuring a selection of guest performers and some extremely interesting recordings -- from the seemingly random yet very calculated half-hour Cage piece 'Four6' to Coco's shrill delivery of Yoko Ono's 'Voice Piece For Soprano', from the torturous yet compelling 'Pendulum Music' to the perplexing yet amusing 88-key destruction of 'Piano Piece #13', the album offers a vast sample of Sonic Youth chasing us down musical paths we might not otherwise have ever visited." - sonicyouth.com. 1999 release. |
| 3/21/2007 | Soon Clyde | Solace | CDR | $13.99 | Cook an Egg | "Displaying a wide array of influences ranging from Six Organs of Admittance to the Silver Jews, the music of Greg Pardew (aka Soon Clyde) seems to reside at a series of impossible crossroads. Recorded live and without overdubs, Greg uses his acoustic (and electric) guitars & voice to fully explore the conflicting moods that are carefully hidden from within the fabric of his delicate, yet quietly dissonant songs. Soon Clyde is Greg Pardew from Maryland, USA and this is his debut cdr album." |
| 5/16/2010 | Sorc'henn | Shadow Is Ov Silver, Phantom Is Ov Gold | c56 cassette | $7.99 | Digitalis Limited | "Sorc'henn is the twisted brainchild of laurent boulouard and on "shadow is ov silver, phantom is ov gold" he's determined to invade your dreams and paint them all black. sickly organ drones proliferate every corner in this darkened soundworld. sometimes they're stretched and overrun by diamond-cut guitar riffage other times they're turned into the soundtrack to the worst funhouse imaginable. there are few artists around who can turn their music into something so completely haunted like boulouard. he takes it to a different place. it's the most sinister church music imaginable. dampened chimes over ghostly voices creep into your psyche until you'd rather be dead than posessed. it's so fucking eerie it gets buried uner your skin. but in the end, "shadow/phantom" reminds me why i love sorc'henn so much: he takes you places you'd never go on your own and in that sense it's almost divine. almost. edition of 72, pro-dubbed & imprinted." |
| 4/1/2004 | Sorrows, The | Take a Heart | LP | $15.99 | "The 1965 UK mod/freakbeat classic originally out on the Pye label, remastered for stereo, with bonus tracks from their 7" releases. Sometimes compared to THE PRETTY THINGS, THE KINKS, or early BEATLES, they never made it in the US, although they were very well known in Britain and the title track here was a hit on the UK charts. Original cover art and liner notes, Euro import." | |
| 4/24/2006 | Sotto Voce | Sotto Voce | CDR | $8.99 | Public Eyesore | "A quartet of piano, sax, guitar and drums the three tracks were recorded in 99, 00 and 01. Two long tracks - nearly 30 minutes - of shifting improvisation. The piano provides the stable foundation which the rest of the instruments play over/with. There are solos, duos, trios and the whole foursome at various times, squonking and riffing and noising. The guitar gets some electronica and feedback going: these two are fast rides of building tension and release. And through it all the piano keeps offering a tuneful core that the other instruments either accept or ignore. The short final track is more coherent and focussed, but still energetic. An exciting album of edgy stuff." - Jeremy Keens |
| 11/23/2004 | Souled American | Fe / Flubber (Framed Vol. 1) | DBL CD | $15.99 | Tumult | "The first in Tumult's Framed series of Souled American reissues gets you their first two albums together. Fe is a ramshackle conglomeration of warm muted guitars, strangled harmonies and dub-like, slippery, underwater bass (their defining sound). Flubber takes off on a rickety bluesy crawl, stretching the more rock sound of FE into muted swamp blues, languid and syrupy. Long before the whole No Depression, Palace-whatever explosion these guys stood defiant and sadly alone." – Revolver. This comes highly recommended! I used to see these guys play monthly back in central Illinois in the late '80's and I still listen to them weekly 15+ years later. |
| 12/8/2004 | Souled American | Frozen | CD | $13.99 | Checkered Past | “Souled American, the ahead of its time alt-country rock band which recorded a trio of critically-acclaimed albums for the American branch of Rough Trade Records in the late 1980s, returns to U.S. record stores when Checkered Past Records releases the band's 1994 album, Frozen. Frozen had previously been available only on a small, mail-order focused German label. Souled American retreated from the public eye in 1991, when the American branch of Rough Trade folded, and the band's drummer left to devote more time to his family. At that point, founding members Chris Grigoroff and Joe Adducci (both raised in Charleston, Illinois) returned to their home studio, slowed down the rhythms of their songs, and continued to craft spare, haunting roots music. The results of those efforts were two discs, the beautifully lonely Frozen and 1997's Notes Campfire. Despite the band's low profile in recent years, Souled American has maintained its devoted cult following, which includes fellow iconoclast Richard Buckner, and guerilla music writer Camden Joy, who plastered Manhattan with posters about the band and then turned the project into a book. Frozen, with its molasses rhythms and emphasis on the sounds between the sounds, is true to the band's roots but evolved from the band's jaunty work of a decade ago. As one of Joy's posters describes it - today's Souled American is ‘slow but never lazy.’” |
| 9/10/2011 | Souleyman, Omar | Haflat Gharbia: The Western Concerts | CD | $15.99 | Sublime Frequencies | "Omar Souleyman is a folk-pop singer from rural northeastern Syria. Like many Syrian musicians, he made his name as a singer for wedding parties in the region, with hundreds of cassettes and CDs documenting his performances distributed throughout the country. These, along with several studio albums, earned him legendary status in the Syrian dabke scene throughout the 1990s and early 2000s. After his 2005 breakthrough folk-hit "Khataba," Omar gained wider recognition throughout the Arab world. After collecting his tapes for a decade, Sublime Frequencies released the first compilation of Omar Souleyman tracks to be distributed in the West. The success of Highway To Hassake (SF 031CD, 2007), and the enthusiastic online reaction to the promotional clip for his track "Leh Jani," led to Omar being invited to tour the UK and Europe in the summer of 2009. It would be his first time performing or travelling outside of the Arab world. He and his group, comprised of two longtime collaborators -- Rizan Sa'id on keyboards, and electric saz player Ali Shaker -- set off on a six-week Sublime Frequencies tour with label-mates Group Doueh. By the end of 2009, Omar had proven that his unique and charismatic delivery of Syrian electrified folkloric dabke, Iraqi choubi and Arabic shaabi had the ability to appeal to the most diverse of Western audiences. His success has continued, with further tours throughout Europe, America and Australia drawing rave reviews and leaving a trail of fervor across the globe. The rise of Omar's success has transcended the wedding halls and cassette stalls of Syria and slipped into Western popular consciousness. Despite there being no shortage of musical talent in Syria, dabke and otherwise, Omar Souleyman is the first Syrian musical export to have won the hearts of Westerners and Arabs alike on this scale. His trademark checkered khaffya, sunglasses and elegant jalaba are not uncommon male attire in the Arab world, but for years in the West, it is that exact image which has been excessively demonized. Perhaps one of the most striking achievements of Omar's rise has been watching that iconic image transformed from comic book villainy to something positively regal. The recordings on Haflat Gharbia: The Western Concerts, Omar Souleyman's fourth release on Sublime Frequencies, represent an hour of the best moments from the Western tours between 2009 and 2011, captured in striking fidelity and intensity. Fans will recognize familiar songs, as well as previously-unreleased material presented here for the first time, in what is the biggest sounding Omar record yet. Compiled and recorded by Mark Gergis." |
| 9/14/2011 | Souleyman, Omar | Haflat Gharbia: The Western Concerts | double LP | $26.99 | Sublime Frequencies | "2LP version. Omar Souleyman is a folk-pop singer from rural northeastern Syria. Like many Syrian musicians, he made his name as a singer for wedding parties in the region, with hundreds of cassettes and CDs documenting his performances distributed throughout the country. These, along with several studio albums, earned him legendary status in the Syrian dabke scene throughout the 1990s and early 2000s. After his 2005 breakthrough folk-hit "Khataba," Omar gained wider recognition throughout the Arab world. After collecting his tapes for a decade, Sublime Frequencies released the first compilation of Omar Souleyman tracks to be distributed in the West. The success of Highway To Hassake (SF 031CD, 2007), and the enthusiastic online reaction to the promotional clip for his track "Leh Jani," led to Omar being invited to tour the UK and Europe in the summer of 2009. It would be his first time performing or travelling outside of the Arab world. He and his group, comprised of two longtime collaborators -- Rizan Sa'id on keyboards, and electric saz player Ali Shaker -- set off on a six-week Sublime Frequencies tour with label-mates Group Doueh. By the end of 2009, Omar had proven that his unique and charismatic delivery of Syrian electrified folkloric dabke, Iraqi choubi and Arabic shaabi had the ability to appeal to the most diverse of Western audiences. His success has continued, with further tours throughout Europe, America and Australia drawing rave reviews and leaving a trail of fervor across the globe. The rise of Omar's success has transcended the wedding halls and cassette stalls of Syria and slipped into Western popular consciousness. Despite there being no shortage of musical talent in Syria, dabke and otherwise, Omar Souleyman is the first Syrian musical export to have won the hearts of Westerners and Arabs alike on this scale. His trademark checkered khaffya, sunglasses and elegant jalaba are not uncommon male attire in the Arab world, but for years in the West, it is that exact image which has been excessively demonized. Perhaps one of the most striking achievements of Omar's rise has been watching that iconic image transformed from comic book villainy to something positively regal. The recordings on Haflat Gharbia: The Western Concerts, Omar Souleyman's fourth release on Sublime Frequencies, represent an hour of the best moments from the Western tours between 2009 and 2011, captured in striking fidelity and intensity. Fans will recognize familiar songs, as well as previously-unreleased material presented here for the first time, in what is the biggest sounding Omar record yet. Compiled and recorded by Mark Gergis." |
| 8/2/2008 | Soulighters, The | Combo's en Strategieen met Bepaalde Charcters | CDR | $12.99 | musicyourmindwillloveyou | "Transmitting from france , the soulighters guitars, woodwinds, keys and percussion offer a stumbling , drunken clatter and drone that settles itself upon the listener like a blanket of warm confusion and guides the ear deep into a thick forest of drawn out pulses and reverberations , ultimately manifesting itself in a ritualistic ambience with serpentine flashing and circular hum. Like church music if god were not only real but serious about his head." |
| Sound | Drunk On Confusion | CD | $12.99 | Tekito | "Sound is is a new project from VDO member Eric Lumbleau. The album is packed with the same studio zaniness that Electric Company and VDO has, but is far more whimsical in it's mood." Electronics, synths, sitars, and guitars give this a cosmic feel at times, but the sound collages disrupt this often which is not a bad thing at all. Fucked up. | |
| 1/29/2003 | Sound Collector | #8 | zine with CD | $6.99 | "Features: Grandmaster Flash, Rock Camp For Girls, Daniel Johnson, Susan Archie (Revenant designer), Eric Dolphy, Francoiz Breut & Dominique A., Alan Bishop of the Sun City Girls, James Brody, Richard Meltzer (interviewed about his long forgetten 8mm films), Chuck Warner, Zammuto, Sepia-Tone, Steffen Basho-Junghans, much more. And no reviews! Also, 17 track CD with some of these artists and others 164 pages, perfectbound." | |
| 6/9/2010 | Sound of Pot / Cycles Inside | split | cassette | $4.99 | Feeding Tube | "Sound of Pot is Conrad Capistran (Sunburned) solo at two live shows. Cycles Inside is Shannon Ketch (Jow Jow, Supreme Dicks) recorded at Feeding Tube. One of our favorite releases! Conrad creates deep and mature work with tricky toys: Casio SK-1 and Kaos Pad. Shannon delivers a dynamic set with spoken word metaphysics, acoustic trance-out and organ drone." |
| 1/26/2011 | Sound of Pot, The | Only Jesus Can Make Me | LP | $16.99 | Manhand | "Contemplative, poppy, & occasionally Goblinesque tunes on casio & kaos pad. Lots of contemporary records use synths, but most of them are missing the harmonic chops to make any actual songs. If you tried to play their tunes on kazoos, for instance, they'd be boring, and maybe even silent. Conrad Capistran's (Sunburned/Tarp) tidy sketches have brappy textures, but it's spare enough that you can puzzle each tune apart & back together again in your head while it plays. So for my money, this record is pretty much the emotional equivalent of waking up & rolling over to peer out your bedroom window only to see a baby fawn look up from some grass muching & lock onto your eyes before bounding away. Any band can make you smile, but only the Sound of Pot can make you high. Tracklisting: Sunday, Quelque Merde, Jack Elam, A Puddle of Tears, Lucio, Dusk, Trepenation, Psychoplasmics, Jaunty, Berserk, Ruddock, Artificial Sweetener, The Stake Out, A Snail, Kerry Minnear, Wallflower, Sappy, Senseless Mayhem, Cyclops, Fnord, Dingue, Unicycle, Miracles Do Happen, Another Decade, Oui. " - WEIRDO - very high fidelity!! artwork by Cap. Edition of 200 copies |
| 11/30/2011 | Sound Projector | Issue 20 | magazine | $13.99 | "The 20th issue of The Sound Projector is published 1st September 2011. It's an all-vinyl issue, containing just reviews of albums and singles - plus an interview with Martin Archer. Written by Ed Pinsent, with contributions from Michael Tau, Richard Rees Jones and Jennifer Hor. 128 pages." | |
| 6/18/2002 | Sound Projector | Tenth Issue | magazine | $10.99 | "A quarto of saw delight - 160 pp perfect bound book. Dada - Mecano In The Mechanical Way!! Skinny Hands I Love (The Residents). An Apprenticeship To Robert Fludd. Mega Interviews: Achim Wollscheid / Alejandra & Aeron / Carl Michael Von Hausswolff / Cyclobe / Gen Ken Montgomery / Phill Niblock / Olivia Block / Pal Asle Pettersen / Jon Mueller / Michael Renkel. In addition thereunto over 250 record reviews [Free Jazz, The Residents, Koji Asano, Reynols, Laptop music, Drones, Electronica, Songs, Rock, Improv, In the Art Gallery, Nightmares and Penumbra, No Probable Purpose, Environmental Recordings, Atoms of Pure Noise and plenty more kettles of fish]; disinformation on Gustav Metzger, Crass and Imber Village; John Bagnall on Primitive Methodist Music; Jennifer Hor on Paul McCartney; War Arrow on World Music, Stan Batcow and the Skipload of Tapes; Alasdair Willis on Vinyl Viands; Rik Rawling on Iggy and The Stooges, Boards of Canada, The Damned and Miles Davis; CDs retrieved and rescued from The Bag of Doom; Engaging with Planetary Politics; Art by imagistic magi: Middleton, Rawling, Reynols, Bagnall, Pinsent, Richardson, Willis, Parentela, Sherred, Roberts." | |
| 12/2/2008 | Soundpressings | Soundpressings | cassette | $8.99 | Digitalis Limited | "Oklahoma turned out to be crimson red this year, but for those of us living here, we know that this place is a fucking hole of an enigma. case-in-point: soundpressings. this newly unearthed oklahoman gem came out of nowhere to blow our brains into piles of swiss cheese. the inimitable danny mitchell comes to us from out west in norman (via nathan young's stomping grounds in tahlequah). soundpressings, though, is all over the map. hearing soundpressings is like wandering into a mountain of lost & found tapes from a million different sources, all playing at once. mitchell crafts these collages together in an original and addictive way, finding sweet, ghosted-out drones in the midst of a sheet of noise or a plodding, electronic rhythm. once you enter his domain, you never know where exactly you'll end up. oklahoma's not dead yet. limited to 80 copies, full color covers by mitchell." |
| 11/15/2008 | Soup Horrific | Intestinal Chill Out Vol 5 | cassette | $7.99 | Fag Tapes | "Abstract sounds origin Spain. what could be guitar feild recordings or what could sound like metal and synth. really cool audio soups you would eat in a mirage of hunger! two course meal! hand-numbered edition 77." |
| 5/6/2011 | Sousa, Tiago | Walden Pond's Monk | LP | $15.99 | Immune | "Walden Pond's Monk is the brand new album from Portuguese musician and composer Tiago Sousa. Walden Pond's Monk is a piece that was composed and heavily influenced by the idealism and revolutionary spirit of Henry David Thoreau. The album is a natural evolution of the aesthetics already present in the previous album Insónia, while at the same time it reveals the maturity of a composer who consistently challenges himself. On this album, Tiago Sousa maintains the same intuitive and spontaneous approach to the piano and remains convincingly impermeable to the normative formalisms of genre and academism. With Ricardo Ribeiro (clarinet) and Baltazar Molina (percussion), Sousa builds a piece in a continuous momentum, anchored on impressionist melodies of disarming simplicity and interrupted by a stormy improvisation. During the thirty two minutes of Walden Pond's Monk, Tiago Sousa nourishes a romantic narrative based upon the essential ideas that Thoreau documented in works like Walden or Civil Disobedience: the profound respect for freedom and for the infinite expression of the possibilities of men." |
| 9/17/2006 | Southern Man / Pykrete | No More Love to Give | CD | $12.99 | Phaserprone | "Recorded sometime in 2005. Collaboration between North Carolina/ Berlin duo Southern Man and fellow caroliner Pykrete. Five tracks of unorganized, mangled and unknown electronic devices. Radiators, broken refrigerators, dilapidated architecture, fishing in the dead sea. 125 copies, packaged in a self assembled dye-cut and letterpressed CD Gatefold." - label. "The sound is like Lithops doing 'construction-site' techno or subtle, industrial composition. Simple, insistent rhythmic structures are slowly covered in bulldozer/earthmover textures (see "Distance Player"). There's quieter stuff too; "Vacation Rigonda" has warbly analog voices trading space with rummaged metal and other unknown sound sources that build into a small wall of cacophony. New sounds, in beautifully letter-pressed, hand-cut and folded sleeves with inserts and/or tipped in photos. Painfully limited edition pressings of 125 copies or less, so get 'em while they exist." - Scott Mou / Other Music |
| Souvenir Satellite | Exiting Orbit Now | CD | $12.99 | ETI | One copy available | |
| 5/15/2003 | Space Machine | 3 | DBL LP | $49.99 | Tiliqua | “From around 1998 Maso Yamazaki started to incorporate trippy, spacey electronics. This third Space Machine release, which is aptly named 3, is a double vinyl album that consists of solo excursions by Yamazaki in his home studio. The release is limited to an edition of 500." Beautifully presented in a full color gatefold sleeve with hot orange / red vinyl, this is actually not just solo works from Yamazaki. The first two sides of the LP are solo recordings. However, sides C & D feature the Acid Mothers Temple’s Kawabata Makoto on electric guitar and reverb unit as well as Nakaya Kouichi on Korg synthesizer, Moog etherwave theremin, and echo machine. This was recorded live in Osaka on December 19, 2002. A great record - highly recommended! This dbl lp is now out of print. |
| Space Needle | Voyager | CD | $13.99 | Zero Hour | Does not have Yes artwork | |
| 4/24/2003 | Space Rocket | Bez Kalhotek | 10" | $9.99 | Boing Being | "Oh this joy! - a brand new release from our very own Space Rocket, including 12 tracks recorded during one furious weekend on the summer of 2002. Serves the whole family, combining elements from jazz to noise, from kraut to improvisation, and as usually... ending up some distant place out of the map. This is the soundtrack of the year, composed for a movie never filmed. ‘Space Rocket are fucking brilliant! (and I hope they use this bit of the quote.)’ (Robots and Eletronic Brains), ‘...they go way beyond any labeling. ...Recommended!’ (Broken Face). Edition of 300 pcs now on sale." |
| 7/16/2009 | Space Weather | Space Weather | CDR | $11.99 | Sonic Oyster Records | "Space Weather is a new power trio, featuring Alistair Crosbie (electric lead guitar), Andrew Paine (electric bass guitar) and Brian Lavelle (synthesizer). Formed in June 2008, 'Space Weather' is the result of three summit meetings called between July - October of the same year. This is very much a 'band' album, melodic in places with progressive leanings, ranging from the two chord assault of early kosmische rock to 'horse-rotavator' era Coil." Edition of 100 copies. |
| 4/3/2011 | SPACEKOM | Voyage Deux | c30 cassette | $7.99 | Digitalis Limited | "montreal is at it again, this time in the duo of christian richer and jean-francois blanchette aka spacekom. there's a heavy synth bend here (and drum machine backing), obviously, but the crux of what makes spacekom so great is richer & blanchette's perceptible pop sensibilities. throughout each side-long excursion on "voyage deux" (broken into four and three tracks, respectively, but flowing seamlessly together) you are never far from a catchy melody that latches onto your brain. it reminds me of a more stripped down nod to grosskopf or even hoenig's "departure from the northern wasteland" with more bits of drone exploration thrown in for good measure. another winner from the great white north, berlin school be damned. edition of 80, chrome." |
| 6/3/2009 | Spacemen 3 | DJ Tones | LP | $18.99 | Great Pop Supplement | "A limited edition five-track mini-album which features two previously unreleased Spacemen 3 tracks, a radically different mix of the classic Spacemen 3 cover of the Red Krayola's "Transparent Radiation," appearing for the first time on CD, and the ultra rare remix of "I Love You" (originally only 50 promo white label vinyl copies were ever pressed). Rounding off this mini-album is a studio version of "Ecstasy Symphony." UK import. Limited to 1,000 copies." - Revolver. |
| Spacemen 3 | Live in Europe 1989 | CD | $18.99 | Space Age | Great live recordings from 1989. | |
| 1/30/2010 | Spacemen 3 | Performance | LP | $17.99 | Fire | "Live in Amsterdam in 1988 on tour to support the "Perfect Prescription" album, this features 7 songs: "Mary-Anne," "Come Together," "Things'll Never Be the Same," "Take Me to the Other Side," "Rollercoaster," "Starship," and "Walkin' with Jesus." Original artwork, 180 gram vinyl." Highly recommended! Very sturdy jackets, too. |
| 1/17/2010 | Spacemen 3 | Sound Of Confusion | CD | $15.99 | Fire | "Originally released in 1986, Sound Of Confusion was the debut album by Spacemen 3, one of the most influential bands of the '80s British underground. The number of bands with a sonic debt to the Jason Kember/Peter Pierce partnership seems to grow every year. Having forged iconic status, they reinvented noise in music, although they were much more than a noisy guitar band. Spacemen 3's use of noise owed as much to the importance of harmonics, repetition, tone, distortion and some sort of higher aspiration, be it religious or opiate redemption or bliss. The feeling they aimed at with intensity makes it irrelevant if it's about heroin or a slightly pastiche idea of Jesus; it's the focus and intent that can suck you in and take you for a ride; it's music that believes in the primal and heavenly power of sound. Sound Of Confusion is a blistering, overdriven two-chord assault throughout, with a strange bleakness and despair creeping through the hypnotic sprawl. Their covers of The Stooges' "Little Doll" and The 13th Floor Elevators' "Rollercoaster" are absolutely devastating. This reissue comes housed in a gatefold cardboard sleeve, a miniature replica of the original LP." - FE |
| 8/11/2003 | Spagirus | Ever Now Those Before | CD | $6.99 | Maritime Fist Glee Club | "Treated sample compositions. That's all of the information about the 5 tracks on this release. It's difficult to pinpoint what, if anything, actually was the original source material. Greg has slowed down, folded, mangled and otherwise mutilated the sounds so much as to make them something completely foreign, something completely other. And to make this transformation complete, the CDr provides a number of different listening experiences. Played at a normal volume, it is an exercise in new minimalism or lowercase sound where one must intensely listen to the sounds as they unfold and dissipate, but if one turns up the volume.... A new aural situation presents itself. Those sounds that were barely on the edge of hearing come violently to life. The muted burblings and sub-bass harmonics threaten to destroy speakers." |
| 6/30/2010 | Sparkling Wide Pressure | Nowhere Time / Cruising Reflections | c46 cassette | $5.99 | Sweat Lodge Guru | "Sparkling Wide Pressure mines rich tones and melodies from his electric guitar, performing psychedelic slight-of-hand that pulls the colors from your speakers like the proverbial rabbit from the hat. Limited to 100 pro-dubbed cassettes." |
| 6/25/2011 | Sparkling Wide Pressure | Sing What You Remind Me Of | c40 cassette | $5.99 | Tranquility Tapes | "Few have a style as singular and consistently fascinating as Tennessee's Frank Baugh. With a formidable discography under his belt, Baugh has utilized his Sparkling Wide Pressure moniker to explore spaces that are as eccentric and alien as they are beautiful and comforting. Sing What You Remind Me Of finds Baugh pushing the project further into left-field pop territory while retaining the strange, psychedelic glory that has already made believers out of many underground sound eaters. Intricately realized pieces for guitar, bass, voice, and electronics carry sweeping, nostalgic melodies that convey warmth, yet feel as though they could collapse into abstraction at any moment. This combination of compositional prowess, improvisational tendency, and ability to take the listener to realms both familiar and unsettling at once always keeps Baugh's work deeply engrossing and utterly addictive. On pro-dubbed and imprinted chrome cassettes, featuring designs by Caroline Teagle." Edition of 100. |
| 2/26/2011 | Speacil Speacker | Rap Of Ibogaine & Suet | c90 cassette | $4.99 | American Tapes | "New weirdo homemade electronics unit. We got a COLONY of squirrels in our black yard. They always creeping and scurrying EVERYWHERE. Freaks our special kitty friends out BIG TIME. Me & Tovinator got a suet square in the big tree for all the birds hanging out, woke up one morn, made coffee and the visual for it was a massive SUET SQUIRREL showdown. Was intense. Imagine them rascals freaking out and mangling some raw homemade oscillators. AND add to that a horrible misspelling of a Church Rap(p) event = Speacil Speacker live between yr. Ears. Color covers, numbered edition." |
| 5/13/2011 | Spearhawk, Jesse / Eric Carbona | Sixty Strings | CD | $12.99 | Vhf | "Sixty Strings is an album of two epic duets by Eric Carbonara (22-string upright Chaturangui guitar) and Jesse Sparhawk (38-string lever harp). While Carbonara has studied Chaturangui extensively with Pandit Debashish Bhattacharya in Kolkata, and Sparhawk was classically trained by major figures of the harp world in his formative years, the music here is their own-not a mashup of quasi-orientalism and conservatory bloodlessness. Both side-long tracks lay out a spacious framework, with the two players supporting simple but elegant melodies that recall Brüder des Schattens-era Popol Vuh and various modal / devotional styles. While the sound of the Chaturangui's sympathetic strings provides a constant electric blanket of comfort, Carbonara's playing is concise and restrained, forgoing the kind of melismatic ornamentation that is a stylistic tic of much Indian-inspired music. Sparhawk, whose expert playing adds much to Fern Knight's complex orchestrations, steps out and extends his instrument using various techniques: fingerpicking guitar-like patterns that interlock with Carbonara, and using sharply struck attacks at the upper register for a piano-like effect. On "The Entwined Twin," the dry crack of a snare drum (played by Julius Masri) enters after a few minutes, ratcheting up the urgency and adding an unexpected texture to the proceedings. The excellent recording captures both instruments in detail with close-up, intimate feel." |
| 1/17/2010 | Speckled Band | Speckled Band | CDR | $12.99 | Into The Lunar Night | "This was a collaboration done with the fine Brightonians Dylan Nyoukis, Karen Constance, Ian Murphy, Paul Wilson, Sarah Albury and Family Underground on a short break in Brighton on a tour of the UK. Recorded March 2008 in a rent-by-the-hour rehearsal space. great times." |
| 4/13/2011 | Spectral Armies | The Vanished People | LP | $17.99 | Alt Vinyl | "Nick Mott with Ben Jones and Sarah Sullivan from Jazzfinger. An atmospheric recording captured in a cave in Cornwall with later manipulation and overdubs by Nick Mott. Also featuring weird demonic voices courtesy of 5 year old Gabriel Mott. Disintegrating tape loops, home made pipes, distorted violins and guitars, cheap keyboards, percussion, water and rocks. Influenced by Nick and Ben's shared appreciation of Avant Garde Black Metal and Occult Noise this album is however loose, free and almost fragile in its incorporation of found and sampled sounds. Discordant and disjointed in places, yet occasionally an almosy tribal melody is allowed to evolve before being plunged into a brass sample or sonic blenderŠ.mysterious and intense." 180gm LP ltd to 250 copies. |
| 9/17/2006 | Spectral Light & Moonshine Firefly Snakeoil Jamboree | Burning Mills | CD | $16.99 | September Gurls | Spectral Light & Moonshine Firefly Snakeoil Jamboree is the brainchild of Pennsylvania based folk alchemist Timothy Renner (Stonebreath, Mourning Cloak, Breathe Stone). He is accompanied by Sarada and Prydwyn (Green Crown). Rooted in old-time Appalachian music and often played on19th century instruments, their repertoire is mostly traditional: graveyard blues, murder ballads, ghost songs and old hymns. "Burning Mills", their new album and 2nd full length, finds the band comfortably nestled in the haunted hollers and rundown farmhouses which gave birth to their first album. But something here has changed. The banjo sparkles in the darkness. The voices weave strange harmonies only hinted at previously. The lap dulcimer and bouzouki dance around each other. The reedy drones of the harmonium hang like mist in the air. Here we find a band so comfortable with the material, so thoroughly at home with their instruments, that with closed eyes the listeners can easily imagine themselves sitting around the campfire as the band plays these songs. Unconcerned with New Weird America", The Spectral Light & Moonshine Firefly Snakeoil Jamboree devote themselves to Old Weird America and the Celtic/European roots from which this tree of songs grew. CD contains two extra tracks not on Acony Bell Dbl LP." |
| 11/4/2006 | Spectre Flux | Spectre Flux | CDR | $9.99 | Veglia | "New solo blast from Mr Pete Nolan of Magik Markers, Virgin Eye Blood Brothers, Vanishing Voice et al that packs all of the eternally-peaking electro/guitar wuzz of Matthew Bower-related projects like Skullflower et al, all rendered in reassuringly primitive/human modes. Edition of 80 copies in ultra-crude packaging." - Volcanic Tongue |
| 9/29/2005 | Spectre Flux | Spectre Flux | CDR | $11.99 | Arbitrary Signs | Heavy violin / guitar / electronics jams - solo recordings from Pete Nolan (Magik Markers). |
| 9/24/2009 | Spectre Folk | After Kool Special! | CDR | $10.99 | Arbitrary Signs | "New blooz from the folk spectre.. the fuzz drips from the bones like honey from the bears paw on this one. An urban snapshot of decayed and phased out endless stinking hot summer nights in the BK. You'll also hear a sweetly sad Velvets cover "ride into the sun".. some synth damage ala assault on precinct 13.. and some full on rock action from the hot version of the band featuring Sir Mick Flower on thee last track. Lotsa bang for your buck. Consider this a warm up for the soon to be released Spectre Folk LP on Arbitrary Signs!" |
| 2/25/2008 | Spectre Folk | Black Bones | CDR | $11.99 | Arbitrary Signs | "Ex-angel - fuzz up - GPRO Blankest Meds." Solo disc from Pete Nolan (Magik Markers) |
| 8/28/2007 | Spectre Folk | Black Jacks | CDR | $11.99 | Arbitrary Signs | "This CDR explores new sonic possibilities of home 16 track technology and early formation of the new band phase of Spectre Folk as Pete is joined by J.T. Sodas on synth. A few songs, new and old, are given the Band treatment. Thers also some very glopy stuff and some extendo blooz stuff, as well as some solo synth action. A long disc full of dripping mind exploration.." |
| 4/7/2011 | Spectre Folk | Blackest Medicine Vol. 2 | 12" | $13.99 | Woodsist | "Pete Nolan was Spectre Folk before drumming and strumming in Magik Markers was his main gig, and will be Spectre Folk long after he shuffles off this mortal coil. The main benefit of ghost-folk is: you can play it way after you're dead, and while you're alive the Spectre can haunt any decent willing body with a gift for the unreal. This time around, fellow Michigander Steve Shelley (Sonic Youth) runs drums, Peter Meehan (The Grey Lady) glues guitar and Aaron Mullan (Tall Firs) slithers bass, creating an alchemy the Spectre hasn't floated since the days of basement wig-wearing in the short-lived Norman Bates era. The band entered Echo Canyon West with the intention of recording a 7-inch of the up-tempo version of "The Blackest Medicine," the title cut from the 2007 home-fi Woodsist debut. After several sessions, they emerged with a four-song studio collage monster that won't fit in your locker and smells like smoked banana peels and undies blowing down an alleyway. A vibraphone, piano, and a plate reverb unit the size of a Brooklyn apartment were all employed by the Spectre like Uri Gellar used spoons-inappropriately, desperate and bent. They physically turned the two-inch reel of tape over so Meehan could put subliminal backwards masking under his Erkin-Koray-worthy guitar solo on "Fourth Dimension Refs," and Nolan put the Temple Screamer to good use on tracks one and two, using samples of Shirley Temple Black's "Good Ship Lollipop" as vocoder harmonies on choruses. Oh yeah, it's full of burning psych-pop jammers, too! Earmarking Nolan's longstanding but unspoken obsession with personal hygiene, "Keep Your Teeth Clean!" is a krauty suite that betrays Shelley's and Mullan's recent stint as the rhythm section for Neu! Their teutonic influence has the effect of putting the dreamy psych-fuzz exhibited on last year's Compass LP through a blenderŠ with a frog... that spills out into a wide open Milky Way head zone. You can't snuggle with this record, so strap yourself in and feel the Gs! Fearless as a lemming, Nolan has created a private universe here, a Society of the Spectre-cal, if you will, and his gift is his freedom. Let's have a drift." - Elisa Ambrogio (Magik Markers) |
| 12/12/2009 | Spectre Folk | Compass, blanket, lantern, mojo | LP | $15.99 | Arbitrary Signs | "As anxiety encroaches with the cold air of winter thank the stars for the whiskey/weed warmth of Compass, blanket, lantern, mojo --- it flows through you like a liquid howl of light." Thurston Moore. "For an out-of-it fogie like myself, it's tough to keep up with the many musical hats our boy Peter Nolan sports. There's of course The Magik Markers and then there's Lil Dusty, Spectre Flux, Spectre Folk, Folk Spectre, Cops, etc. I gotta admit I sorta lost the thread on Petes' musical output for awhile there due to the simple fact I couldn't keep up with it all. My chrome dome would literally throb with all the names and phony catalogue numbers that must accompany all these sound whims that must fly off his ginger head like bats from a belfry. Luckily, I put down the Brupenex long enough to catch up with "Compass, Blanket, Lantern, Mojo', Nolans' latest expulsion under his Spectre Folk moniker. As expected, the album reeks of the musty homespun psychedelic scent that would make both Al Simones and Uncle Neil Young red as a beet. The tunes are hazy with hope and bobbing audio to spare. Seagulls or rusty bedsprings sound off in the crackly distance on one track and I get a salty taste in my mouth like I licked the third pier boardwalk in Wildwood circa '79. And check out the track 'Burning Bridge' where Petes' voice soars and wavers like a wounded dove flying to the safety of a clean cage and the awaiting name of 'Walter'. The whole thing is a gorgeous, fully conscious stumble into a self made sunset and it just reminds me of something someone never said to me 'It's not over until you declare everyone a loser and paint yourself in a corner'. - Tony Rettman, Guidoville, New York, November 2009 |
| 6/4/2010 | Spectre Folk | In the Sparkin' Age of the Great White Horse | cassette | $7.99 | Arbitrary Signs | "In the Sparkin' Age of the Great White Horse" is the new cassette from Spectre Folk, nearly 50 minutes of psych-ish folk-leaning rock fog that is destined to melt into your dashboard this summer. The tracks are culled and clipped from the sessions that produced Spectre Folk's most recent LP, Compass, Blanket, Lantern, Mojo. Here in the sparking age, Pete Nolan's mood seems, lighter and brighter - there's less mystic nursery hush and a much more saturated stain of the pink-orange ice cream colors of a Pacific sunset. True to form, there are forlorn fingerpickers and some quiet, noisy stretches that feel like a walk alone in the woods at night, but the tape also finds Nolan making organic noises with his noisemaking machinery: a tube amp makes thundercloud sounds on a track that's got the hazy warmth of a summer day begging for a rainshower; synths burble, ominously at first, then dissolve into the a sound like passing cars on the highway, before a couple guitars, intertwined, come in at a glacial gallop marching the tape along. And the albums rockers show Nolan's increasing comfort with extended form guitar solos that saunter into and out of wild crescendos and murky valleys like it's the easiest, most natural thing in the world for the music to do. tracks: A 1. the follow trees 2. we're here forever 3. storm clouds in my fender 4. I dropped a line 5. suitcase 6. last days of the Binson 7. cash machine > B 1. 8 foot wings (now 6 feet longer!) 2. trailers |
| 3/26/2006 | Spectre Folk | Requiem for Ming Aralia | CD | $12.99 | Thre Lobed Recordings | "Leaping forth from a prior discography consisting of CDRs and cassettes, Spectre Folk's Requiem for Ming Aralia is a powerfully assured psychedelic folk statement. Spectre Folk is a one-man operation consisting of Pete Nolan (drums for the Magik Markers, Shackamaxon, GHQ, Virgin Eye Blood Brothers, Wooden Wand & the Vanishing Voice, etc.). Nolan's significant responsibilities elsewhere have made him into a man who rarely has a chance to slow down. Spectre Folk offers the listener the ability to glimpse at one of those rare calm moments and it showcases the delicately twisted calm bubbling underneath the drumming furor Nolan unleashes elsewhere. The beauty present in this uneasy tranquility certainly makes Three Lobed Recordings proud to release Requiem for Ming Aralia as Spectre Folk's first full-length CD." |
| 3/26/2006 | Spectre Fone | Newsday Long Island for Nipsey Russell | CDR | $9.99 | Chocolate Monk | "New solo smooch from Pete Nolan (Magik markers/Virgin eye Blood Brothers) letting out some primitive apartment style electronic/raga strangeness." "...feels like wading through treacle with an alien antenna wedged deep in your skull." - Volanic Tongue |
| 9/17/2006 | Spectre Zaimph | Spectre Zaimph | CDR | $11.99 | Heavy Blossom | Marcia Bassett (Double Leopards, Zaimph, Hototogisu, GHQ, UN, etc..) and Pete Nolan (Magic Markers, GHQ, Spectre Folk, Cops, etc..) recorded May 2006, Edinburgh, Scotland. |
| Spectrum & Jessamine | A Pox On You | CDEP | $11.99 | SpaceAge Recordings | 5 track EP (33 minutes) includes excellent Silver Apples cover | |
| 6/30/2010 | Spectrum & Tim 'Love' Lee b/w Spectrum & Captain Memphis (aka Jim Dickinson) | Words May Shatter / The Lonely Death of Johnny Ace | 7" picture disc | $7.99 | Great Pop Supplement | "Next up on The Great Pop Supplement is both a musical and visual mindbender of a 45! A total killer 7" pic disc featuring 2 collaborations between Sonic Boom / Spectrum and Tim 'Love' Lee and Captain Memphis aka legendary musician (Stones / Aretha Franklin / Alex Chilton) and Producer (Big Star etcŠ), Jim Dickinson. Both pieces are among the very best things recorded since Sonic Boom's days with Spacemen 3. Total whacked out Silver Apples mash up one side and a wonderful smoked out, moog fuelled blues on the reverse. Hugely acclaimed DJ and Producer Tim 'Love' Lee and Spectrum offer up "Words May Shatter", a stunning The Silver Apples / Suicide freakout on Side A, while the reverse features an unreleased out-take of the mighty "The Lonely Death of Johnny Ace" from a collaborative project between Sonic Boom / Spectrum and Captain Memphis. Recalling the tragic, true story of master bluesman Johnny Ace who shot himself dead on Christmas Day 1954 and featuring an incredible vocal from the late, great Jim Dickinson, this take debuts here. Beautiful, op-art effect picture disc and acetate sleeving, this is a one off pressing of 1000 which is sure to go quickŠ" |
| 5/28/2011 | Spectrum / Cheval Sombre | split | 7" | $7.99 | Great Pop Supplement | "The second of this month's new 45s on The GPS sees a stunning split 45, pairing Sonic Boom's Spectrum with New York's Cheval Sombre. The Spectrum side sees a debut airing for the full length version of live favourite "Mary", previously released as a nagging teaser intro / outro to the great "Indian Giver" CD collaboration with Jim Dickinson a couple of years back. A beautiful 7 minute ode to Kraftwerk and Suicide via a passing nod to Stereolab and Neu! that debuts on wax and as a full length take here, exclusively. Put simply, this is just ridiculously awesomeŠ. The reverse side features an exclusive Sonic Boom remix of the wonderful "Red Moon" from the imminent, glorious Cheval full length. New York based Christopher Porpora has previously released some wonderful singles on Static Caravan and Trensmat, leading in turn to a full length release on Dean Wareham's "Double Feature" label. Whether one scribe's term "delicate, druggy, slow core folk" sits true, remains a matter for debate, but either way this has an air of a Nick Drake tune around it, with added Sonic Boom Elektronik impetusŠReleased on white vinyl in Ivan Liechti op-art sleeve, this one's a cert for a hasty selling outŠ" |
| 7/14/2007 | Speculum Fight | Live in Tokyo 1995 | LP | $14.99 | What The.. ? | "We are proud and excited to present our second effort as the team What The..? Records in finest production and resurrection of artifacts from some of the favorite artists. This time.... -- a lost long live set from California sound unit Speculum Fight (to some now known as Damion Romero), taken place back in a heavy time for sound of such density and heaviness, in one of the heaviest zones on Planet Earth -- Tyoko, Japan circa 1995 !!! These sides are cut striaght in vein from chrome cassette to cutting needle, as if drawing the very energy of analog spirit without the interference of digital approximation, and indeed it is pure anaolog these grooves you hear!!! Romero has stated this live set is in direct influenced by such dark-cloud recordings as "Milky Way" (infamous Keiji Haino live set) and perhaps ritualistic density of C.C.C.C., but we know the sound is also instead pure West Coast motor engine fog monster. Bonus slab of soundcheck included at the beginning, to set the stage for what surely will be known as a prime window into pure eyes-closed eclipsed darkness of highest mental order. Romero does not su much as "play" as he does just line up of cosmic and physical psychic energy to birth a creation of situation for top-notch psychic physical cosmos. Comes in silkscreened cover with heavy-duty resealable polyethylene bag, includes reproduction of original show flyer and numbered photograph from the trip in the eye of Romero himself. Hold inside cover in front of face while listening for best results. Edition of 300." |
| 5/14/2007 | Speculum Fight | Lost Live 2 | cassette | $6.99 | Hanson | "Thats right! From the Live archives of Damion Romero. Cassette contains 2 Speculum Fight gigs recorded in California in 1996. Ruling oldschool BZZZZZZZZZZ!!!" |
| 2/20/2010 | Sperm | Shh! | LP | $14.99 | DeStijl | "A totally legit LP only reissue of this amazing Helsinki monsterpiece from 1970. Shh! is primarily a document of Pekka Airaksinen's experimental compositions, consisting of primitive samples, guitar loop feedback and musique concrete. Sperm also functioned as a wildly theatrical live act a la Dionysis in '69 and would arrange underground happenings which would occasionally inspire a rallied public outcry against the derisive act of public humping atop a grand piano. Ooh la la.." Originally released in 1970 on O Records from Finland, Pekka's private label. 2010 repress. |
| 7/11/2008 | Spider Trio | Rendezvous | LP | $13.99 | Assophon Records | "Spider Trio are Wally Shoup (alto sax), Jeffery Taylor (guitar) and Dave Abramson (drums). Wally Shoup is a legend in the free jazz/improv scene. He has been well documented over the years, releasing records with Thurston Moore, Chris Corsano, Paul Flathery, Nels Cline, Bill Horist and many others in various combos. Jeffery Taylor and Dave Abramson are key players in the ever incestuous Seattle subunderground musical community. Taylor is one half of Climax Golden Twins and Abramson leads the Diminished Men. This LP is a live document that blew all the minds in attendance. Take your BYG/FMP/ESP/ SUN/ America/AKBA imprints and the sounds they represented and you'll have an idea of the force and power of this amazing trio. This is some of the finest free jazz of the modern era!" Edition of 400 copies. |
| 7/30/2006 | Spiderwebs / Mike Tamburo & Matthew McDowell / Keenan Lawler | Strands Formerly Braided | CD | $12.99 | Music Fellowship | "When you unbraid your hair, the strands remain curled and contorted for some time. The act of braiding the strands together affects the structure and fibers of the hair, taking days or even weeks for the hair to relax back into its natural position. This relationship between strands in a braid is similar to relationships between people. Each interaction, especially ones with close friends, affects and influences the interactions you have later on. Thus, Strands Formerly Braided is a fitting title for this edition of the Music Fellowship's Triptych series because the three featured artists have a long history of improvisation and collaboration. Spiderwebs is the duo of Tom Carter and Sandy Ewen. Cater is best known for his work with the landmark drone group Charalambides, which he formed with longtime creative partner Christina Carter. Since 2002, Carter has begun collaborating with a wide range of other artists, from his work with 60's Australian folk poet and songwriter, Pip Proud, to his improvisations with psychedelic stoner rock band Bardo Pond. For this release, he teams with Sandy Ewen who has a long history of improvisation as well, from her membership in Houston's MECA improvisational ensemble to her performances in the Nameless Sound Collective concert series and Austin's No Idea festival. Mike Tamburo has been a member of the Pittsburgh avant garde music scene as an integral part of crystalline drumless drone rock structures of Meisha and the more-free flowing ethnic apocalypse music |